MuRkErY said:
Actully less is often better on the subject of Film (And I believe Film applies to Disney as it is essentialy at it's core a Film experienced in reality).
Look at Alien for example, you hardly ever see the Alien in Alien, and it works perfectly, it builds tension, suspense, and is master film making on Ridley Scotts part.
Another example, but this time bad. Signs, the first 3 quarters of Signs were very good, you only saw very, and I mean very fleeting glimpse of the Aliens. Then the last quarter of the film completely ruined it, introducing the Alien in full light for a good 5-10 minutes, it was rubbish, and downgraded the film.
Just some simple rules from the Hitchcock school of Film Making, what you dont see is often more interesting than what you do. Something I believe EE captures brilliantly, and also fits in with the Legend of the Yeti.
Well we do agree on three things here:
1. Alien was a masterpiece
2. Signs was a terrible, vastly overrated movie, and
3. Hitchcock was a genius at creating psychological suspense.
Unfortunately, while your examples are certainly excellent ones, I think your analysis of why each works or doesn't work is flawed, as is your attempt to apply the same concepts to a theme park ride...or assume that's what Imagineering has successfully done, which they haven't.
The first thing I'd recommend is that you rent Alien and watch it again. While the movie does do a lot to build suspense, it also gratifies the audience by allowing us to gradually see more and more of the creature as the film progresses. At the end, if you recall, it's a full on encounter. You also must remember that the film does this over the course of 2 hours...a luxury of duration that no theme park ride offers. There have been other movies that have relied on the "tease" throughout the course of the entire film. Audiences generally come away from those feeling frustrated and cheated. I believe that's how most of the general public will look at Everest. Many will like it for the coaster aspect of it, and maybe some will think it's cool that the lift hill offers a great view, and that you go backwards in some parts. But I think most will not be impressed by the Yeti (especially the cartoon projection).
What ruined Signs was not the fact that you see the aliens at the end. The flaws of that film are too numerous to list here, but in a nutshell it had an incredibly weak storyline (i.e. Why attack a planet that is 4/5's water if water is lethal to you??), and the "suspenseful" scenes were ones that featured nothing but a pitch black screen and a lot of screaming. It didn't work.
As far as Hitchcock is concerned, filmmakers are always trying to take elements of what he did, apply those elements to their films and then scratch their heads wondering why it didn't yield the same effect as Hitchcock's films. That's because, much like Walt Disney, Alfred Hitchcock was widely misunderstood and most people did not get what it was about his genius that was so effective. Hitchcock was able to tap into the part of a person's mind that can conjure up more fear and suspense than anyone can provide externally. If the Imagineers were trying to do this with Everest, they failed.