If I recall, Simpsons uses 6 Omnimax projectors, 3 for each eye, and all locked in place by computer to avoid blur.Ah, I was just going to ask how The Simpsons Ride does it. It looks so much better than Soarin'.
If I recall, Simpsons uses 6 Omnimax projectors, 3 for each eye, and all locked in place by computer to avoid blur.Ah, I was just going to ask how The Simpsons Ride does it. It looks so much better than Soarin'.
Well film can have the consistency of digital they just choose not to put that level of care into the attraction. The simple fact is they chose to take the easy less expensive route rather than the quality route. I would expect this changeover will likely be happening with all Disney attractions using film, except of course those that use projections large enough where the quality difference will be more noticeable.
Is this like the argument of vinyl versus CD? Cause people are smoking the fumes from their analog machines if they think analog looks or sounds better than digital. (as long as it's encoded properly)
I can't speak for vinyl/CD, but a properly cared for (newly made preferably) 35mm and especially 70mm film print looks better than HD broadcasts and Blu-ray. From what I have read Blu-ray is roughly half the quality of 35mm film, which is why when Disney scans their animated film stock for restoration they do so at 4k resolution (Blu-ray is about 2, the same as digital projectors in AMC theatres I believe). The quality of the film stock used for doing a shoot naturally also affects the quality of the final print.
However film can be damaged over time, even when simply re-threaded through a projector where it can become scratched easily. When a movie like the one at France has to be shown up to 20 times a day (twice and hour for an 11am-9pm operating day, I'm going to assume), it runs a greater risk in doing so than a print used at a standard multi-plex.
I'm open to corrections, but this is how I understand it and why I prefer digital in this setting. HoP also looked great to me when I saw it.
The Simpson's ride is able to put the projectors in the dead center of the screen, between some the simulator cabs. Soarin' does not have that luxury, and has to be able to project the entire show from the above catwalk. Besides Soarin has numerous alterations to the film and projector to increase film speed, luminosity and clarity. Going digital could change the entire look of the ride. And more so than finding a new projector that could handle it (doesn't exist), to keep the clarity of the film, the file would be huge and require an enormous memory and processing system. We're just not there yet.Use multiple synchronized projectors like they do for The Simpsons Ride.
Is this like the argument of vinyl versus CD? Cause people are smoking the fumes from their analog machines if they think analog looks or sounds better than digital. (as long as it's encoded properly)
Good news, but how come they can do this for Impressions de France and not Soarin'?
short answer, cheaper. Long answer, tdo wouldn't want to get stuck paying to digitize soarin without tda paying for their half of the cost also.
I know I'm in the minority, but I will miss the film projectors dearly. There was something special about hearing the humming of the projector, the wobbly images, and the quality of the film. It all just fit together really well with the setting of that theater and just seemed to be a part of the experience.
But I know I'm the weirdo here, so c'est la vie! :shrug:
I know I'm in the minority, but I will miss the film projectors dearly. There was something special about hearing the humming of the projector, the wobbly images, and the quality of the film. It all just fit together really well with the setting of that theater and just seemed to be a part of the experience.
But I know I'm the weirdo here, so c'est la vie! :shrug:
Well that and also they would have to invent a projection system capable of handling an image of that size.
If I recall, Simpsons uses 6 Omnimax projectors, 3 for each eye, and all locked in place by computer to avoid blur.
I know I'm in the minority, but I will miss the film projectors dearly. There was something special about hearing the humming of the projector, the wobbly images, and the quality of the film. It all just fit together really well with the setting of that theater and just seemed to be a part of the experience.
But I know I'm the weirdo here, so c'est la vie! :shrug:
Well it could be a 2k or 4k projector, which do exist. It will cost someone to experiment with placement and other problems that will crop up.
I know I'm in the minority, but I will miss the film projectors dearly. There was something special about hearing the humming of the projector, the wobbly images, and the quality of the film. It all just fit together really well with the setting of that theater and just seemed to be a part of the experience.
But I know I'm the weirdo here, so c'est la vie! :shrug:
Makes you wonder if someone in Imagineering might come up with an effects speaker up in the back, putting out a very soft sound of a projector whirring...
They actually did that, kinda, with an attraction up here at Six Flags New England (and also Great Adventure in NJ). The Houdini's Escape attraction has a pre-show room, where an old reel-to-reel projector is on a platform hanging from the ceiling. (A digital projector is hidden inside it) When the pre-show starts, a screen drops down from above, and a "film" is shown. There's an effect speaker with the sound of the projector clicking away, and the film reels turn. (At leas they used to)
-Rob
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