DisneyCane
Well-Known Member
Probably a lot less than they are being paid for the song rights.How much were they paid for their appearance?
Probably a lot less than they are being paid for the song rights.How much were they paid for their appearance?
The animatronic is very nice, but man - Disney continues to underwhelm at making theme park attractions based on the most successful IP in film history. It's genuinely worrying - Disney parks have gone all in on IPs AND have the greatest IP in the world to work with, yet have produced NOTHING innovative or spectacular. In fact, with Avengers Campus, they managed to turn that IP into perhaps the worst land Disney ever built. At some point, its not just a failure of management or corporate structure, its also a fundamental failure of Imagineering.There is now a second Marvel coaster, in Paris, with over 1 billion times as many animatronics as this one. Wow wow wow. Wow.
Must've been difficult to put that many more animatronics into an attraction like that.There is now a second Marvel coaster, in Paris, with over 1 billion times as many animatronics as this one. Wow wow wow. Wow.
I think they’ve been particularly bad once Scot Drake took over as lead (same guy who led the Tron coaster design). They all seem to overlook details, lack a compelling story, and come off as cold. Not sure how much I should blame the person at the top but it’s hard to ignore the similar flaws a lot of these attractions have.The animatronic is very nice, but man - Disney continues to underwhelm at making theme park attractions based on the most successful IP in film history. It's genuinely worrying - Disney parks have gone all in on IPs AND have the greatest IP in the world to work with, yet have produced NOTHING innovative or spectacular. In fact, with Avengers Campus, they managed to turn that IP into perhaps the worst land Disney ever built. At some point, its not just a failure of management or corporate structure, its also a fundamental failure of Imagineering.
Universal's Spider-Man continues to shame anything Disney has done with the IP. That's made even worse by the fact that not only is the ride 23 years old, but when the attraction was designed and built Marvel WASN'T the most powerful IP in the history of pop culture, it was the publisher of an incredibly niche media that had been precipitously declining in popularity for years and was almost certainly about to disappear permanently into bankruptcy - yet Universal turned that ailing, almost extinct property into one of the greatest rides in theme park history.
The alien text at the bottom says:Dedication plaque added to the Wonders of Xandar Pavilion at EPCOT
Dedication plaque added to the Wonders of Xandar Pavilion at EPCOT
Finishing touches are still be added to EPCOT's Guardians of the Galaxy Cosmic Rewind.www.wdwmagic.com
Pretty rich from a culture that has arrested and imprisoned all Earthlings they meet!The alien text at the bottom says:
PEACE THROUGH UNDERSTANDING
The animatronic is very nice, but man - Disney continues to underwhelm at making theme park attractions based on the most successful IP in film history. It's genuinely worrying - Disney parks have gone all in on IPs AND have the greatest IP in the world to work with, yet have produced NOTHING innovative or spectacular. In fact, with Avengers Campus, they managed to turn that IP into perhaps the worst land Disney ever built. At some point, its not just a failure of management or corporate structure, its also a fundamental failure of Imagineering.
Universal's Spider-Man continues to shame anything Disney has done with the IP. That's made even worse by the fact that not only is the ride 23 years old, but when the attraction was designed and built Marvel WASN'T the most powerful IP in the history of pop culture, it was the publisher of an incredibly niche media that had been precipitously declining in popularity for years and was almost certainly about to disappear permanently into bankruptcy - yet Universal turned that ailing, almost extinct property into one of the greatest rides in theme park history.
Problem is, that you lack understanding.Pretty rich from a culture that has arrested and imprisoned all Earthlings they meet!
To be fair: we didn't send our best to Xandar.Problem is, that you lack understanding.
No ! It's ................The alien text at the bottom says:
PEACE THROUGH UNDERSTANDING
It was in the concept art. That's all I think we've heard on the subject.Just curious..Was there any plans to have Star Lord, Gamora or Groot doing M&G's outside of the pavillion at one point?
But so were Groot and Rocket AAs and a much more elaborate preshow, so concept art is worth next to nothing, unfortunately.It was in the concept art. That's all I think we've heard on the subject.
Concept art is nothing more than than that- it’s just a concept of what they’re thinking of at the time the image was created. Then the reality of actually building something comes into the mix and you get quotes from fabricators and you realize the project budget can’t afford what was in the concept art so you go back to the drawing board to ‘simplify’ the design to keep it within the budget. It happens on every single park and attraction ever built by every single operator and fabricator in the industry. I’ll never understand why people get so fixated on every detail of ‘concept art’ and obsess about everything in the image that didn’t arrive in the final attraction. Projects have budgets, no matter who is building it.But so were Groot and Rocket AAs and a much more elaborate preshow, so concept art is worth next to nothing, unfortunately.
Concept art is not just concept art. It is made through all phases of design, well beyond the actual concept design phase. The idea that a few animatronics were too much for the world’s most expensive attraction, especially when one had already been designed for a project with less than ¼ of the budget, is laughable. This project was the closest thing any team has ever had to there being no budget.Concept art is nothing more than than that- it’s just a concept of what they’re thinking of at the time the image was created. Then the reality of actually building something comes into the mix and you get quotes from fabricators and you realize the project budget can’t afford what was in the concept art so you go back to the drawing board to ‘simplify’ the design to keep it within the budget. It happens on every single park and attraction ever built by every single operator and fabricator in the industry. I’ll never understand why people get so fixated on every detail of ‘concept art’ and obsess about everything in the image that didn’t arrive in the final attraction. Projects have budgets, no matter who is building it.
I really wonder where the money went. It's fun and neat but it doesn't make sense it's half billion. Preshow has the lifting walls, entrance has a pointy thing and projector, ride has screens everywhere. The warehouse wasn't that much for sure. Was it the price of demo and updating of the UoE building?Concept art is not just concept art. It is made through all phases of design, well beyond the actual concept design phase. The idea that a few animatronics were too much for the world’s most expensive attraction, especially when one had already been designed for a project with less than ¼ of the budget, is laughable. This project was the closest thing any team has ever had to there being no budget.
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