Is it possible for a brand new score make you feel like you're listening to a beloved favorite from the good old days? Because that's what those snippets did for me. It took me a couple of listens to find the score's "hook"--Broughton's scores usually have some motif that make them memorable--and it's finally buried itself into my head. Feels like EPCOT again...I can't wait to hear more or Broughton's beautiful composition.
Thanks so much, merf!
ETA: Really, it's totally unecessary for me to add on to this post, but the more I listen the more I feel like I need to talk about the score. I know I'm sounding really cheesy and flowery with my description of the music, but I'm really so beyond happy with it. It's bringing up something even more than nostalgia...it's some feeling that takes me right back to the first years I experienced EPCOT as a small child. It might be music I've never heard before, but it's almost as if it was written to represent that huge impression that EPCOT made on me...aaagh, I can't articulate it, and I just sound stupid the more I try.
