Casper Gutman
Well-Known Member
And even Tom Cruise should retain full control over his image and voice.You do realize there are many more performers in the acting eotld than the tom cruises and scarlet johansons right?
And even Tom Cruise should retain full control over his image and voice.You do realize there are many more performers in the acting eotld than the tom cruises and scarlet johansons right?
And in true nerd news… from the strike rules coverage…
“They are also not allowed to attend conventions such as Comic-Con or 90s Con to promote any past or present work made under a SAG-AFTRA contract.”
Well the obvious point of my highlight is the panels. Panels people pay huge money to goto see, etc. panels that are the biggest newsworthy portions of the event.Yeah: they can technically attend… but can’t prompt anything at all.
Basically just go and be like “Hey, I’m Daniel Radcliffe, a normal person that you can take a photo of with and we will not acknowledge anything I’ve done”
AI is awful. Laying a marker.They are also striking to try and keep studios from replacing human creativity with AI, an issue that has much broader implications. Honestly, we're at an amazing moment in human history - corporations seeking to boost quarterly profits are attempting to replace human creativity - human empathy, human humor, human insight, the soul itself - with computers. If you had written this as a dystopian satire in the 60s it would have been too on the nose, too preposterous, But normalcy bias is so strong, apathy so tempting, and political tribalism so consuming that we're barely disturbed by what's happening.
As with so many things in the last decade, this is a BIG BIG turning point in human history, and folks in the moment just can't see it.
This is Disney’s worst 100th anniversary ever!
…nobody cares about awards…and never have
I look forward to hearing your recap of the VMAs though
While SAG-AFTRA have sizable members, it's influence on Hollywood industry was slightly less compare to IATSE ones, which has slightly large numbers (168,000) and has more powerful voice when regarding to entertainment-related productions.SAG AFTRA has over 160,000 members, over 70% of them don't even earn the minimum of $26,000 to even qualify for insurance. I believe the number is less than 2% of the over 160,000 members are actually millionaires.
The public only pays attention to the top tier of the SAG AFTRA members, ie the millionaires. So they are the ones striking to get better conditions and better pay for the 98% of the members that aren't millionaires.
And even Tom Cruise should retain full control over his image and voice.
I have no doubts or even questioned that other unions such as IATSE have a larger influence over the entertainment industry. I was only explaining to the other poster that this isn't just a bunch of millionaires striking to get more money.While SAG-AFTRA have sizable members, it's influence on Hollywood industry was slightly less compare to IATSE ones, which has slightly large numbers (168,000) and has more powerful voice when regarding to entertainment-related productions.
Had IATSE (specifically 13 West Coast chapters) going to strike two years ago due to similar conflict with AMPTP regarding contracts (in 2021), it may bring TV and film productions to halt much worse than SAG-AFTRA currently has, as IATSE members are involved regarding anything related to film, TV, animations, and others when we counted about pre and post-production of film and television programs. It may impact The Walt Disney Company film studios when making future animated films.
I think he is still trying to hide the fact he is shorter than most his co-stars.There's at least several good Tom Cruise jokes there from that line, I'm almost positive.
Not sure where to post this but with the SAG-AFTRA strike it got me wondering what does Disney have in the longterm filmed and ready for the longterm aka beyond 2023.
Snow White wrapped right before the strike it seems, Planet of the Aims wrapped filming in February and if we assume Elio has its voicework done and/or doesnt need to use members striking then that leaves Disney with three films that are strike proof safe. If it gets bad enough maybe they’ll theatrically release DisneyNature’s Tiger in April (doubt that they would given the low returns on the final batch of theatrical DisneyNature films). These two to four give them a little something to do if the strike go on as long as some wish for it to go on, read an article earlier that they planned to strike till the holiday or that the studios are waiting until the holidays and because of that I don’t see how some stuff wont be delayed because of it.
Digging further into their undated films on Wikipedia some other films that seemed to have completed filming is AND, The Bikeriders, Dust, The First Omen, Nightbitch, The Supremes at Earl’s All You Can Eat, and Young Woman and the Sea based on what I could easily check. I’m sure some of these will release this year, but depending on how the strikes effect the content output perhaps we could see some of these release theatrically instead of straight to streaming.
Streaming wise they’ll probably be fine given it seems that they were able to get a decent chunk of Disney+ Originals filmed in time. If they need padding they can dub over international series, or you know use that gigantic Disney Vault of catalog to dump old content like how they’re doing for the shorts.
Truthfully? In my opinion, they should be fine they have a good chunk of their marquee releases set up to release. Looking again beyond what’s dated this year and this is what they have filmed:Is Disney + immune to reality tv, because we are about to get an onslaught of it!
His Twitter feed is full of tidbits about the industry and this strike.
Of course streaming is here to stay. What I'm saying is if enough people start to drop a service here or there because of cost, it will change. I think we already will see a few of the secondary streamers fold in the next few years. And that could change this whole equation. I just don't know if this uber pricing and limitations will stick if it gets implemented. There are other options for people if they get annoyed enough. Who knows, maybe everyone will just accept a bill that's two or three times the cost of what traditional TV was.While I'm sure there will be some that agree with you, however given that streaming services worldwide has over 1B subs I don't think it'll have a large enough impact if you drop.
We'll see what happens long term with streaming, but it seems clear its here to stay.
FWIW Deadline is saying Mission: Impossible’s numbers aren’t great so far. They’re attributing it to people wanting to see it on PLF screens and theaters not having enough to meet demand.
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