HauntedMansionFLA
Well-Known Member
Shouldn’t they do the Mary Poppins attraction first before this or is Not Woke enough?
What, they can't build anything new until the cancelled Mary Poppins attraction happens? Will ignore that "Not Woke" apparently is capitalised now.Shouldn’t they do the Mary Poppins attraction first before this or is Not Woke enough?
“Nothing to write home about”?So... Rinse and Repeat?
This happens with every movie from them it seems. People just love it because its new and shiny. I just wonder how the reception would be if it didn't have Lin-Manuel Miranda and his overzealous need to have like 10 rhymes per line.
I'm honestly over the, It just came out, so everyone is clamoring for a ride mindset of late. Its like when a ride closes how its now everyone's favorite ride ever.
That all being said, "We don't talk about Bruno" is an good song, but nothing to write home about -- not to mention how its more aligning instrumental wise more akin to music found in Cuba instead of Colombia. So I guess it will be on brand for them to put it in the Mexico pavilion -- A ride based in Colombia with musical stylings of Cuba in the Mexico pavilion.
However not everything needs a ride and LMM is still over used.
Yeah, but doesn't Disney still have a slightly used spinning Wild Maus they could retheme to Encanto laying about somewhere in the swamp?That all being said, "We don't talk about Bruno" is an good song, but nothing to write home about -- not to mention how its more aligning instrumental wise more akin to music found in Cuba instead of Colombia. So I guess it will be on brand for them to put it in the Mexico pavilion -- A ride based in Colombia with musical stylings of Cuba in the Mexico pavilion.
However not everything needs a ride and LMM is still over used.
Get outThey should replace haunted mansion with an Encanto dark ride. Because creativity in theme parks is dead anyway.
Yes. It’s nothing to write home about. It’s melodically a very standard Latin chord progression that the first 58 seconds of the song you can easily place Smooth by Santana.“Nothing to write home about”?
And we’ve found the one person on earth who doesn’t appreciate Lin-Manuel, arguably the most talented creator of musical theater of this generation.So... Rinse and Repeat?
This happens with every movie from them it seems. People just love it because its new and shiny. I just wonder how the reception would be if it didn't have Lin-Manuel Miranda and his overzealous need to have like 10 rhymes per line.
I'm honestly over the, It just came out, so everyone is clamoring for a ride mindset of late. Its like when a ride closes how its now everyone's favorite ride ever.
That all being said, "We don't talk about Bruno" is an good song, but nothing to write home about -- not to mention how its more aligning instrumental wise more akin to music found in Cuba instead of Colombia. So I guess it will be on brand for them to put it in the Mexico pavilion -- A ride based in Colombia with musical stylings of Cuba in the Mexico pavilion.
However not everything needs a ride and LMM is still over used.
Didn’t people say the same thing about Trey Parker and Matt Stone when the Book of Mormon came out?And we’ve found the one person on earth who doesn’t appreciate Lin-Manuel, arguably the most talented creator of musical theater of this generation.
I find his writing to be incredibly clever and bringing him on board is one of the few decisions of the Bobs that I celebrate. I certainly think he does a better job than Lopez/Anderson-Lopez.
I will be curious to hear his new songs for The Little Mermaid and how they compare to those of the immensely-talented Howard Ashman.
I kind of understand why people feel Lin-Manuel Miranda is over-exposed at the moment, but I agree it's one of the better creative relationships Disney has developed in recent times. So far, at least, they also don't over-use him, so it's not like they've fallen into a formula of Lin-Manuel Miranda musical animated features as they kind of did during the early-to-mid-1990s with animated Broadway musicals. So far there have been two fairly far apart, both with massive hit soundtracks and at least one song that seems destined to join the Disney classics.And we’ve found the one person on earth who doesn’t appreciate Lin-Manuel, arguably the most talented creator of musical theater of this generation.
I find his writing to be incredibly clever and bringing him on board is one of the few decisions of the Bobs that I celebrate. I certainly think he does a better job than Lopez/Anderson-Lopez.
There is also the other animated film he starred and wrote for Sony Animation that was to get a run in theaters before the shift to streaming named Vivo.I kind of understand why people feel Lin-Manuel Miranda is over-exposed at the moment, but I agree it's one of the better creative relationships Disney has developed in recent times. So far, at least, they also don't over-use him, so it's not like they've fallen into a formula of Lin-Manuel Miranda musical animated features as they kind of did during the early-to-mid-1990s with animated Broadway musicals. So far there have been two fairly far apart, both with massive hit soundtracks and at least one song that seems destined to join the Disney classics.
I don't know if this is controversial, but I recently saw In The Heights and am a little sorry that film and soundtrack didn't get more love. The debate about colourism is completely legitimate, but I kept hearing people raising that issue AND saying the film was wonderful and people should go out and see it. Unfortunately, I think a lot of people vaguely heard something about it being racist and avoided the film entirely. I really love the soundtrack in particular for that film.
There is also the other animated film he starred and wrote for Sony Animation that was to get a run in theaters before the shift to streaming named Vivo.
This one I believe didn't get too much hype...I think there were 2 songs that were popping up here and there in social but, nothing as memorable..This is where I understand getting a bit tired of him. Particularly in the past year there have been a lot of Lin-Manuel Miranda projects coming out. Mind you, I had never heard about this so it didn't contribute to any LMM fatigue for me!
If that's the case, they're gonna have to start construction now to hit that opening date.MK is slated to receive another E-ticket in 2052 so maybe.
You can dismiss it from your personal music tastes, but it doesn’t change that the rest of the music world seems to have it as their favorite song.Yes. It’s nothing to write home about. It’s melodically a very standard Latin chord progression that the first 58 seconds of the song you can easily place Smooth by Santana.
If you would like another example and one more poignant, Havana by Camila Cabello which is sitting at 1 Billion views on YouTube. When looked at they both share nearly the same chord progressions, they both share similar hip hop elements.
And one wonders why it’s nothing to write home about. It to myself really takes a lot from Havana alone, but all it does is rearrange them.
So yes, to myself, this song is nothing to write home about — even with the fact it’s viral, especially considering Havana.
Remove TikTok the social media equivalent to a goldfish’s memory and crack cocaine rolled into one, and ask yourself this question. Where would the song be? I can surely tell you one thing, it wasn’t a hit when the soundtrack came out in November… it picked up steam in January…
Boot VotLM instead.For a quick an easily switch...Encanto becomes the next Sing a long at DHS kicking Frozen out and instead of being the "citizens of Arendale" your "Familia of the Encanto"
I doubt they would get rid of something Frozen-related. They probably consider anything Frozen-related sacred ground.For a quick an easily switch...Encanto becomes the next Sing a long at DHS kicking Frozen out and instead of being the "citizens of Arendale" your "Familia of the Encanto"
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