Disney's Streaming Services: Disney+ (and Hulu, ESPN+, Star, & hotstar)

_caleb

Well-Known Member
One thing I'd like to see more of on Disney+ and even Hulu are unique SceneScapes and ambient video loops, like the Arendelle Castle Yule Log(s), Haunted Mansion's Enter If You Dare and Swinging Wake, or Kate Bishop's apartment Yule Log from Hawkeye.

A cool scene that takes you back to the series/film without being super distracting, some music and sound effects, and maybe a few little easter eggs or something.

Inexpensive to make, and with a small bit of interactivity (like responding to clicks of your remote or something), there'd be added incentive to watch these on D+ rather than on YouTube.
 

MisterPenguin

President of Animal Kingdom
Premium Member
Original Poster


 

MisterPenguin

President of Animal Kingdom
Premium Member
Original Poster



 

MisterPenguin

President of Animal Kingdom
Premium Member
Original Poster
“There are some really interesting conversations happening right now within the system, with Parks and beyond about how we might bring some of our shows to life in the physical world, interesting types of experiences.”

 

_caleb

Well-Known Member
Sad about this one as it was a great family show, but the kids were aging out too fast for it to continue, I suspect. I still haven't watched the third season and need to:

Yeah, we liked it.

I think cancellation of a series takes on a totally different meaning in the streaming era vs. linear. With linear, it felt like cancelled shows were dead to us because you'd never really go back and watch them. But streaming means a show's never really dead; they're always with us in our hearts.

Just kidding. But it is nice having them live on through Disney+. I like to try to get our friends into shows we enjoyed--even the cancelled ones. RIP, The Mysterious Benedict Society.
 

doctornick

Well-Known Member
Yeah, we liked it.

I think cancellation of a series takes on a totally different meaning in the streaming era vs. linear. With linear, it felt like cancelled shows were dead to us because you'd never really go back and watch them. But streaming means a show's never really dead; they're always with us in our hearts.

Just kidding. But it is nice having them live on through Disney+. I like to try to get our friends into shows we enjoyed--even the cancelled ones. RIP, The Mysterious Benedict Society.

In general I agree, but that becomes a problem when shows are removed from a streaming service... like, for example, The Mysterious Benedict Society, which was removed from D+ along with a host of other properties. It's one thing to cancel a show but it's another thing entirely to just remove it and not have it available especially when the cost to do so is so minimal (seems like the main reason to remove them was just to prevent paying residuals which is an awful reason).

I'd like to think that if and when D+ becomes profitable that they will bring back the stuff they unceremoniously removed. If they feel more comfortable with the operating expenses at that time, then the added expense of that additional content should be small.
 

DCBaker

Premium Member
Disney has released a trailer for Madu, streaming March 29, 2024 on Disney+.

Madu follows 12-year-old Anthony Madu as he leaves his family and community in Nigeria to study at one of the most prestigious ballet schools in the world in England. Having never left his home outside of Lagos, Anthony finds himself thrust into a new world where his wildest dreams are suddenly within reach. His courageous journey is a story of extraordinary obstacles as he searches for belonging and acceptance, a family far away, and unexpected challenges that could impact his future. Forming a rich and immersive tapestry told on multiple continents, MADU introduces the world to a boy chasing a dream of inspiration that will resonate with us all.

 

DCBaker

Premium Member
News on Hulu and account sharing via THR.

"Hulu is set to begin cracking down on password and account sharing, following a similar move by Disney+.

The Disney-owned streaming service on Wednesday sent an email to subscribers notifying them of an updated subscriber agreement, one that explicitly bars sharing accounts outside of the user’s household.

“Unless otherwise permitted by your Service Tier, you may not share your subscription outside of your household,” the change to the agreement stated. “‘Household’ means the collection of devices associated with your primary personal residence that are used by the individuals who reside therein.”

The new agreement was dated Jan. 25, and says the terms will become effective on March 12.

“We may, in our sole discretion, analyze the use of your account to determine compliance with this Agreement,” it continues. “If we determine, in our sole discretion, that you have violated this Agreement, we may limit or terminate access to the Service and/or take any other steps as permitted by this Agreement.”

The changes to the Hulu agreement follow similar language in the Disney+ subscriber agreement late last year."

 

MisterPenguin

President of Animal Kingdom
Premium Member
Original Poster

MisterPenguin

President of Animal Kingdom
Premium Member
Original Poster

MisterPenguin

President of Animal Kingdom
Premium Member
Original Poster
Hot Upcoming Nordic Series and Films
TV shows shown as works in progress which made strong impressions took period pieces “Ronja the Robber’s Daughter,” picked up by Netflix, Disney+ first Nordic original “To Cook a Bear,” and Eliot Summer starrer crime drama “Cry Wolf.’ But the most-buzzed about shows were the SVT/Disney+ co-production “Whiskey on the Rocks,” a Cold War submarine satire based on true events, and “Faithless,” Tomas Alfredson TV adaptation of Ingmar Bergman’s 2000 movie.​
Netflix, Disney+, Amazon in Nordic languages
“We are here [in the Nordics] for the long run, and 2024 will be our biggest year in Sweden in terms of original productions and a diverse slate” said Jenny Stjernströmer Björk, VP of Nordic Content at Netflix, who mentioned Mikael Marcimain’s upcoming thriller “An Honest Life” and the anticipated classic “Ronja, The Daughter’s Robber,” picked up from Viaplay.​
Briefly detailing her drama strategy, Stjernströmer Björk said she has gathered learnings from past features and series. “The more relevant and authentic the story, the more it resonates and travels. So we’re looking for stories told with the heart, with a strong core, and executed in an authentic way,” she said.​
Her Netflix colleague Håkon Briseid, director of Nordic series, underlined cultural differences between the five Nordic countries. “Some jokes don’t translate well. Our job is to dig into what makes us unique, while looking for common factors,” he said, citing content as conversation starters with a high must-see edge derived from suspense, comedy dramas, a balance between light and dark and cross-generational potential.​
“The next thing for us will be non-fiction,” added Stjernströmer Björk.​
Also invited on stage, Karin Lindström, Amazon’s head of originals, MGM Studios and Prime Video said the U.S. group plans to grow its original slate in the region across drama, entertainment, movies and 2024 will be “an important year,” with the first original drama in local language. She said she is looking for stories that are broad genre – thrillers, crime, even romance. “We do see romcoms coming back and doing well,” she underlined, before teasing TV Drama Vision delegates with a clip of “Stockholm Backout.”​
Meanwhile Vibeke Lia, director of programming & production for The Walt Disney Company Nordics & Baltics presented an impressive teaser of Disney+’s first Nordic original “To Cook a Bear.” “It’s a true standout series, with natural Nordic DNA,” she said.​

 

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