Wish (Walt Disney Animation - November 2023)

TsWade2

Well-Known Member
First, once again, I apologize for being a drama king. I guess I’ve been doom scrolling on Twitter/X. Second, I’ve found a slash film article that gave me hope for Wish: https://www.slashfilm.com/1455842/disneys-wish-box-office-disappointment-dont-count-it-out-yet/ I guess despite of a bad start of the box office, maybe there’s hope for Wish to do well at the box office after all. Maybe not a Frozen success, but maybe between a Tangled and Moana success. We’ll see. In the meantime, I’m planning to see it with my best friend this Saturday. Just need to find out the times tomorrow.
 

WorldExplorer

Well-Known Member
I don't know what their next movie is (and I probably won't see it), but I'm curious how they're going to handle villains now that their "return to form" seems to have fallen flat on its face (and amassed a group of people who're appalled at Disney's lack of concern for him falling flat on his face).

Try again?

More badly written twists?

Actually try to write a character that's consistently an antagonist with personality and presence but not in the pure evil style of old villains?

Give up and try to avoid them altogether?
 

Farerb

Well-Known Member
First, once again, I apologize for being a drama king. I guess I’ve been doom scrolling on Twitter/X. Second, I’ve found a slash film article that gave me hope for Wish: https://www.slashfilm.com/1455842/disneys-wish-box-office-disappointment-dont-count-it-out-yet/ I guess despite of a bad start of the box office, maybe there’s hope for Wish to do well at the box office after all. Maybe not a Frozen success, but maybe between a Tangled and Moana success. We’ll see. In the meantime, I’m planning to see it with my best friend this Saturday. Just need to find out the times tomorrow.
You didn't even go to see Wish in its opening weekend? Do you realize that you contributed to its low opening numbers?
 

Miss Rori

Well-Known Member
For me, I don't get the point of 90% of what happened [...]

... and that works in a kids movie where nobody is expected to think much about that sort of thing but as a family movie or one meant to entertain adults in general, I just don't see how that works.
I have not seen the film, but having looked at the lyrics of the final song and some of the tie-in books...In the climax, the song works because as Asha remembers from "I'm a Star", she and every other citizen of Rosas is a star. By singing together of their desire for more than Magnifico's reign of terror, thus tapping into their own inherent magical ability, they are able to overpower the dark magic and free Star.
 

FettFan

Well-Known Member
I have no idea what the appropriate budget for such a film is, so I’m not in a position to assess whether it’s too much or not.

For comparison, $100M was the budget for both Across the Spider-Verse (Sony) and Super Mario Bros. Movie (Illumination).

Disney tends to go higher, with Frozen, Frozen 2, Moana, Zootopia, and Encanto all around $150M.

Strange World reportedly got $180M
 

FettFan

Well-Known Member
Any personal issues aside, Lasseter isn't the creative audience whisperer that some thinks he is anyways.

Just have to look at his offering after leaving Pixar, Luck. Didn't connect with audiences at all, has an even lower audience score than Wish does.

We'll see if any of his other films currently under production fair any better, but I'm not holding my breath.

I think the biggest problem with Luck is the fact that it was (and remains) exclusive to Apple TV+.
 

MrPromey

Well-Known Member
I have not seen the film, but having looked at the lyrics of the final song and some of the tie-in books...In the climax, the song works because as Asha remembers from "I'm a Star", she and every other citizen of Rosas is a star. By singing together of their desire for more than Magnifico's reign of terror, thus tapping into their own inherent magical ability, they are able to overpower the dark magic and free Star.
Which would suggest that this amazing dark magic he basically threw his soul away to possess wasn’t even really that powerful to begin with, relatively speaking.

Yours is probably the closest to the right answer and it’s funny that nobody who has actually seen the movie on here responded with that (but now that you’ve put it out there, we’ll get people agreeing)

And unfortunately, that’s only one of the things they don’t really flesh out either well or at all during this film’s running time. :/
 

MrPromey

Well-Known Member
For comparison, $100M was the budget for both Across the Spider-Verse (Sony) and Super Mario Bros. Movie (Illumination).

Disney tends to go higher, with Frozen, Frozen 2, Moana, Zootopia, and Encanto all around $150M.

Strange World reportedly got $180M
To be fair, the artists for Spider have said that as an industry, the conditions they produced that movie under are not sustainable.

The right answer for feature length animation is probably somewhere closer to the middle between the two.
 

Casper Gutman

Well-Known Member
To be fair, the artists for Spider have said that as an industry, the conditions they produced that movie under are not sustainable.

The right answer for feature length animation is probably somewhere closer to the middle between the two.
Which is one of the major reasons that the third Spider-Verse film is indefinitely delayed.

And Illumination is the "cheap and basic" animation studio. Their animation is, intentionally, nowhere near the level of Disney, Pixar, and Dreamworks. They're the Hanna-Barbera of CGI. It has its place, but its place shouldn't be at Disney.
 

Disney Irish

Premium Member
To be fair, the artists for Spider have said that as an industry, the conditions they produced that movie under are not sustainable.

The right answer for feature length animation is probably somewhere closer to the middle between the two.

Which is one of the major reasons that the third Spider-Verse film is indefinitely delayed.

And Illumination is the "cheap and basic" animation studio. Their animation is, intentionally, nowhere near the level of Disney, Pixar, and Dreamworks. They're the Hanna-Barbera of CGI. It has its place, but its place shouldn't be at Disney.

I have a feeling that Illumination and Sony Animation are going to start seeing their budgets rise fairly quickly too, especially after the Disney animators unionize with IATSE.
 

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