MrPromey
Well-Known Member
Of course Frank Wells was key. They were co-leaders for the first ten years, Wells had just as much power as Eisner, and in some ways he had more. He was the choice to run the company and he was put in a position where he could essentially do so, while Eisner could be satisfied with the title and running the studio. Things generally went well, at least from an external pov. Then Wells died and things deteriorated, and it wasn't just a few things. There was the Ovitz/Pressler debacle. Katzenberg bolted and animation imploded. Relationships with Pixar, the Muppets and others soured.
I am looking at the totality of the regime, and I am evaluating it based on the context of what was going on during the various points in that regime. Without that it's just a surface level analysis.
And I think nobody was actually more upset about the loss of that Wells/Eisner dynamic than Eisner.
He wanted to be like Walt and he was happy to have someone else play the "Roy" so he could focus on the "fun" stuff.
It seems like after Wells left, the problem became one of personal dynamics.
After more than a decade in a kind of relationship, how do you promote someone new into a position to work with you like that where part of their job is to tell you "no"?