Sirwalterraleigh
Premium Member
He’s been kinda associated with “Merica” forever…so maybe the overseas pull would never be quite the same?Superman is flopping overseas.
He’s been kinda associated with “Merica” forever…so maybe the overseas pull would never be quite the same?Superman is flopping overseas.
I think that's part of it. Even though nowadays Superman fights for Truth, Justice and a Better Tomorrow (instead of the American Way), I think many still view him as a symbol for America.He’s been kinda associated with “Merica” forever…so maybe the overseas pull would never be quite the same?
Correct. He actually likes Star Wars movies, which goes against the official requirements of being a Star Wars Fan.Not much a fan are ya?
I think you mean break even of $650M-$700M, if you are using (Production Budget+Marketing) and doubling it, as studios only take approximately half of the box office, instead of using the standard 2.5x Production Budget that everyone else uses.Variety is claiming Superman had a marketing budget of $100 million. I don't believe it, but that's what they wrote. If true, you're looking at a $325-350 break even.
Variety is one of the Trusted Media Sources.Variety is claiming Superman had a marketing budget of $100 million. I don't believe it, but that's what they wrote. If true, you're looking at a $325-350 break even.
That's an outdated metric, especially since the studios are taking a much larger percentage of the opening weekend box office in the modern movie space. It's closer to 110-125% of budget + marketing, not double.I think you mean break even of $650M-$700M, if you are using (Production Budget+Marketing) and doubling it, as studios only take approximately half of the box office, instead of using the standard 2.5x Production Budget that everyone else uses.
Ok, never heard of this new "metric" and I follow this stuff pretty closely, and really that is just saying that a movie is front-loaded which we already know (as its not new) and is already accounted for in many cases especially in the 2.5x metric. But still you have to account for them only taking approximately half the box office, so still it can't be $325M-$350M for break even when the budget is $225M and Marketing according to what you say Variety says is $100M.That's an outdated metric, especially since the studios are taking a much larger percentage of the opening weekend box office in the modern movie space. It's closer to 110% of budget + marketing, not double.
No, I'm not saying that movies are frontloaded. They are, but everyone knows that. What I am saying is that a recent change in modern cinema is the percentage the studios take from the opening weekend gross receipts. On tentpole films, it's not 50/50. Yes the movies are frontloaded ... and the studios are getting a much higher percentage of that front loaded opening weekend than they ever did when that x2.5 concept was created.Ok, never heard of this new "metric" and I follow this stuff pretty closely, and really that is just saying that a movie is front-loaded which we already know (as its not new) and is already accounted for in many cases especially in the 2.5x metric. But still you have to account for them only taking approximately half the box office, so still it can't be $325M-$350M for break even when the budget is $225M and Marketing according to what you say Variety says is $100M.
So either your wording here is bad, or you've miscalculated, or maybe even misunderstood the "metric".
Again not new information, this has been the case for a decade or more, where studios take more opening weekend.No, I'm not saying that movies are frontloaded. They are, but everyone knows that. What I am saying is that a recent change in modern cinema is the percentage the studios take from the opening weekend gross receipts. On tentpole films, it's not 50/50. Yes the movies are frontloaded ... and the studios are getting a much higher percentage of that front loaded opening weekend than they ever did when that x2.5 concept was created.
$95m ow overseas for a movie with an enormous budget is a flop.It is hardly flopping overseas.
Again not new information, this has been the case for a decade or more, where studios take more opening weekend.
But let’s say this is somehow “new, then how prey tell does one know what the splits for opening weekend are and calculate them? Since splits can vary from studio to studio and theater to theater and even country to country.
And basically then puts into question almost every Disney movie deemed a failure that at least made a total of at least its own budget+marketing, and I’m not sure you want to do that.
And yet the trades tend to use the 2.5x rule of thumb. So make it make sense? Also please provide where you got this "new" "metric". Because if the trades don't use it, then why would we use it around here over the 2.5x that they do tend to use, or even the "double" metric?The trades know. They have theater owners leaking the numbers to them.
But yet if you follow along with the box office discussion Disney strong arms their way into higher splits than almost every other studio, especially opening weekend and especially for their marquee franchises like the MCU. So that means an MCU movie like Cap4, which many around here claimed was a failure (including you I believe), actually did better than break even. Because it did $413M WW which is more than its reported $180M budget + ~$100M marketing, as according to your "new" "metric" it only needed to clear $398M using the 110% Budget + Marketing. So you telling me you really don't care about that?*shrugs shoulders*
I really couldn't care less about that. My general assumption is that, except for a very rare handful of films (Lion King remake, Toy Story films), Disney's films are generally not getting an elevated first weekend cut of the receipts ... but I don't really care.
This is ridiculous. It’s close to what was made in the US. That’s fine. It may be a little soft, but using the word “flop“ is simply inaccurate. You seem to have some kind of agenda.$95m ow overseas for a movie with an enormous budget is a flop.
$95m ow overseas for a movie with an enormous budget is a flop.
It’s not “a flop”…but has almost zero chance to turn a profit at the box officeThis is ridiculous. It’s close to what was made in the US. That’s fine. It may be a little soft, but using the word “flop“ is simply inaccurate. You seem to have some kind of agenda.
Its opening weekend overseas is on par with Captain America 4. Call it what you will but that’s the kind of revenue it is generating.This is ridiculous. It’s close to what was made in the US. That’s fine. It may be a little soft, but using the word “flop“ is simply inaccurate. You seem to have some kind of agenda.
Correct. He actually likes Star Wars movies, which goes against the official requirements of being a Star Wars Fan.
So basically add it to this weeks “duh” file? I think pretty much everyone universally knew there was nothing happening with him after they took a “pause” on movies.Easy, grumpus…the reality is they sunk their ship…that had nothing to do with fans…that had to do with terrible people out in charge of them
Just BAD movies. What’s done is done
The record is what it is now
Anybody catch this one on the wire today?
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Rian Johnson Says His Scrapped ‘Star Wars’ Trilogy Was ‘Very Conceptual’ and ‘Never’ Had an ‘Outline or Treatment or Anything’: ‘Nothing Really Happened With It’
Rian Johnson says he scrapped 'Star Wars' trilogy was 'very conceptual' and 'never' had an 'outline or treatment or anything.'variety.com
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