... It all comes down to binge viewing. It's sorta like the OCD fanbois that must have every piece of EPCOT ephemera ever produced. Folks watch an entire season in a weekend so you can't develop a show normally. You have to move at warp speed to account for the fact that the vast majority of your viewers are going to be done with the show in ... at most ... a month. And you don't want them cancelling their Netflix accounts ... So, what I termed poor writing and holes you could drive a triple wide MK guest through after watching the first five hours become something more. I'm sad and disappointed because Spacey and Wright are so damn good. But at the end of the day, this type of writing does not serve them well. I know my opinion won't be the popular one, but that never bothers me and won't now.
Shows that take their time and are not OMG!!!!WE-BROKE-TWITTER levels of dramatic are passe now. And it absolutely is killing great stuff. I'll give a Disney example...
The best television product Disney put out in 2012 was a little known named ABC Family show called Bunheads. Run by the brilliant Amy Sherman-Palladino, it featured the finest whip-smart, screwball dialogue written by anybody in Hollywood not named Aaron Sorkin. It was the type of show that assumed the intelligence of its audience, the type of show that would reference Jean Paul Sartre, Refrigerator Perry and Anais Nin and expect you to keep up. Bunheads was one of those old school character study shows, it featured little to no plot and no soap opera-y type elements. It uniquely advanced a lot of its character dynamics in beautiful, surrealistic ballet sequences often set to obscure music (they once started a season with a ballet set to Bjork!)
The show was so good the New Yorker (the New Yorker!!) named it their top pick for the
2012 year in television. For a show that was on ABC Family. The New York Times dance critic
loved the dance sequences. It was critically adored and gained a bit of a cult following, especially among the older, educated demographic that never watched ABC Family before.
So of course ABC Family, in their infinite wisdom, decided it was too high-brow and they were only aiming for low-brow tween viewers. Its references were too cultured, they said. Its plot wasn't scandalous or "Gotcha!"-y enough, they said. And they cancelled it. They replaced it with more of their dreck like Twisted (about a teen who is a serial killer) and a Pretty Little Liars spinoff (shows that revelled in more teens doing unspeakable things) that has itself already been cancelled.
In case you can't tell, I was heartbroken. Bunheads was unlike anything else I've ever seen, artsy and hyper-literate, and instead we're stuck with even more anti-hero shows over the years, like House of Cards. These are the types of dark, lowest-common-denominator-type shows that feels like your faith in humanity and your will to live are killed after you get done watching.