1HAPPYGHOSTHOST
Well-Known Member
Its not even on People Mover's level.Yeah Yoshi just needed a little more to be something more than just a one-and-done but sadly it's pretty much a glorified people mover.
Its not even on People Mover's level.Yeah Yoshi just needed a little more to be something more than just a one-and-done but sadly it's pretty much a glorified people mover.
Its not even on People Mover's level.
Doesn't compare to People MoverIt does seem like it works though.
Just in time to be an alternative to magic keys I guess, but a no go for me as well with the current restrictionsThe Platinum Pass is back at Universal, but $80 more expensive and the Express part of the past isn't valid until after 3 PM, but is still only once per day. Add in mask requirements and still a no go for me, but thought some might want to know.
Lame as hell.I'm sure there are pandemic-related factors accounting for some of it, but man does USH's HHN look incredibly weak compared to Orlando's.
Walking Dead back from the dead?
Pandora's Box and Halloween 4 back, really?
It does look pitiful and even worse is the evidence that they had to make last minute alterations to the lineup.I'm sure there are pandemic-related factors accounting for some of it, but man does USH's HHN look incredibly weak compared to Orlando's. Walking Dead back from the dead? Pandora's Box and Halloween 4 back, really?
Universal tends to rotate mazes out on a yearly basis. Which has its positives and negatives (positives: if a maze is bad then good news! Negatives: if a maze is bad then bad news!)Other than licensing, is there any reason why they couldn't reuse past years houses? I assume they keep all that stuff around... I went in 2019 and there was some pretty great stuff.
I mean, HHN always pales in comparison to Orlando's. Orlando has tons of original mazes, amazing sets, and some great executions. HHN....they have black walls and the same properties over and over and over and over again. I'm so tired of seeing the New Line crew in their line up.I'm sure there are pandemic-related factors accounting for some of it, but man does USH's HHN look incredibly weak compared to Orlando's.
Walking Dead back from the dead?
Pandora's Box and Halloween 4 back, really?
Which is ridiculous, because theoretically they should be able to bury Knott's.Universal really doesn’t try with HHN and it’s kinda sad. It’s like they’re afraid to compete with Knotts.
While they are working on moving around parts of the backlot, I think you are underestimating the amount of space a ride like Velocicoaster takes up and overestimating the amount of space USH Mummy has to offer. To my understanding, Nintendo is basically taking up all remaining space on the Lower Lot that currently exists. Any other usable land like there is a) likely years away from being usable, and b) almost certainly going to be earmarked for Nintendo expansion first and foremost.Universal should get rid of the mummy coaster even though its one of the best rides in the park to many, but tear it down and make a sister coaster to the Velosicoaster in FL. They could theme that huge area with some cool stuff and the coaster could really take advantage of the huge hill USH is built on, weaving in and out of the hillside, close calls with trees and theming, alot you could do. you could really make a spectacularly themed and immersive area that compares to FL JW area.
If Mummy is in it for the long haul, it absolutely needs a reinvigoration akin to what its neighbor attraction received.I think USH Mummy is underappreciated and should remain-there's certainly room in their lineup for two adult coasters.
They lack the entertainment team that Knotts has managed to put together and all because Disney let them get ahold of John Storbeck, who then brought Ken Parks in as vice president.of entertainment for the park. Together they managed to improve Knott's and are now moved up in Cedar Fair to help the other parks that are struggling while leaving a great team in place at Knott's to take over and that will keep doing a great job.Which is ridiculous, because theoretically they should be able to bury Knott's.
-They have budgets and resources Knott's could never dream of.
-They have popular IP for dozens and dozens of iconic horror franchises.
-They have incredibly successful (financially and artistically) sister events.
But they just lack a certain something. I'm not knowledgeable enough about the event to say precisely what it is...competence? drive? A certain Je Ne ais Quoi?
And so David (comparatively) continues to slay Goliath every time.
Knotts has a lot of local cache just for being the original Haunt, but I think part of it is that IP issue. Specifically, Universal relies too much on the IP itself to be the draw, rather than making a good maze that utilizes the IP. I think back to the Stranger Things maze from 2019, and that was such a middling maze for me. They hit a bunch of scenes that I as a casual viewer understood, but it wasn't a scary maze, and it was way too big and spread out. And they do it so often that when they do actually-good IP mazes, they stand out (the TCM mazes, Ghostbusters even though I wasn't the biggest fan of it). But in the end, the IP (and, let's be honest, large budget) ends up stifling their creativity.Which is ridiculous, because theoretically they should be able to bury Knott's.
-They have budgets and resources Knott's could never dream of.
-They have popular IP for dozens and dozens of iconic horror franchises.
-They have incredibly successful (financially and artistically) sister events.
But they just lack a certain something. I'm not knowledgeable enough about the event to say precisely what it is...competence? drive? A certain Je Ne ais Quoi?
And so David (comparatively) continues to slay Goliath every time.
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