Completely agree. And Universal chose to copy/chase Disney, while Six Flags chose not to do so. My "theme park" experience prior to Disney was many years of Six Flags/Great Adventure, which is one of the reasons why Disney completely blew me away on my first trip (which was as an adult.) I expected the same roller coasters with Mickey's face stickered on the cars. Mini-theaters - what?! All this detail within and outside of the rides, er, attractions - what?!
You completely turned around what I said. The idea of Disney's park's being defined by their characters is Disney fans defining a theme park based on Six Flags' example. Six Flags says they are a theme park operator and distinguished from other amusement parks because of the characters they include. This is furthered by a correlation between a preference for IP and acceptance of themed decor, it just has to be themed decor that looks expensive.
Yet it would be hard to argue the brand was not part of the draw, even at park open - whether specific characters or the Disney name itself. Disney was not unknown when DL opened. The implied assertion that DL would have been as successful if a similarly brilliant unknown Joe Schmoe opened it in the same location will forever be unproven. Knotts Berry Farm could be a hint, but having never been other than driving by, I presume it's more Six Flags than Universal.
We do know because we can look at the properties that were included in Disneyland. It was mostly box office duds and disappointments. Walt Disney Productions (the Studio), only owned ⅓ of Disneyland at opening. The interest was in Walt Disney as a storyteller, not the lackluster film properties that were included as a minor component of the attraction line up.
I'm not sure if you mean doesn't repeat the Magic of the Magic Kingdom, or isn't repetitive of the Magic Kingdom. I go with the latter.
I was referring to the oft made point that adding more characters to EPCOT Center and Disney's Animal Kingdom would turn them into little more than duplicates of the Magic Kingdom. I disagree with that point because it falsely assumes that the Magic Kingdom is and always has been an IP park.
And maybe this is a chicken or egg thing - but doesn't the character or movie develop that emotional and cultural weight to a far wider audience than the parks, and doesn't that initially draw so many people to the parks, looking to experience that emotional weight?
Disneyland became a cultural icon when the characters were only a very minor component, and even today character attractions make up the bulk of additions but not total content. EPCOT Center deliberately avoided characters and also became a cultural icon. They didn't just make people happy on their rides, or help people create family memories; they created lasting impressions that permeated more than amusement time. They embodied the Architecture of Reassurance by influencing larger outlooks. EPCOT Center is still referenced by that very name in relationship to its subjects
I understand another poster said he went to the parks first and developed an attachment to the parks before the movies. Wouldn't that be an odd exception?
OTOH, I developed an enhanced awareness of Disney after my first and subsequent visits. I may have been a fan of individual Disney projects and especially Mickey, Pooh, etc. as a kid. But I don't think I considered myself a Disney "fan" at the front of my brain and the tip of my tongue until after visiting the parks. That amplified my appreciation. So there's that nuance you mentioned.
You call this the exception but even you are pointing to the non-character elements as the source of what grew your interest.
That though is not the nuance I a was referring to, but that someone can be obsessed with Disney and still not have any like, respect or appreciation of themed entertainment as its own creative medium. The A=B=C of such a position is that such a person, despite also adoring Disney's theme parks, does not like theme parks. It is also not a value judgement. There is nothing wrong with not liking themed entertainment. The problem though is that instead of taking a more apathetic view of themed entertainment in which the liked elements always remain, there is often a very strong hostility towards themed entertainment as a valid medium.
Here you lost me. I don't think that's a fitting analogy.
It is a perfect analogy. The rule right now is that every attraction must be franchise based. It is also a strong desire amongst a set of fans but a similar rule applied to movies is so ridiculous it comes across as nonsensical.
Correct me if I'm wrong, but wasn't the original name of Disneyland supposed to be "Mickey Mouse Park" before they came up with "Disneyland"? Also, Cinderella's castle was there on opening day, correct? They also had plenty of non-character content, but I'm struggling to see where the parks have ever been completely separate from the characters.
The content of Mickey Mouse Park is documented and it included plenty that was not related to cartoons or movies. It was that unrelated content which continued to grow into the larger Disneyland project. The characters were always there, but by the clear progression through the 1980s was that WED Enterprises was doing less and less based on studio work.
It's not really clear who started it first. Carsland was the first big IP land for Disney and it was announced before Wizarding World was, but the announcements were close enough together that both were probably in development at the same time.
Wizarding World of Harry Potter followed the pattern of Marvel Superhero Island and Jurassic Park.