GrammieBee
Well-Known Member
We will look forward to any future posts. Your information is most interesting.
Hoping you and your faamily will have a better New Year.
Hoping you and your faamily will have a better New Year.
I know I teased this on my last thread, but Iger and Co were privately very disappointed in Big Hero 6's domestic take (at least as of a few weeks ago). No, they didn't think it would pull in Frozen numbers. But a very well-placed source on the left coast says that they really thought it would do ''closer to double'' than what it did (oh, and no, I didn't see it ... planned to on the cruise and didn't find time!)
Well to bring the rest of us back down to reality, Big Hero 6 has made $211 million in the US so far. As I said in the last thread, that's higher than Tangled's adjusted total and second only to Frozen among Disney animated features released since the year 2000. It's also close to topping Box Office Mojo's pre-holiday forecast of $215 million total gross. If it makes $225 million, it will pass Wall-E to become the highest grossing animated sci-fi release ever (unadjusted, but still notable for a sub-genre with a less than steller track record). Considering it's a non-sequel to an obscure property, it has done very well.
Worldwide it has made $378 million, has "yet to open in 6 major markets", and is still making money in places where it has been released, Japan in particular. Going past $500 million is a given at this point.
In short, it's doing fine. I hope one day it will be considered justifiable to produce as sequel, as this is a very rare Disney animated release that actually demands one be made. Even a Marvel-weary Spirit would have to agree it's an entertaining film.
We'll be there second week in Feb for a few nights, after that no plans made for the rest of the year, but not going to WDW, only DLR on points.Thanks. And right back at you!
And I will definitely be out there in 2015. The questions at this point are how many times and when ... before all hell broke loose, I was pondering a January/Feb. type visit when stuff is closed and crowds are down. But that's not gonna happen.
Few quickees and then I'll be back when I can ...
Merchandise on the Fantasy was a bit weak. Lots of pricey watches and jewelry and perfume ... things I have never bought on a cruise ship. But almost no Fantasy merchandise, just DCL logo stuff. I think the pin I bought was the only actual Fantasy item. I find that odd because the Magic had loads of stuff last fall and the Wonder had at least a few items (like the magnet on my new fridge!)
I know I teased this on my last thread, but Iger and Co were privately very disappointed in Big Hero 6's domestic take (at least as of a few weeks ago). No, they didn't think it would pull in Frozen numbers. But a very well-placed source on the left coast says that they really thought it would do ''closer to double'' than what it did (oh, and no, I didn't see it ... planned to on the cruise and didn't find time!)
Oh, and said source says work is ''well underway'' on Frozen 2: Olaf Melts ... (that is true ... the first part, not the title!) despite what Burbank and Iger will claim.
Speaking of Olaf: first Frozen merchandise I own? A $1.99 Oaf note pad that my dearest Angie bought me while picking up food items at a local Publix. Better than ANY Frozen merchandise I have seen at the parks.
Y'all have MAGICal weeks!!!
At first I read the threat title as "Perfect Tan."
Any news on when we might get some sort of announcement on whats going on at DHS? The writing is on the wall with attraction closures and the rumor mill going into overdrive and it's getting kinda ridiculous to be honest. There's no need for specifics but a general idea would really help cool off some of the more vocal- it's not going to happen folks.
Sadly I don't see this happening, not after everything that has occurred in the past 15-20 years with CGI's lingering staying power and the decline of hand drawn across the entire industry. I love hand drawn animation and still have a distaste for most implementations of CGI, but the traditional methods feel like they're dead. Even Studio Ghibli's future is clouded (and the founders have publicly said that its demise is inevitable apparently).The success of frozen and disappointment of big hero 6 should motivate Iger to reinvest in traditionally hand drawn fairy tales. Princess & the frog flopped because it was poorly done, bring in fresh talent and they can have movies that perform even better than frozen at the box office.
Rayman Legends was a pretty good game. I especially liked the hand drawn art style in it.Sadly I don't see this happening, not after everything that has occurred in the past 15-20 years with CGI's lingering staying power and the decline of hand drawn across the entire industry. I love hand drawn animation and still have a distaste for most implementations of CGI, but the traditional methods feel like they're dead. Even Studio Ghibli's future is clouded (and the founders have publicly said that its demise is inevitable apparently).
I personally enjoyed Princess and the Frog a hell of a lot more than Tangled, and also find it infinitely better than Bolt or Chicken Little. It was actually Winnie the Pooh however that was the final traditionally animated Disney movie. Its poor performance cannot be attributed to any lack of quality, it's a great little film that got glowing praise but apparently awful box office sales. Many if not most Disney fans have forgotten the movie. The primary reason it flopped so hard is because some fool at Disney thought it was a good idea to release it the same day as the final Harry Potter movie. It never had a chance in hell of doing remotely well. The past three Pixar movies have been quite under par compared to their usual quality, yet they're still quite financially successful (particularly Cars 2 which has a 39% on Rotten Tomatoes). You can't always attribute box office sales to quality, there's quite commonly no correlation whatsoever. Disney recently shut down their hand drawn studios and got rid of the workstations and staff responsible for them. They clearly feel the proper course of action is computer animation. And I somewhat doubt one financial dud is going to change this over night. Frozen 2 will (unfortunately) solidify their decision to keep hand drawn out.
Even though a small part of hand drawn's failures can be blamed on poor quality (or more importantly poorly thought out marketing and release dates), I can't ignore that the general public shoulders a lot of the blame for scorning hand drawn as well. A lot of audiences from the past 20 years have grown up with CGI and expect that, not because it's objectively superior but just because it's what they've been conditioned to think is normal. For live action movies there's more of a dedicated and outspoken audience that protests the over saturation of CGI and favors practical effects (which is great because the idea has started catching on in the mainstream now with the new Star Wars reportedly using a lot of real visuals effects). There doesn't seem to be as large of a group trying to promote hand drawn animation however, a few perhaps but very small by comparison.
The only media where traditional hand drawn art still shows any life is in lesser known video games. Specifically artistic indie games (though Ubisoft's recent Rayman games as well as Child of Light have used a hand drawn style). But the demand for these is not very high compared to other genres. The money is in either very simplistic and poor mobile games or gritty and violent games such as shooters (where hand drawn visuals have no place and would actually compromise sales more than anything).
At this point the closest we are to getting a traditionally hand drawn movie at this point would be something along the lines of Paperman or Feast. And they're just creative animation tests probably not close to being able to be utilized in a feature length film (and may well never be). They're a hybrid of animation with both CGI and hand drawn, kind of similar to the tech first used in Tarzan. Tarzan is the one movie I feel really utilized computer animation incredibly well, it managed to bring the motion benefits of CG but still retained the elegant and artistic strokes of hand drawn).
EDIT- Sorry for the long post, it got away from me.
Nice to hear you liked the Fantasy. We love it. The service, activities and food quality greatly improved during their second year of sailing. I never felt like the ship was too big.The highlight of the trip, beyond the company with me, was the Disney Fantasy. Since I'm not a Lifestyler and it's hard to justify paying 4-5 times more to cruise with DCL, I hadn't been on one of the 'new' ships yet. And since the Dream only sails (for now -- yes, I know things! ) short hops to the Bahamas, the Fantasy was the only option.
The ship and the cruise in totality were flat out amazing. And, again, I wonder how anyone can experience DCL service and then visit WDW and not notice that the level of quality is truly in a different UNIverse. I am as tough a critic, although fair, as you'll find. And it is very tough to find anything worthy of complaint with the Fantasy. And with the FL Resident discount that came out late in the game, I didn't feel the price we paid was too much.
As much as I love the Magic and Wonder, this ship takes what those ships did and builds on it to FANTAStical results.
From the Aqua Duck (truly a fun ride and worth the typical 15 minute waits we had for it) to the dining rooms to the shows, it was truly a first class experience.
Remy alone is worth taking a cruise. I like food (no surprise to anyone who knows me or any fanboi who says that I am like a big teddy bear -- I have no idea what they mean!) and have had amazing meals all over the planet. Remy is easily a top 10 experience for me. We also lucked out in that in addition to chef Scott Hunnel (yep, same guy who runs V&A's at the Flo), Disney had on board a top French chef (don't have his notes handy, but we talked to him and his English is about as good as our French) who was debuting his own menu at the restaurant. He is one of only 105 Michelin 3-starred chefs on the planet (like Gordon Ramsey). Angie and I picked items from each of the chefs menus and ... well, why is it that the best food comes in places where it just ain't appropriate to lick the plates?
Food and Beverage are noticeably better than on the older ships, especially the Wonder. The salads were fresher, the entrees tastier and the desserts (still a DCL weakness) better.
The cabin, a veranda, looked like new in every area despite it being two years old, despite the typical ... well, guests. There was absolutely no sign of wear and tear or damage (at least when we boarded -- that closet design wasn't the smartest!)
The CMs were across the board (except for Captain Tom, who frankly seemed bored and disinterested in a signing event) friendly and wonderful. Like I said, to go from DCL to WDW is not something I'd advise to novices (to be fair, though, most WDW CMs and UNI TMs that we interacted with were at least good if not better with one Disney transport exception).
When booking, well, we sorta naively hoped that the ship would have fewer families since it left the Saturday after Thanksgiving. That wasn't the case, but just like all prior cruises, kids were not a problem at all.
If I had to complain about one thing (and you know I do), then I'd say that the adult pool area wasn't well thought out in location/logistics. It is sorta hidden on Deck 12 with very few chairs, especially for folks wanting to get sun. The jacuzzis have been relocated under cover on the side of the ship and noise tends to bounce off the deck above making conversations tough. And if you want to sun bathe before swimming, you really need to go up to Deck 13, which is sorta ridiculous.
You can clearly see the ship was designed in the 'We own Pixar' and 'We own the Muppets' period in Burbank as those characters are much more present in everything from artwork to the interactive game (yes, I played ... yes, I enjoyed it!) to theming.
Entertainment gains from having an atrium big enough to put on shows and DCL did for the holiday cruises, everything from a tree lighting show, to a Santa's arrival show to a Dickens carolers performance ... oh, and a gingerbread house that's pretty much the size of the one in the BW (that likely is still up as I type this!)
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