Madison
New Member
sabian said:The flaw with Monsters, Inc. is that it would assume that everyone saw the movie in order to make this connection. Not all adults have seen this movie, and, i find, that EPCOT is more adult oriented. I feel that Monsters would take away from the overall message of the attraction because they would have to set up the characters for all of the adults who have not seen the movie. (Disney does have a large following of people without kids.) I just think it is too far a stretch for this attraction. Monsters would fit in Tomorrowland, i.e. , Timekeeper's area. But Epcot, no. I just cannot see it. I see everyone's point. But, if you honestly think of the logistics involved, MOnsters would be harmful to Future World. Thrawn, i see what you mean about things "fitting," but, at least those attractions deal in, Quazi-reality. Monsters, Inc, to me, is way too far a stretch and hinderence to Epcot. There is no place for it.
At the same time, obviously nobody knew who Figment or Dreamfinder was -- and those characters did a fine job of hosting their pavilion. I don't understand why people think that for something to be 'adult' or educational, it must be devoid of characters. The characters, when used well, can make the experience fun! That's what Epcot is about, I'd think -- making learning engaging and fun by presenting important subjects in whimsical ways.
I would love to see how Monsters, Inc. could be integrated into the Universe of Energy message. Imagine how that story could parallel our own world, even -- after falling in love with Boo, the monsters have discovered that, maybe, their method of gathering energy for their city hasn't been as harmless or without consequence as they imagined and are faced with the dire challenge of finding a new source for it. Metaphor can be a great tool.
I admit to having never seen 'The Adventures of Ichabod and Mr. Toad,' but I love Mr. Toad's Wild Ride. Ditto with 20,000 Leagues Under the Sea and Song of the South. It's entirely possible to make an attraction work with characters that the public doesn't intimately know -- if you can even say that about Mike and Sully.