Just from my own observations: October is a nice time to visit, and, while the crowds shouldn’t be too crazy, expect all the parks to be at least moderately crowded. At this point they’re almost never *not* crowded, but October shouldn’t be at the “insanely mobbed” level.@Rich T and other Floridians.....
How are the crowds at Universal and WDW in October? Would Express Pass at Universal be necessary? Will I need to pay for all ILLs at Disney? Or are the crowds manageable that time of year?
Thanks!
For Universal, always prioritize IoA.One more question:
How do Halloween events affect the crowds? One of the dates at Universal includes a HHN (which we have no interest in attending). Do we prioritize IOA on that day or USF? Ditto for the Halloween party at Magic Kingdom: good day to visit MK, or go to a different park?
Enjoyed it a lot. I love how Katharine Ross is going crazy trying to figure out how all the women around her are changing. It reminds me of Invasion of the Body Snatchers. " It won't be me. She'll be like one of those robots at Disneyland." Any movie today would let the cat out the bag earlier just to show off some tech. The tension keeps growing to the end. It's good dark scifi.Please let me know when you finish the movie, because I’d like to comment on it.![]()
Glad you enjoyed it.Enjoyed it a lot. I love how Katharine Ross is going crazy trying to figure out how all the women around her are changing. It reminds me of Invasion of the Body Snatchers. " It won't be me. She'll be like one of those robots at Disneyland." Any movie today would let the cat out the bag earlier just to show off some tech. The tension keeps growing to the end. It's good dark scifi.
I think that was the point though, right? Like you said, it was poking at the cultural ideals of the time. I thought the ending made it more horrific: There was no reason. They were just monsters. (I mean, even wikipedia calls it "satirical feminist horror".Glad you enjoyed it.Now, I haven’t seen it since it was originally released, but…I kinda hate this movie. It has good moments, and you mentioned its rather excellent slow build. Also, it shines a great satirical spotlight on the way many corporate tv ads of the 6O’s and 70’s portrayed “ideal” housewife priorities.
*****SPOILERS*********
But I was so ticked off at the reveal, which just—for me—destroyed any shred of “suspension of disbelief.” Okay, so this movie wants us to believe that all the men of this town have no problem having their wives murdered and replaced by sex robots. And then, near the end, when Katherine Ross asks the big question that EVERYONE in the audience wants an answer to: “WHY???” The response is “Because we can.” What the—-????
That’s the film’s low, cynical view of all male humans. No character development, just a bunch of shallow, unrepentant murderous horndogs. If this was a cheesy horror film, ok, but this is trying to be something more and its only character motivation is “Because we can.”
I think it’d make a great campy musical in the style of “The Rocky Horror Show,” but… for me the movie’s payoff relies on accepting too big—and too cynical—a leap in believability. But that’s just me.![]()
Thank you so much for your tips!For Universal, always prioritize IoA.On a HHN day, I’d start early at IoA, take Hogwarts Express to USF, do a leisurely loop to get the good Studios rides done, then head back to IoA before the HHN guests start arriving.
I’ve found MNSSH days at MK to be a good time to visit that park if you rope drop and leave around 4 o’clock.![]()
Glad you enjoyed it.Now, I haven’t seen it since it was originally released, but…I kinda hate this movie. It has good moments, and you mentioned it
rather excellent slow build. Also, it shines a great satirical spotlight on the way many corporate tv ads of the 6O’s and 70’s portrayed “ideal” housewife priorities.
*****SPOILERS*********
But I was so ticked off at the reveal, which just—for me—destroyed any shred of “suspension of disbelief.” Okay, so this movie wants us to believe that all the men of this town have no problem having their wives murdered and replaced by sex robots. And then, near the end, when Katherine Ross asks the big question that EVERYONE in the audience wants an answer to: “WHY???” The response is “Because we can.” What the—-????
That’s the film’s low, cynical view of all male humans. No character development, just a bunch of shallow, unrepentant murderous horndogs. If this was a cheesy horror film, ok, but this is trying to be something more and its only character motivation is “Because we can.”
I think it’d make a great campy musical in the style of “The Rocky Horror Show,” but… for me the movie’s payoff relies on accepting too big—and too cynical—a leap in believability. But that’s just me.![]()
Isn't the same excuse used for every evil deed a corporation does. "Because we can." That was the same excuse for creating Tyrannosaurs, Velociraptors, cloned organ donors and Skynet. Disney is constantly using that excuse. Lets make them pay for fast passes. Why? Because we can.Glad you enjoyed it.Now, I haven’t seen it since it was originally released, but…I kinda hate this movie. It has good moments, and you mentioned its rather excellent slow build. Also, it shines a great satirical spotlight on the way many corporate tv ads of the 6O’s and 70’s portrayed “ideal” housewife priorities.
*****SPOILERS*********
But I was so ticked off at the reveal, which just—for me—destroyed any shred of “suspension of disbelief.” Okay, so this movie wants us to believe that all the men of this town have no problem having their wives murdered and replaced by sex robots. And then, near the end, when Katherine Ross asks the big question that EVERYONE in the audience wants an answer to: “WHY???” The response is “Because we can.” What the—-????
That’s the film’s low, cynical view of all male humans. No character development, just a bunch of shallow, unrepentant murderous horndogs. If this was a cheesy horror film, ok, but this is trying to be something more and its only character motivation is “Because we can.”
I think it’d make a great campy musical in the style of “The Rocky Horror Show,” but… for me the movie’s payoff relies on accepting too big—and too cynical—a leap in believability. But that’s just me.![]()
Rather disappointed by this news. Not that I ever went there
Its funny you mention Muzak, its a brand name that became synonymous with a type of product even though it doesn't exist anymore. The brand name Muzak was retired in 2013 by its new owners Mood Media after acquiring it in 2011.To this day, I sometimes find myself in a supermarket aisle with the Muzak playing
No, John Hammond sincerely wanted to give the world something worthwhile. He never thought, “I don’t have enough wristwatches. What if I spend billions to perfect dinosaur resurrection, build a theme park on an island, fool people into coming to the park, let the dinosaurs loose to feast on the people, and then I can sort through the Dino-poop and I’ll have all those pooped-out wristwatches! Bwahahahahaha!!!”Isn't the same excuse used for every evil deed a corporation does. "Because we can." That was the same excuse for creating Tyrannosaurs, Velociraptors, cloned organ donors and Skynet. Disney is constantly using that excuse. Lets make them pay for fast passes. Why? Because we can.
Love the picture of Ginger in the sun top.
When I was a teenager, I mocked and sneered at Muzak.Its funny you mention Muzak, its a brand name that became synonymous with a type of product even though it doesn't exist anymore. The brand name Muzak was retired in 2013 by its new owners Mood Media after acquiring it in 2011.
I've found most chain supermarkets I go to now don't play music anymore, they use their own sound systems that play ads about in-store specials.
Its was always the "elevator music" brand, and I used to mock it too. I've found myself listening to a lot of "Yacht Rock" lately as well.When I was a teenager, I mocked and sneered at Muzak.
Now I have a playlist of easy-listening orchestral pop music from the 60’s and 70’s on my phone. And it’s growing.
When I was a teenager, I mocked and sneered at Muzak.
Now I have a playlist of easy-listening orchestral pop music from the 60’s and 70’s on my phone. And it’s growing.
I was caught up in the film’s mystery and suspense all the way up to the ending. I’ll say this: Stepford Wives is full of clever ideas, good performances… and the poster is absolutely iconic. And though I don’t like the full film (and I’m probably in the minority on that), it is unique and unforgettable.
When I was a teenager, I mocked and sneered at Muzak.
Now I have a playlist of easy-listening orchestral pop music from the 60’s and 70’s on my phone. And it’s growing.
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