The Aracuan Bird
Well-Known Member
The older ones with Classic Daffy. I grew up on all three. Additionally, the older I get, the more I appreciate the Donald cartoons.Does anyone else prefer Looney Tunes over the Silly Symphony and Mickey shorts?
The older ones with Classic Daffy. I grew up on all three. Additionally, the older I get, the more I appreciate the Donald cartoons.Does anyone else prefer Looney Tunes over the Silly Symphony and Mickey shorts?
I’d pay full admission price just to see the original, unedited version of RDCT again.
Randomly thinking about that firework show at the moment. It’s been nearly 20 years since Disneyland’s 50th and I’m shook.
I wanted to love the current Fantasmic! show, but I don’t. I don’t hate it either, I think it’s fine. But it was certainly better before.I'm the same, but with the original Fantasmic!. Or if Indiana Jones had every effect working with all of the dialogue variations back in place, I'd pay full admission.
It's interesting how much RDCT and F! have influenced more modern Disney fireworks shows or night time productions, yet none have come close to topping those two.
Wow is this land still there?It’s a bit of a stretch, but Oz had arguably the biggest presence in the Great Movie Ride, and a land at Universal Japan. The land had a carousel and stage show.
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That's such a shame, a Wizard of Oz land sounds great.No, it’s now a part of “Universal Wonderland.” It’s a land that includes Peanuts, Hello Kitty, and Sesame Street IP. I think the Oz area specifically is now Sesame Street.
Thanks for making me feel old.It’s been nearly 20 years since Disneyland’s 50th and I’m shook.
It’s because the DL original is, to most, “Superior.” Marc Davis was a genius, but sometimes when an artist revisits a masterpiece and tries to improve it with streamlining and restaging, a lot of the original’s charm and atmosphere are lost. Sometimes quirkiness is better than right angles.Something I can’t figure out is why the DLP version of POTC decided to use the supposedly inferior DL version of the second show building. Apparently Mark Davis revised and improved the entire layout and staging of the Ship/Village sequence for MK. You can differentiate between the two styles just by their floorplans. Original is angular and shaped sort of like a piano, while the remix only has right corners.
Consequently, when Pirates was replicated at TDL, even though the ride starts off just like the DL original, the second showbuilding is a copy of the “superior” MK layout. Yet, for some reason imagineers replicated the DL version of the second showbuilding at DLP.
My best guess it was that west coast arrogance that we hear is popular among imagineers. The design team just went on autopilot and assumed everything about the DL Pirates is superior to the MK version.![]()
Excuse me. Wanna talk old? I rode Midget Autopia and the Flying Saucers.Thanks for making me feel old.
Excuse me. Wanna talk old? I rode Midget Autopia and the Flying Saucers.
I know he hated how the upwards waterfall and everything else before getting back to the loading area made the DL ride end on an anti-climactic note.Can someone explain the differences between DL and MK Pirates that Marc Davis liked?
I know he hated how the upwards waterfall and everything else before getting back to the loading area made the DL ride end on an anti-climactic note.
The only point I’ve heard is that he never liked the chain lift at the end... and for some reason thought a speed ramp was... better???Can someone explain the differences between DL and MK Pirates that Marc Davis liked?
Originally the treasure room, before they removed most of the stuff in there and added Jack Sparrow.I’d have to disagree with him there.
What’s the climax at MK? The jail cell?
I doubt he considered the speed ramp as part of the ride experience, ergo it's not really anticlimactic as you're not expecting another drop or show scene after that.The only point I’ve heard is that he never liked thd chain lift at the end... and for some reason thought a speed ramp was... better???
I guess it’s impossible for a designer like Davis to experience a ride from a guest’s POV. The atmosphere, the sounds, the smooth transition back to the present... that trip up the waterfall is a perfect way to end POC.I doubt he considered the speed ramp as part of the ride experience, ergo it's not really anticlimactic as you're not expecting another drop or show scene after that.
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