I’d doubt it.Would that mean previews (AP, cast, etc.) in the May/June timeframe?
Actually, that 'tan' was intended to be thematic of studio lot buildings in order to make DMGMS look like a studio lot. When you're making movies, you got giant studio lot buildings.
However, now that it's not supposed to be a studio lot but rather an area of L.A./Hollywood, or, a movie land (ride the movie), then all the studio lot buildings should be rethemed. Just like they did with most of Grand Ave (the muppet store and part of the muppet theater still has studio lot theming).
Agreed. At least the Star Tours building needs to be redone. They did a nice job with that part of the park to get some Los Angeles consistency and then plopped in the middle is the Star Wars Sand Castle. IMO They could keep Animation Courtyard if instead they made it "Walt Disney Animation Studios." They should finish the sides of the Chinese Theatre for sure. Only thing I don't see is how they incorporate Toy Story Land transition into this LA theme park.Exactly. When the theme was clearly, unambiguously "you are visiting a studio" (and when the idea of visiting a movie/television studio was more interesting to people than it seems to be today), the studio buildings worked well. Granted, they were still a clever way to save money on theming, but they worked nonetheless.
Now that the studio concept has been removed from several areas (e.g., Grand Avenue), the "beige box" soundstage buildings really stand out - and I suspect it appears to the public that Disney just didn't theme the buildings, which should be an unacceptable appearance. The "movie set" theming of the Star Tours in Indiana Jones areas also really stand out: why are there movie sets plopped down in the middle of Los Angles streets? The same goes for "backstage" buildings like Backlot Express (if we're no longer on a backlot).
In order to make DHS work consistently, Disney needs to re-theme all of the soundstage buildings AND the remaining "movie set" buildings (Star Tours and Indiana Jones) AND the "backstage" buildings (e.g., Backlot Express). That is going to take a lot of step-by-step work over years. I think ST and IJ are already being taken care of, since those attractions are set to be replaced, and thus the new attractions will have new facades that can be made to fit (and maybe Backlot Express will be replaced during the development of those areas, since it's in between them). Hopefully, the Animation Courtyard area will be redeveloped in the relatively near future as well. This leaves Commissary Lane, the areas around the Chinese Theater (sides and back) / Pixar Place entrance area / TSL entrance corridor, and the Muppet Store building. I have difficulty believing they'll do much to fix these areas anytime soon, because that's an expensive proposition without much/any direct return on investment.
Do our insiders have any idea of how much Disney is taking seriously the aesthetic problems that continue to plague DHS, and scheduling/budgeting to continue making improvements?
Based on this categorization, what else would be considered a "Super E+"? Would it only be Shanghai's Pirates of the Caribbean so far? I recall our insiders (I think it was Martin, but not sure) comparing RotR to PotC Shanghai in scale and spectacle. I had the good fortune to ride PotC Shanghai in 2016, and while it was indeed a spectacular attraction and a tremendous feat of Imagineering, I'm not certain that I would put in a "class by itself" (but again, that doesn't exclude it from being a wonderful attraction).
They actually designed it intentionally so that there wasn’t one big reveal, but rather the ability to have a view of the land as a whole as if you’re walking into a backyard.I was actually thinking recently that maybe they could have added a lot more foliage, with trees at the far end, gradually transitioning to entirely bamboo at the TSL end. They could’ve even had a bamboo-filled median halfway down the walkway that blocks the view of TSL from the far end. That would make for an awesome transition and reveal. (The only issue is whether they could accomplish this without sacrificing too much of the walkway space.)
Another explanation for the height: once crowds flood Grand Avenue, it's difficult to see anything that isn't taller than the tallest human. The old DVC booth does not fulfill this requirement. This one does.When they started building the little building just outside the exit to Star Tours, I thought they built it there to begin to block the view to the sand walls exit. Now that they are almost finished with it I think it was definitely built there to block the view of the sand walls. There is no reason for it to be as tall as it is unless they want it to block the view. I think in a while we will see some scrims go up around the exit to Star Tours to remove the sand walls and make it blend in better.
Easy! Andy has a giant LA play set.Only thing I don't see is how they incorporate Toy Story Land transition into this LA theme park.
Easy! Andy has a giant LA play set.
Why is there alot of pessimism about this attraction all of a sudden?
I remember when they announced the hype this was going to be a big a thing. I suppose the lack of hype or any promotion is leading people down the line it's not going to be a big thing.
Why is there alot of pessimism about this attraction all of a sudden?
I remember when they announced the hype this was going to be a big a thing. I suppose the lack of hype or any promotion is leading people down the line it's not going to be a big thing.
Why is there alot of pessimism about this attraction all of a sudden?
I remember when they announced the hype this was going to be a big a thing. I suppose the lack of hype or any promotion is leading people down the line it's not going to be a big thing.
The naysayers, as you put them, want attractions of the quality the company used to do. In a park that has the capacity to handle the crowds it pulls.The naysayers are living in their deluded fondness for a mediocre slow moving people eater that, let's be frank, didn't age well.
The naysayers, as you put them, want attractions of the quality the company used to do. In a park that has the capacity to handle the crowds it pulls.
Or of course they just want things to be refurbed properly when required. GMR never had a proper refurb.
I don't and apparently Disney didn't either. How would they refurb it? Put in more modern AA's in the same old story lines or update the movies to more modern ones and completely destroy the original purpose of the attraction to expose people to what built Hollywood to begin with. All historic movies that younger people probably have no exposure to in an effort to show how the movie business got it start. Everything from Silent Movies to more detailed modern ones, but, those were created after the Hollywood that never was, but, always will be was established.I agree with what you're saying, and I do too. Watching the vids on the new tech going into MMRR, it seems pretty neat and *fresh* to the eyes. Hell, the AA on POTC aged better than the waxy weirdo AA's on GMR.
I completely understand the capacity issue. GMR could've been relevant with a good refurb, but alas...
You think that this thread is pessimistic? Check out any thread regarding Epcot changes. This site has almost become a living eulogy for how WDW used to be (especially Epcot related changes). For the record I don't feel that way, but after a while you'll notice how the opinions of many posters are more pessimistic than optimistic. But as they say, everyone has a right to their opinions.
If a refurb was all GMR needed, it needed it on day one.
Sorry, but I went on GMR within a year of its opening, and it was only okay. It was no Horizons, Energy, Spaceship Earth, Imagination, or World of Motion. Of all the 10 min+ AA-extravaganzas Disney ever built, GMR was probably lowest ranking of them.
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