:sohappy:
Thank you for a levelheaded response. You might get flamed for it, but you're right nonetheless.
By the time PI closed, every night was free for CMs. It had completely lost its luster, and removing the turnstiles was a last-ditch effort to try to get guests onto the island.
This was a depressing fall from PI's beginnings. In the late 80s, WDW advertisements focused on everything the resort offered, not just princesses. Epcot and the MGM Studios had made WDW a destination for adults without kids. Touchstone was releasing "Three Men and a Baby," "Roger Rabbit," and "D**k Tracy." Disney was nearing the top of its renaissance, and "Beauty and the Beast" hadn't been released yet. A controlled nightclub district fell perfectly into Touchstone territory, and Disney hadn't corroded its WDW brand into a preschool demographic.
PI reflected Disney's desire to attract and KEEP everyone at WDW, and it initially worked. The comedy and music clubs actually had A-list headliners for special events—when was the last time WDW had an A-lister for anything?—and the atmosphere captured the spirit of the late 80s and early 90s.
But did PI
really belong on Disney property? It was always more Touchstone than Disney, and when the club scene changed in the late 90s and early 2000s, Disney couldn't keep up with society without alienating the majority of its guests. PI could pull off "Touchstone," but it couldn't be "Paris Hilton."
IMO, PI is a textbook example of how Disney screws up when they try to be hip. (Example #2: the
awful Mickey Mouse show at DCA.)
There is one exception: the Adventurer's Club. Despite its adult-leaning humor and alcohol, the AC was the most "Disney" property on PI, and therefore its best. Attendance fell because PI fell, not because the AC itself was poor. Disney should have kept it for Hyperion Wharf.