A Spirited Perfect Ten

BrerJon

Well-Known Member
Looks like another decade of more of the same... new CEO can't get here quick enough.

If any of us were promoted to that job you can guarantee we'd give PR a quote about having always loved Disney parks, or being thrilled to move to a unit with such promise and possibilities... something to give people hope, but there's nothing like that, the press release implies he's barely heard of the parks before.
 

Travel Junkie

Well-Known Member
I mean this in the nicest way possible but you are not the gatekeeper of what constitutes the "highest quality" film. :)

The English (really theater) majors I went to college with pretty much hated anything that became popular. Back in my day, they loved Chariots of Fire, telling me I just had to see it. However, once it became popular, those same people belittled the movie because of its success.

That's not just elitist; that's stupid. :D

Today, some of those same theater majors are voting members of the Academy. You might even have heard of a few. ;)

The Academy votes for the "Best" in various categories but what is "Best"?

As an actor, if you give the most amazing performance ever but then openly express that you're anti-X when X is the Hollywood's cause-of-the-day, you have a zero percent chance of winning the Oscar.

If you belittle something I believe in, I can't help but be affected when I judge your performance.

In my opinion, an actor or film should be judged solely by what's seen on the screen but that rarely happens.

Paul Newman, one of America's greatest actors, won his Oscar for probably his worst Best Actor nomination. He received the Oscar because he had lost 6 times before.

Just search the Internet for "best movies not to win Oscar" or "worst movies that won Best Picture".

Yes, I agree with what I think is your larger point that the most popular movie often is not the "best" movie, but very often neither is the one that wins "Best Picture". :D

And, by the way, I suspect that my artsy college friends working in today's Hollywood would not agree with you on what are the "highest quality films". :)

I never pretended to say I was some gatekeeper. You may laugh though if you knew what I do for a living. I was probably one of those college kids you are talking about. :)

Films are subjective, no question about that and members are fallible and often vote for political reasons. Check out the trades during award season and see the lobbying for awards. That is just the public lobbying. Imagine what occurs behind the scenes. The Academy is far from perfect but get it right more than they get it wrong in my opinion. Often the “mistakes” the Academy makes are nothing more than not appreciating a film in the moment. Famously Ordinary People picked over Raging Bull for Best Picture and more recently Titanic (A box office success!) beating out LA Confidential, which now feels like the wrong choice.

This isn’t really the thread for an examination of why box office successes are largely shut out of the Academy Awards process in recent years and the subject could be the subject of many books. Suffice to say that it has a lot to do with when publicly traded companies demanded sure fire money makers and the decision making was taken away from creatives and handed over to accountants. More and more creatives broke off from the studio system and created the independent film movement where “true artists” have more freedom. The studio system then turned around and embraced this “edgy” product while most moviegoers prefer the tentpole tried and true. I hope that doesn’t come off incorrectly.

That's the phenomenon known as self loathing. And I have not bothered to see most of the dreck purporting to be movies these days, The Godfather was entertaining, The Sting was entertaining,

Sorry Hollyweird actors are usually self-centered boors and I don't see them working in schools and building houses unless the cameras are there unlike those evil small businessmen who actually contribute time and money to their communities.

Image from the Oscars some dude in diapers dancing around on stage, It's no wonder why the 21'st century will belong to the Chinese who still believe in hard work and scholarship while Hollyweird pushes it's message that the only thing that matters is a beautiful body and being 'sexy'.

I despise the anti-intellectual messages which emanate from Hollyweird, How many actors have a Masters or PhD?

You have some amazing power to diagnose people you don’t know. You are a very close-minded and stereotypical person. I have stronger language than that but I'll leave it at stereotypical.
 

ford91exploder

Resident Curmudgeon
I watch the Oscars every year, and every year I get bitter because some high quality popcorn movies (you know... the entertaining ones) rarely get a mention. Something like Guardians of the Galaxy was an excellent and entertaining movie yet all it gets is a couple of technical nominations.

Bill Simmons has a great idea about the Oscars... there should be a 5 year waiting period like the Hall of Fame. That allows us to see how the movie holds up over time. Look at the 2009 Oscars for example, Slumdog Millionaire wins best picture and it was a good movie. But The Dark Knight was the movie of the decade. Heath Ledger deservedly won the best supporting actor, but I'm willing to bet that he wouldn't have even been nominated if he didn't pass away the year the movie came out.

^^^^THIS^^^^
 

TalkingHead

Well-Known Member
The Academy is far from perfect but get it right more than they get it wrong in my opinion. Often the “mistakes” the Academy makes are nothing more than not appreciating a film in the moment. Famously Ordinary People picked over Raging Bull for Best Picture and more recently Titanic (A box office success!) beating out LA Confidential, which now feels like the wrong choice.

While I agree with the two examples you mentioned, I think the Academy gets it wrong far more often than it gets it right.

Relatively few of the consensus "best movies of all time" won Best Picture. I think the Best Picture winners from the last fifteen years are particularly weak. I count one masterwork in that time span (No Country for Old Men). The others are good to mediocre to awful (Crash).
 

Travel Junkie

Well-Known Member
I watch the Oscars every year, and every year I get bitter because some high quality popcorn movies (you know... the entertaining ones) rarely get a mention. Something like Guardians of the Galaxy was an excellent and entertaining movie yet all it gets is a couple of technical nominations.

Bill Simmons has a great idea about the Oscars... there should be a 5 year waiting period like the Hall of Fame. That allows us to see how the movie holds up over time. Look at the 2009 Oscars for example, Slumdog Millionaire wins best picture and it was a good movie. But The Dark Knight was the movie of the decade. Heath Ledger deservedly won the best supporting actor, but I'm willing to bet that he wouldn't have even been nominated if he didn't pass away the year the movie came out.

I agree with a 5 year waiting period or at least 1 year. The extra time would do a lot of good, especially a film like The Dark Knight. On the flip side box office dynamo Titanic would not have won if there was a five year waiting period.

GOTG was a fun popcorn movie but IMO that’s the extent of it. Same with The Avengers although I give it very high marks for how they intertwined so many storylines and juggled all those leading characters. That is extremely difficult to do and I predict Batman vs Superman will not manage this nearly as well.
 

ford91exploder

Resident Curmudgeon
While I agree with the two examples you mentioned, I think the Academy gets it wrong far more often than it gets it right.

Relatively few of the consensus "best movies of all time" won Best Picture. I think the Best Picture winners from the last fifteen years are particularly weak. I count one masterwork in that time span (No Country for Old Men). The others are good to mediocre to awful (Crash).

Yes I'd agree with that - and gee it was an ENTERTAINING movie as well.
 

Travel Junkie

Well-Known Member
While I agree with the two examples you mentioned, I think the Academy gets it wrong far more often than it gets it right.

Relatively few of the consensus "best movies of all time" won Best Picture. I think the Best Picture winners from the last fifteen years are particularly weak. I count one masterwork in that time span (No Country for Old Men). The others are good to mediocre to awful (Crash).

Crash is one of the biggest misses no doubt. It was a pretty bad year overall looking back. I suppose Brokeback Mountain wins if it were held today. Of the 5 nominated that year Crash would probably finishes 4th or 5th if voted on today.
 

BrerJon

Well-Known Member
So what can we do to get wider press interested in Igergate? How do we bring this to the public's attention like SaveDisney managed to with Eisner?

It should be a good one for many publications - the boss of Disney is on course for a bumpy opening for Shanghai that will make EuroDisney's first years look quite healthy in comparison, losing stockholders tons of money, and in the process $800M has disappeared, possibly into the pockets of Chinese officials.

The only article to give negative analysis on Shanghai gets shut down by Iger's wife, in a big breach of journalism ethics.

These events should be really interesting to Wall Street publications, and anyone doing corporate investigative journalism, but nobody seems to care except us. Has Iger really built such an impenetrable wall of love around him that nobody has the slightest interest in questioning him anymore?
 
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the.dreamfinder

Well-Known Member
So what can we do to get wider press interested in Igergate? How do we make this a bigger story?

It should be a good one for many publications - the boss of Disney is on course for a bumpy opening for Shanghai that will make EuroDisney's first years look quite healthy in comparison, losing stockholders tons of money, and in the process $800M has disappeared, possibly into the pockets of Chinese officials.

The only article to give negative analysis on Shanghai gets shut down by Iger's wife, in a big breach of journalism ethics.

These events should be really interesting to Wall Street publications, and anyone doing corporate investigative journalism, but nobody seems to care except us. Has Iger really built such an impenetrable wall of love around him that nobody has the slightest interest in questioning him anymore?
Actually, I've been working on a post regarding FCPA in my free time over the past two days. From what I've been reading and this is all I will say for now, we are sitting under a powder keg.
 

PhotoDave219

Well-Known Member
So what can we do to get wider press interested in Igergate? How do we bring this to the public's attention like SaveDisney managed to with Eisner?

It should be a good one for many publications - the boss of Disney is on course for a bumpy opening for Shanghai that will make EuroDisney's first years look quite healthy in comparison, losing stockholders tons of money, and in the process $800M has disappeared, possibly into the pockets of Chinese officials.

The only article to give negative analysis on Shanghai gets shut down by Iger's wife, in a big breach of journalism ethics.

These events should be really interesting to Wall Street publications, and anyone doing corporate investigative journalism, but nobody seems to care except us. Has Iger really built such an impenetrable wall of love around him that nobody has the slightest interest in questioning him anymore?

You can't.
 

WDWFigment

Well-Known Member
The Russians and Chinese youth, the most impressionable audiences, are very familiar with American pop culture. Birdman has likely been torrented millions of times in PRC and RF. They know who NPH is through "How I Met Your Mother". Just because State-Owned media is trying to push a narrative does not mean it is being accepted by the public. You give the people of PRC and RF very little credit for free thought.

Slightly off topic, but I recently watched a clandestinely filmed documentary on North Korea (sorry, don't recall the name) which, in part, covered individuals who were risking their lives smuggling in DVDs of Hollywood films (a crime punishable by execution). They postulated that the key to changing public perceptions about the West was to turn people onto our pop culture, and then they would stop believing the views being pushed by the gov't.

There's a lot more to it than that, but that's the basic theory. When you give it some thought, it makes sense. For better or for worse, just think of how influential pop culture is here in terms of politics, social issues, etc.
 

WDWFigment

Well-Known Member
Hong Kong is not mainland China; and the Chinese government's presentation of America is more important than the conspicuous consumption (good book, btw) that exists within the Chinese country.

Sorry, I should have been clearer: this was a public holiday in PRC and numerous tour groups from the mainland (those who arrived before the travel ban) were in Hong Kong.

The government of China may try to paint consumerism in whatever light it wants, but China (not Hong Kong, although it is, too) has become as much of a consumer culture as the United States. If the people themselves are consuming these brands in mass quantities, I'm skeptical that the government's presentation of America matters quite so much.
 

Cesar R M

Well-Known Member
Hey Guys? I hate to try and be the voice of reason but can we try and keep the politics out of our movie discussion, mostly in an effort not to derail the entire thread?

Biggest upset of the night for me was BH6. Thought it was all about the Dragon.
Well you know.. most voters for animated film do not even care.. unless it has the "disney" brand all stamped.
 

GoofGoof

Premium Member
So what can we do to get wider press interested in Igergate? How do we bring this to the public's attention like SaveDisney managed to with Eisner?

It should be a good one for many publications - the boss of Disney is on course for a bumpy opening for Shanghai that will make EuroDisney's first years look quite healthy in comparison, losing stockholders tons of money, and in the process $800M has disappeared, possibly into the pockets of Chinese officials.

The only article to give negative analysis on Shanghai gets shut down by Iger's wife, in a big breach of journalism ethics.

These events should be really interesting to Wall Street publications, and anyone doing corporate investigative journalism, but nobody seems to care except us. Has Iger really built such an impenetrable wall of love around him that nobody has the slightest interest in questioning him anymore?
Honestly, there's no smoking gun...yet. Most of what has been talked about here isn't going to interest main stream media or Wall Street. If the SEC or some other federal agency starts a formal probe into TWDC's actions in China or if a Congressman calls for an investigation (like the child privacy one from a few years ago) that would be a major story. Right now the only story is that Iger and his wife got that story killed, but there's still really no smoking gun there either. We all know it happened, but without actual proof or at least a well connected source going on the record to confirm it major media probably won't touch it. The best anyone here can do is continue to talk about it and hope enough buzz is generated to encourage further investigation or possibly encourage a whistleblower if something highly illegal is really going on.
 

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