Disney Irish
Premium Member
Yes, we know they lost money, that has been discussed ad nauseam.This looks good, but we all know they lost money to achieve this.
Its like jewelry, looks good but cost a lot of money.
Yes, we know they lost money, that has been discussed ad nauseam.This looks good, but we all know they lost money to achieve this.
Its like jewelry, looks good but cost a lot of money.
Well for the majority regular folks (the folks who do not know the facts behind these numbers) this looks great for Disney and really that's what this is for, so its mission accomplished.Yes, we know they lost money, that has been discussed ad nauseam.
I don't think it'll take 10 years to correct this current downturn. The good thing about 2024 is that with the minimal number of releases if they do lose money this year it'll also be minimal.Some people can't let it go that Disney is starting a ten year downturn. It takes them a long time to course correct. They will lose money this year. Inside Out 2 will not be profitable and will not perform as well as the original.
I equate TWDC to a sports team. If Disney gets a couple of real winners at the box office, all will be forgotten.I don't think it'll take 10 years to correct this current downturn. The good thing about 2024 is that with the minimal number of releases if they do lose money this year it'll also be minimal.
As for Inside Out 2 I don't know if it'll be profitable or not, but it should be no surprise if it won't perform as well as the original most sequels don't.
First a majority of regular folks don't really care if a studio is profitable or not.Well for the majority regular folks (the folks who do not know the facts behind these numbers) this looks great for Disney and really that's what this is for, so its mission accomplished.
TWDC is indeed excellent story tellers.....
I doubt some around here will forget, it'll be "Ok they had some good ones recently, but remember 2023....".I equate TWDC to a sports team. If Disney gets a couple of real winners at the box office, all will be forgotten.
TWDC does have the talent. They just need to execute.
You are right and we agree. To regular folks this looks GREAT!First a majority of regular folks don't really care if a studio is profitable or not.
Second a majority of regular folks don't really pay that close attention to what studio sells more tickets or not.
Third Disney isn't the one providing these numbers, they are provided by the same site that most here use to post the box office results.
Honestly outside this small community and analysts covering Disney not many people care all the much that Disney even lost money at the box office.You are right and we agree. To regular folks this looks GREAT!
Its too bad we couldn't beat out Universal, but this looks GREAT to the regular folks:
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I hear you. I am firstly as Disney fan. Like my sports teams, I demand winning! and I will be critical of my team when we are not winning and complain.I doubt some around here will forget, it'll be "Ok they had some good ones recently, but remember 2023....".
Again, if it follows in the footsteps of its predecessor, it should hold at 800 and then expand after Oscar nominations. Or is that packed 1Q release schedule coming for its screens? You did look at the comp and/or my chart from a few pages back, right?
It's also very much getting a full global release. Feel free to goggle in awe at all of the countries and dates -- https://www.imdb.com/title/tt14230458/releaseinfo/
Typically that turnaround requires a change in the coaching staff or the players, something Disney hasn’t done yet.I equate TWDC to a sports team. If Disney gets a couple of real winners at the box office, all will be forgotten.
TWDC does have the talent. They just need to execute.
Can we fix this, please?we still have cable for sports
Typically that turnaround requires a change in the coaching staff or the players, something Disney hasn’t done yet.
Same management team, same creative team… I was reading an article about the new Star Wars Rey film yesterday and it sounds like the intention is to keep doing exactly what they did last year, the message and empowerment is the priority, not the story… if they don’t change anything why would anyone expect them to have different results?
And just like sports teams studios go through slumps too.I hear you. I am firstly as Disney fan. Like my sports teams, I demand winning! and I will be critical of my team when we are not winning and complain.
When we win, I am happy and all is good.
For me, as a Disney fan, I will not make excuses, I will be critical, but when we win, I am happy and all is good.
I agree. Lets hope there are changes such that can turn things around.Typically that turnaround requires a change in the coaching staff or the players, something Disney hasn’t done yet.
Same management team, same creative team… I was reading an article about the new Star Wars Rey film yesterday and it sounds like the intention is to keep doing exactly what they did last year, the message and empowerment is the priority, not the story… if they don’t change anything why would anyone expect them to have different results?
That's true. My concern is that if DTC is the goal, and box office isn't that concerning for Disney. Will they have enough high profile content to keep subscribers on board?The good thing about 2024 is that with the minimal number of releases if they do lose money this year it'll also be minimal.
You are correct. But there are a couple points of view to look at. Most regular fans don't care if Disney isn't profitable in the theatrical windows, directly. But they do pay attention to if a movie isn't profitable, or isn't selling tickets, from the articles/buzz generated because of it. If a movie, Disney or anyone else, is constantly in the spotlight for not doing well, "worst opening ever"... it becomes less of a priority to see in a theater. That doesn't mean if a film is doing bad, it can't change the narrative. It just makes it a heck of a lot more difficult to do so.First a majority of regular folks don't really care if a studio is profitable or not.
Second a majority of regular folks don't really pay that close attention to what studio sells more tickets or not.
Lone article!?! I posted at least three separate articles all claiming TLM made money. Seems like that advanced age of yours might be affecting the noggin.
I primarily care because it impacts the future, if movies keep losing money they are less likely to keep making them.That's true. My concern is that if DTC is the goal, and box office isn't that concerning for Disney. Will they have enough high profile content to keep subscribers on board?
You are correct. But there are a couple points of view to look at. Most regular fans don't care if Disney isn't profitable in the theatrical windows, directly. But they do pay attention to if a movie isn't profitable, or isn't selling tickets, from the articles/buzz generated because of it. If a movie, Disney or anyone else, is constantly in the spotlight for not doing well, "worst opening ever"... it becomes less of a priority to see in a theater. That doesn't mean if a film is doing bad, it can't change the narrative. It just makes it a heck of a lot more difficult to do so.
Netflix doesn't keeps subs by having "high profile content", in fact most of their content isn't "high profile", they keep subs by having a constant stream of content. Disney DTC is no different, they just need to keep content flowing into the service.That's true. My concern is that if DTC is the goal, and box office isn't that concerning for Disney. Will they have enough high profile content to keep subscribers on board?
You are correct. But there are a couple points of view to look at. Most regular fans don't care if Disney isn't profitable in the theatrical windows, directly. But they do pay attention to if a movie isn't profitable, or isn't selling tickets, from the articles/buzz generated because of it. If a movie, Disney or anyone else, is constantly in the spotlight for not doing well, "worst opening ever"... it becomes less of a priority to see in a theater. That doesn't mean if a film is doing bad, it can't change the narrative. It just makes it a heck of a lot more difficult to do so.
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