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Disney (and others) at the Box Office - Current State of Affairs

TP2000

Well-Known Member
The commercial expectations for Elio are not high. The best we can hope for is a run similar to Elemental if it gets good reviews/WOM. Not sure why some are wishcasting it flops though. Like just ignore it if it doesn't interest you?

I'd ignore it if it was from Warner Bros. or Universal. But if we ignore Pixar mega-budget summer tentpoles, and any other Disney mega-budget movies from their flagship studios, then this thread doesn't need to exist. :(

Instead, I think we should keep the thread going by talking about Disney At The Box Office, and the movies Disney releases.
 

TP2000

Well-Known Member
I think the toy production has to be largely about current confidence and vibes, right?... So my guess is more a crisis of confidence - it's not a sequel, it's a sci-fi movie which has traditionally been a really tricky area for Disney / Pixar, and the Disney / Pixar box office has been vacillating wildly between huge hits and huge... not hits... recently.

I think you're on to something!

When discussing Pixar's track record at the box office the past decade, I think it would be fair to ignore the four Covid era movies that basically had no theatrical run. This likely benefits Pixar, as my gut tells me Turning Red would have been a giant bomb, and the others (Onward, Soul, Luca) wouldn't have done very well in a normal box office run.

There may be some internal numbers that reflect that for Pixar though, so they likely now understand they would have lost big money on at least a couple of those had Covid not prevented them from running normally. Which could feed into their crisis of confidence.

The rest of Pixar's stuff the past decade, has mostly been big Billion dollar hits (inflation adjusted). It's really just the bomb that was Lightyear and the money-losing Elemental that would cause this crisis of confidence.

Still, it's a weird new world when the mega-budget summer tentpole from Pixar has no toys for sale at Target. 🤔

Not That Bad.jpg
 

DisneyHead123

Well-Known Member
I think you're on to something!

When discussing Pixar's track record at the box office the past decade, I think it would be fair to ignore the four Covid era movies that basically had no theatrical run. This likely benefits Pixar, as my gut tells me Turning Red would have been a giant bomb, and the others (Onward, Soul, Luca) wouldn't have done very well in a normal box office run.

There may be some internal numbers that reflect that for Pixar though, so they likely now understand they would have lost big money on at least a couple of those had Covid not prevented them from running normally. Which could feed into their crisis of confidence.

The rest of Pixar's stuff the past decade, has mostly been big Billion dollar hits (inflation adjusted). It's really just the bomb that was Lightyear and the money-losing Elemental that would cause this crisis of confidence.

Still, it's a weird new world when the mega-budget summer tentpole from Pixar has no toys for sale at Target. 🤔

View attachment 865407

My (totally unfounded) guess is that the anxiety is coming from the box office performance of both Disney and Pixar, as I assume Disney is responsible for toy production. Even though Pixar is separate from the Disney studios, I think all recent movies (Disney and Pixar) would influence their thinking when contemplating the likelihood of something being a hit.

Side note - now that I think of it, Lilo and Stitch and Inside Out 2 were pretty light on children’s merchandise too.
 

Sir_Cliff

Well-Known Member
The commercial expectations for Elio are not high. The best we can hope for is a run similar to Elemental if it gets good reviews/WOM. Not sure why some are wishcasting it flops though. Like just ignore it if it doesn't interest you?
Yeah, I'm kind of puzzled about a certain amount of glee around predicting Elio's failure.

No-one has seen it and thus knows if it's good or bad (though the reviews are now coming out and trending positive), and I thought we all wanted more original films and less franchises. If it flops, it's another point in favour of Toy Story sequels and live action remakes into eternity.

All I can think is that it is part of a broader desire to see Disney fail, perhaps with the idea it will lead to Iger being ejected from his position and replaced by someone more like Mike Lindell.
 

BrianLo

Well-Known Member
I think you're on to something!

When discussing Pixar's track record at the box office the past decade, I think it would be fair to ignore the four Covid era movies that basically had no theatrical run. This likely benefits Pixar, as my gut tells me Turning Red would have been a giant bomb, and the others (Onward, Soul, Luca) wouldn't have done very well in a normal box office run.

There may be some internal numbers that reflect that for Pixar though, so they likely now understand they would have lost big money on at least a couple of those had Covid not prevented them from running normally. Which could feed into their crisis of confidence.

The rest of Pixar's stuff the past decade, has mostly been big Billion dollar hits (inflation adjusted). It's really just the bomb that was Lightyear and the money-losing Elemental that would cause this crisis of confidence.

Still, it's a weird new world when the mega-budget summer tentpole from Pixar has no toys for sale at Target. 🤔

View attachment 865407

Metrics were that Turning Red and Luca were the bigger of the four. Disney still seems to be reacting as if that was the case.
 

DisneyWarrior27

Well-Known Member
Well well, we finally have official word on what the ACTUAL budget for Disney/Pixar’s #Elio is thanks to actual reliable trades.

According to Deadline, the film cost $150M to make, not $300M like that lying grifting snake Mr. Jordan Ruimy claimed on World of Reel, and I doubt we should be surprised given Ruimy lied about Captain America: Brave New World had a budget of $380M, when the ACTUAL budget, according to the trades, was $180 million.

Let this be a lesson to all you people who post clickbait and lies from grifters like Jordan Ruimy here on this social media platform again.

Never, and I mean, NEVER post anything like what Jordan Ruimy said here on this platform again unless it’s confirmed by reliable trades like The Hollywood Reporter, Variety, DEADLINE, or The Wrap.

That means you too, @TsWade2.

It’s high time platforms like this went back to a vetting process for when people share info over movies, film budgets, and the truth about them.
 

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TP2000

Well-Known Member
Well well, we finally have official word on what the ACTUAL budget for Disney/Pixar’s #Elio is thanks to actual reliable trades.

According to Deadline, the film cost $150M to make, not $300M like that lying grifting snake Mr. Jordan Ruimy claimed on World of Reel, and I doubt we should be surprised given Ruimy lied about Captain America: Brave New World had a budget of $380M, when the ACTUAL budget, according to the trades, was $180 million.

Let this be a lesson to all you people who post clickbait and lies from grifters like Jordan Ruimy here on this social media platform again.

Never, and I mean, NEVER post anything like what Jordan Ruimy said here on this platform again unless it’s confirmed by reliable trades like The Hollywood Reporter, Variety, DEADLINE, or The Wrap.

That means you too, @TsWade2.

It’s high time platforms like this went back to a vetting process for when people share info over movies, film budgets, and the truth about them.

I'm not entirely sure what all that means, but I will say that I looked at the Google page for Elio and all of the "stars" and multiple "Directors" were entirely unknown to me. None of their names rang a bell. So they must have come rather cheap.

If Pixar spent even $200 Million on producing Elio, I'd love to know where all that money went. 🤔
 

BrianLo

Well-Known Member
So, no Elio toys, or even a t-shirt, at Target then?

Even though they spent over $200 Million to produce it? 🧐

150 apparently.

But I think that’s usually their MO. With two rare exceptions, they usually are overtly cautious on merch before new franchise releases until they know what they have on their hands.

Those two exceptions are Lightyear (which barely qualifies as new) and Wish, which they clearly had unbridled optimism over. Notoriously they were underprepared for Frozen. In this case it’s a good thing if Elio fails, which I’d give a moderate possibility unless word of mouth saves it.

Ps- I’m at the expo now!
 

DisneyWarrior27

Well-Known Member
150 apparently.

But I think that’s usually their MO. With two rare exceptions, they usually are overtly cautious on merch before new franchise releases until they know what they have on their hands.

Those two exceptions are Lightyear (which barely qualifies as new) and Wish, which they clearly had unbridled optimism over. Notoriously they were underprepared for Frozen. In this case it’s a good thing if Elio fails, which I’d give a moderate possibility unless word of mouth saves it.

Ps- I’m at the expo now!
Which I believe will happen.
 

Sir_Cliff

Well-Known Member
150 apparently.

But I think that’s usually their MO. With two rare exceptions, they usually are overtly cautious on merch before new franchise releases until they know what they have on their hands.

Those two exceptions are Lightyear (which barely qualifies as new) and Wish, which they clearly had unbridled optimism over. Notoriously they were underprepared for Frozen. In this case it’s a good thing if Elio fails, which I’d give a moderate possibility unless word of mouth saves it.

Ps- I’m at the expo now!
Yes, my impression is that the days are long gone when a new Disney/Pixar animated feature was preceded by shelves stacked with merchandise and the characters showing up in the parks.

These days, they seem to err on the side of caution except, as you note, when they seem especially certain it will sell merchandise. Their problem is that they don't seem very good at anticipating what will and what won't sell merchandise!

As for the parks, they are even more cautious these days. It seems like it can take years for them to figure out how to represent something like Coco in the parks whereas films like Hercules and Mulan were preceded by full parades and even Emperor's New Groove had meet-and-greets despite the company's lack of faith in the film.
 

DisneyHead123

Well-Known Member
Yes, my impression is that the days are long gone when a new Disney/Pixar animated feature was preceded by shelves stacked with merchandise and the characters showing up in the parks.

These days, they seem to err on the side of caution except, as you note, when they seem especially certain it will sell merchandise. Their problem is that they don't seem very good at anticipating what will and what won't sell merchandise!

As for the parks, they are even more cautious these days. It seems like it can take years for them to figure out how to represent something like Coco in the parks whereas films like Hercules and Mulan were preceded by full parades and even Emperor's New Groove had meet-and-greets despite the company's lack of faith in the film.

This aligns with what I’ve seen.

Our Target has a dedicated Disney section but most of it is devoted to tried and true characters like the princesses and Fab 5. There might be a handful of toys for new movies (stuffies, plastic characters) but not a full line of playsets like you would see for a Paw Patrol or Jurassic Park movie.

We also have a dedicated Lego section and new Disney movies often get representation there, although not always. I didn’t see anything for Inside Out or Elio.

I did notice 5 Below has a Stitch section in the front for their summer merchandise. Obviously that’s going to be pretty inexpensive stuff though. There are also a fair number of Stitch shirts in stores, but I think that predates the movie and just got a boost when the movie came out.
 

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