peter11435
Well-Known Member
They need a lot of workJust out of curiosity, where did that info come from? I can't understand why they'd want to lose them other than $. They give so much to WS even during the day.
They need a lot of workJust out of curiosity, where did that info come from? I can't understand why they'd want to lose them other than $. They give so much to WS even during the day.
The gospel version of “Celebrate the Future” was great during the millennium.I like HEA. When I see it, I enjoy it and I'm not making a mental note of all the ways it can be improved.
I like RoE. However, when I see it, I make a lengthy mental list of all the ways it could be improved:
- the pan flute rendition of Popcorn before the show is an insult to music, there are literally tens of thousands of better choices of music
- all stuff in the way of viewing, from trees to lakeside buildings (which I know a new show won't take care of)
- all the show elements at the level of the lake surface which becomes impossible to see if you have people in front of you
- the globe that is too small for the show and the attempt to show a video on only 25% of the globe (which is the percent of land mass on Earth)
- the big pause, because if you can't see the globe, then there is nothing visual happening
RoE needed *huge* upgrades or a new show, so, I'm glad there'll be a new show.
I don't mind the IP if done right, namely, nicely re-orchestrated for the show rather than audio clips of the movies, and none of that mushy old-time choir sound (looking at you American Adventure), but a more gospel-y or Broadway sound.
He's commonly referred as the peacekeeper between Eisner and Roy E Disney before his death in 1994 after a plane crash.ok who was Frank Wells?
Especially the supply pipes...They need a lot of work
Jeffrey Katzenberg's bitter relationship toward Eisner and Disney in 1994 only added more salt to the wound.Its been written extensively that Eisner had a great respect for Wells and he more than anyone else could influence Eisners decisions. When Wells death ocurred Eisner had no one else to influence/ manage/ control the direction of his decisions and ambitions and thats when Disney fans see things starting to sour for Disney.
People forget that Ron, Card Walker, and their crew developed the Disney Channel, Touchstone, EPCOT Center, and Tokyo Disney Resort. Too bad their film division sucked, because their legacy laid the groundwork for everything Eisner and Wells would improve.And top 5-6 most important figures in Disney history...
1-1a walt and Roy O
2. Roy E
3. Eisner
4/5 iger and wells
Honorable mention: Stan gold, Sid bass, card walker, don Tatum, ray Watson...even ron miller.
Here's a photo of Michael Eisner, Roy E. Disney and Frank Wells together.Half (or perhaps more than half) of what made Eisners first decade so great.
And top 5-6 most important figures in Disney history...
1-1a walt and Roy O
2. Roy E
3. Eisner
4/5 iger and wells
Honorable mention: Stan gold, Sid bass, card walker, don Tatum, ray Watson...even ron miller.
No, but they’d also call a geodesic sphere a golf ball. And ask where the Potter ride is.do you think to the general wdw visitor they know who these folks were or what their vision of the parks were?
Lol this had me laughing because on my family vacation when we had to pick a meeting place in Epcot we always said to meet in front of "the golf ball"No, but they’d also call a geodesic sphere a golf ball. And ask where the Potter ride is.
And say they’re "at Disney".
And low hanging fruit is the way to achieve that?
Because the parks didn't make money or attract visitors during the days when quality of experience was a priority. Do you really think that they would go out of business if they redirected their focus on aiming high?
Lol this had me laughing because on my family vacation when we had to pick a meeting place in Epcot we always said to meet in front of "the golf ball"
Here's a photo of Michael Eisner, Roy E. Disney and Frank Wells together.
So the "realities of business in 2018" are that people don't care about quality and are more likely to spend greater sums of money on mediocrity. Hmm. Okay. That's a pretty condescending attitude, but you be you.I think the Disney of 1978 or 1985 would if they failed to adapt to the realities of business in 2018 as you apparently have.
I'll show up for the last show or two to help blow the torches out one last time... after that, well, EPCOT is going to have to give me a very good reason to come back.
Drones are a sure thing, as is IP. The use of the nations in some way would seem to be a given as well.So the consensus that this will be an IP heavy / drone heavy show with some fireworks here and there? Or will it still have the World as the center of the story?
So the consensus that this will be an IP heavy / drone heavy show with some fireworks here and there? Or will it still have the World as the center of the story?
- It will be like Rivers of Life and Reflections of Earth joined with a secret something else. [is it drones?, probably drones]
- Well, whadya know? It's drones! [here]
- drones! [here]
- and some Tokyo DisneySea harbor show, may or may not have IP [here]
- Maybe to include movie/Disney IP [here]
- likely to include movie/Disney IP [here]
- which is down to two competing concepts [here]
- Expect this to be a tad more lighthearted. Still breathtaking, but different. [here]
- Name:
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