yensidtlaw1969
Well-Known Member
That's my background, fine art, so that's how I like to make things - especially props that are significant to leading players. But sometimes time and budget doesn't allow and you've just got to set someone on making it look good from the audience and being dry before the paint call ends.Our artists (before all the printed ones they painted them!) would be able to paint up close and make it look great far away, they did a lot of faces and one guy did fine art in his spare time. Was very much a learned skill and talent.
EDITED To Add: I just realized I misread your post, thinking it said your artists were able to make things look good both up close AND far away. That's what I was responding to when I wrote the above. Yes, it certainly is a skill to paint up close and sense how it will look from far away! Often changes come down to making sure things are harmonius together on the same stage - I once painted all the props for a show only to see it and realize the sets were painted in a VERY different fashion, and the supervisor never let on because they each looked good on their own. Clearly someone was fine with it, but I still cringe when I think about it . . . I was proud of the work that I did, but with more information I would have done things COMPLETELY differently!
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