_caleb
Well-Known Member
I think it'd be an oversimplification to say that "men did their part" because some bought tickets to The Marvels. Many men (even those same men who bought tickets) are also the ones who have spread negative word of mouth, contributed to hostile fandom, polemicized, etc. And I'm not trying to lay blame so much as consider the variety of factors affecting the film's reception and performance.It just seems odd to lay the blame on this film’s perceived failure on men, or toxic men, when men appear to have done their part.
I've been saying for a while that I don't think Disney knows quite how to get these emerging audiences to come out to the movies. I mean, look at the inconsistent marketing efforts (very different trailers) and decisions about what should be a film and what should be a D+ series.Implicit in broadening and growing an audience is that the audience reciprocates, no? If, for example, Deadpool 3 casts Taylor Swift in something slightly more than a cameo, then those producers/creators would expect at least some of the Swifties that had never considered seeing a superhero movie would show up?
I think it's certainly their intention to connect with new (and re-connect with disillusioned) fans of all kinds. Maybe a TS cameo would have made The Marvels a massive hit. Maybe dressing the entire cast in Barbie shades of pink would have tapped into some fleeting trend. But these days, those things might just as well hurt the film's chances even more.
Regardless, I'm fairly certain Disney is looking at lots and lots of data. I think they know what audience(s) they're going for, they just don't know how to connect with them well right now. I'm beginning to think there really isn't a way that would reliably sustain the business as it was.