ChrisFL
Premium Member
anyone can remind me what TDR is?
I know there is TDS and TDL (tokyo disney sea and tokyo disney land)
sharknado again?
TDR= Tokyo Disney Resort (as a whole)
anyone can remind me what TDR is?
I know there is TDS and TDL (tokyo disney sea and tokyo disney land)
sharknado again?
There's something about his personality that just rubs me the wrong way ... not sure what it is. I also am not overly familiar with his career path (i.e. how he wound up running the show when he's barely 40).
So, uh, Wanna hire a bunch of us as Analysts for TWDC stock?
Disney doesn't announce actual gate counts. Even TEA calls its figures estimates. Disney doesn't explain the entire first click deal. It doesn't say whether cast comps are counted. Whether hard ticket events (now about 50-60 nights a year) are included.
I will never believe that the MK sees more people annually than TDL does. I just won't. ... and those 10 million alleged visitors at TPFKaTD-MGMS?!?! Sure. Those numbers are real ...
Conversely, were it not for the connections to the rest of the Marvel 'verse...I would have no great interest in any of the films.
Despite your image of me as a Marvel fanboy, that couldn't be further from the truth. Take away the connections to the larger story and I'm completely "meh" about the films. (Except the first Cap film. I'm a sucker for the wartime period.)
Maybe if they'd start tying all the Pixar movies together I'd want to see them...
It's funny you mention Singer because Feige got his start at Marvel as an Assistant Producer to Lauren Shuler Donner on the first "X-Men" after having worked for her for 2-3 years prior. He then made the jump to Marvel to be one of their go between producers who would work with the producing studio (Sony, Fox, Uni, etc). I'm not sure about anything murky in his ascension other than he is well liked by Ike Perlmutter.Ask Bryan Singer
except for the Easter eggs...That's just the thing, Pixar has achieved cinematic greatness often largely because it doesn't tie its films together or to a formula beyond great storytelling. Sure, you have a franchise with Toy Story and a few sequels. But Up is no Toy Story is no Ratatouille is no Wall*E is no Inside Out etc.
Seems it's just me, but I'm getting a little tired of that trope. Every Disney (and Pixar for that matter) animated film released since, like, 2010 tries overly hard to make audiences "feel" and it's getting a little too predictable.
I’m sure I won’t.
It doesn’t make a lot of sense though when TDL has more capacity than MK, yet MK closes to capacity a handful times a year where TDL closes to capacity a handful of times a month and they have the same number of dead days which is very small barring a severe weather event. Quite a conundrum.
Then why isn't the park hitting capacity on a regular basis? Why don't they implement ticket controls? Why aren't actual wait times out of control? Something doesn't add up.
Intern for the producer of the original X-Men movies that got promoted to associate producer on that because he was a Marvel geek with an extensive knowledge of the lore. X-Men's success ended up impressing Avi Arad and he's been one of the bigwigs of Marvel's film arm ever since.
TDL also has significantly larger capacity due to its added attractions, food venues (probably double the MK) and retail. It is not unusual to see TDL have 6-7 attractions with waits of multil-hours. MK is considered crazy busy when two attractions hit two hour waits with a handful of others at an hour or more. I just don't get how MK could possibly outdraw TDL unless the numbers are being manipulated. I just don't.
I had to ask one of my bothans.... Yes, Hard Ticket Events are included in that Day's attendance.
And that would account for a whole lot of extra visitors ... people who may well be counted twice that day by Disney.
What is the max number of tickets for the party nights?
No, it's because I know many people that work in the industry and having lived in LA, I'm used to always staying thru the credits of every film I see to look for names. I view it as a sign of respect for the people who made the film. In LA, everyone stays. Until these little 'extras' started appearing in films (maybe a decade ago?) most folks ran for the exits before the music even began playing. Even now, a good 40% or so will leave immediately and not wait. They actually seem ****ed when you are on the aisle (as I always am) and you aren't getting up.
The pay differential between US and Germany applies to mid level and hourly workers. The large difference applies to the executive level where US executives make exceedingly more than their German conterparts. Executive compensation disparity the cause of a great deal of friction within what was DaimlerChrysler.
Yes, that's the public story. The real story is usually far more entertaining and insightful.
Yes, that's the public story. The real story is usually far more entertaining and insightful.
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