She used to work in Disneyland. She's an amateur park historian (like 25% of this message board). She's an expert.
I find it weird to call Splash an "old ride". It's WDW installation is a little older than Alien Encounter, a ride which involves a lot of looking at nothing.
I wish people would stop talking past each other and misrepresenting other posters.
We have these kinds of people who like this ride. These can be ALL different people:
A People who are excited to see something new in the parks.
B People who felt Song of the South is troublesome and unnecessary part of Splash's identity.
C People who are excited to see PitF have some kind of attraction after years.
On the other side you have, again a variety of opinions that can include:
1 People who are worried the company will botch the job, whether through budget cuts or refusing to recycle beloved elements.
2 People who liked Disney's attempt to isolate the Brer characters from their source material (and it's framing device).
3 People who are disappointed that Disney is devoted to purging Song of the South enough that they would rather invest in a whole new presentation for Splash Mountain than put the film somewhere with appropriate warnings.
4 Maybe/possibly some racists who use the above points to cloak their true feelings.
I'm like an A+1/2. Around the release of Splash in the late 80s, it felt like Disney was trying to position Brer Rabbit as their sort of Bugs Bunny, which was a thing I could have easily accepted as a kid. He's one of my favorite lesser-known characters in the stable. But between the Disney Decade drenching the company in profitable new IP and their efforts to remove Rabbit/Fox/Bear from Uncle Remus seemingly dropped cold when a handful of the audience asked, "isn't that offensive?" I wish the audience had been willing to go along, as they have with a Little Mermaid whose story is a complete inversion of the fable and a Lion movie that is (even if accidentally) a clone of a Japanese cartoon from the 70s. But I'm both happy and a little scared to see the company at present try to build a quality dark ride around this flume.
There's finally Group X, which I think of as a branch of Group 4:
X. People babbling about socialism and Karl Marx as though any of this is somehow relevant
Folks, Democratic Socialism did not bring down Splash Mountain. Let's be real: Disney's desire to protect it's pocketbook did more. Disney sold 30th anniversary merchandise in Disneyland with the Brer trio on them just fifty weeks ago. The ride is probably a few years from going away, and Disney simply moved up the announcement on this thing because of the timing rather than wait until D23 or later. Epcot is sitting on the surgical table and Disney is already booking an appointment for Splash Mountain. Why? Money.
We all know Disney's still putting Tinkerbelle in stuff despite "What Makes the Red Man Red". I do expect the stereotypical natives to leave the ride but it's going to be hard to remove Tiger Lilly without abandoning the whole film, and that only happens when girls don't care who Tink is anymore. The money makes it happen.
I'm a big government, welfare state kind of guy and I enjoyed the heck out of this ride and it's been a big part of my fandom as the opening of it (and Studios to a lesser extent) built my interest in the parks. I'm interested in what they plan to do the ride, but I'm also happy I have the memories of the ride that's leaving. I'm glad it happened and got to run for approximately three decades.