Disney Analyst
Well-Known Member
At least she too wishes the relocated fountain could be pumping water.
Agreed - I think they are aware that it's not that easy to replace iconic narrative (see Pirate Auction Scene) in a satisfying way.Time definitely wasn’t on their side if they were going to make a worthwhile change. I think when Kim talks about “structural” issues, she is referring to narrative structure, not the physical building.
There is just so much to consider when it comes to making alterations to that scene. Any changes made to what we see after the lights go out will also likely mean a change to the legendary stretching room spiel, in order for the new narrative to make sense. If I was an Imagineer, I would horrified at the thought of changing something so perfect to appease one or two people a year.
Side note, I sort of want to get one of those “I’m celebrating” buttons from City Hall now and have it say “I’m celebrating an axe murder, I guess??” Haha.
Which kind of makes it worse. Yes there are things like the out of scale and alignment changes to New Orleans Square that came from the Club 33, but it’s not disaster after disaster.I appreciate your willingness to be critical of Disney. I find myself bothered by the implicit assumptions and the way she frames the issues, but as I look back at the work with her fingerprints I don’t have a lot to complain about, honestly.
When will time be on their side then? It's been 17 months since we've seen the ride. Can't see them doing that again.Time definitely wasn’t on their side if they were going to make a worthwhile change. I think when Kim talks about “structural” issues, she is referring to narrative structure, not the physical building.
There is just so much to consider when it comes to making alterations to that scene. Any changes made to what we see after the lights go out will also likely mean a change to the legendary stretching room spiel, in order for the new narrative to make sense. If I was an Imagineer, I would horrified at the thought of changing something so perfect to appease one or two people a year.
Side note, I sort of want to get one of those “I’m celebrating” buttons from City Hall now and have it say “I’m celebrating an axe murder, I guess??” Haha.
Which kind of makes it worse. Yes there are things like the out of scale and alignment changes to New Orleans Square that came from the Club 33, but it’s not disaster after disaster.
Part of being a creative who puts work out is criticism. Make a movie, it gets reviewed. Write a book, it gets reviewed. The AI art issue would have been so easy to handle by taking some responsibility. Propping is a thing. That could have been explained instead of saying Disney “can’t” do something. It involves lots of things from a variety of sources and they missed something, now that they know they’re doing something else. Simple. Don’t make excuses and blame people for noticing. It’s hypocritical to go on and on about these little details and then complain that people noticed something little.
When will time be on their side then? It's been 17 months since we've seen the ride. Can't see them doing that again.
Time definitely wasn’t on their side if they were going to make a worthwhile change. I think when Kim talks about “structural” issues, she is referring to narrative structure, not the physical building.
There is just so much to consider when it comes to making alterations to that scene. Any changes made to what we see after the lights go out will also likely mean a change to the legendary stretching room spiel, in order for the new narrative to make sense. If I was an Imagineer, I would horrified at the thought of changing something so perfect to appease one or two people a year.
Side note, I sort of want to get one of those “I’m celebrating” buttons from City Hall now and have it say “I’m celebrating an axe murder, I guess??” Haha.
They've replaced the Hitchhiking Ghosts with Lightning McQueen, Mater, and Sally.A little concerned that the article acknowledges that the Hitchhiking Ghost scene has changed but they don't go into more detail than that.
It could be because they want to hold back the surprise, or it could be because they know the change will be unpopular and they don't want to address it. "Filling in ROA anyone?"
That's easy. Just because one Imagineering creative director didn't like the axe murdering concept doesn't mean the company at large is/was against it. The Muppets and the HM filmmakers were just riffing on whatever was in the Mansion at the time.And on top of that, if it really was that big a deal, why was it ok that both Muppets Haunted Mansion and the 2023 Haunted Mansion movies also portray the bride as a murderer and villain?
"It's the GHOST LIIIIGHT!!!"They've replaced the Hitchhiking Ghosts with Lightning McQueen, Mater, and Sally.
That's easy. Just because one Imagineering creative director didn't like the axe murdering concept doesn't mean the company at large is/was against it. The Muppets and the HM filmmakers were just riffing on whatever was in the Mansion at the time.
I never liked the serial killer aspect of it. I missed the old forlorn bride. Glad to see this reinvention of her.
I get that for sure. And you’re right. But then the quote should have been something like “as we reviewed the story, we decided we liked the original concept of a grieving bride better than the concept of an axe murderer bride.” Which would have been totally fine and understandable.That's easy. Just because one Imagineering creative director didn't like the axe murdering concept doesn't mean the company at large is/was against it. The Muppets and the HM filmmakers were just riffing on whatever was in the Mansion at the time.
I never liked the serial killer aspect of it. I missed the old forlorn bride. Glad to see this reinvention of her.
Exactly. I honestly don’t care one way or the other with this change, I liked the axe murderer story and I like the new one too.I never liked the serial killer aspect either. Not because I’m sensitive but because the forlorn bride fits the story better and is more believable. I don’t like how she framed the change in her explanation at all. This could be viewed as the precursor to the hanging corpose change. “See, we replaced the murder too.” I know a lot of people including myself questioned why beheading husbands is ok but vaguely implied suicide isn’t.
Exactly. I honestly don’t care one way or the other with this change, I liked the axe murderer story and I like the new one too.
My problem is with the way they framed their reasoning for making the change.
Same. I couldn’t care less if Constance sticks around or not. What bothers me, is Kim making it sound like it’s not acceptable in today’s day and age to have an implied axe welding murderer inside of a haunted house because somehow, that’s crossing a line?
Like, excuse me, what?
I know some people will say I'm all namby-pamby about it, but murder was never a part of the original mansion except for three notable exceptions: The Ghost Host's suicide, the dualing portraits, and the decapitated knight.I never liked the serial killer aspect either. Not because I’m sensitive but because the forlorn bride fits the story better and is more believable. I don’t like how she framed the change in her explanation at all. This could be viewed as the precursor to the hanging corpose change. “See, we replaced the murder too.” I know a lot of people including myself questioned why beheading husbands is ok but vaguely implied suicide isn’t.
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