• The new WDWMAGIC iOS app is here!
    Stay up to date with the latest Disney news, photos, and discussions right from your iPhone. The app is free to download and gives you quick access to news articles, forums, photo galleries, park hours, weather and Lightning Lane pricing. Learn More
  • Welcome to the WDWMAGIC.COM Forums!
    Please take a look around, and feel free to sign up and join the community.

Disney (and others) at the Box Office - Current State of Affairs

Casper Gutman

Well-Known Member
That's fine, unfortunately we won't see eye to eye on this. Keep this in mind. Continuous accusations and furthering the division, Does not make you a good person or the white knight you believe. You've said I don't believe you're this, or that. But it's always followed with comments that insinuate the opposite. No matter what anyone says, if it's not 100% your same view, the accusations start flying. If you want to say being optimistic and not everyone is racist, is having my head in the sand and the same as enabling racism, nothing I can do will change your mind. But I can say I think what you do here, only enables and fosters more division. And that's a shame because there's a bunch we agree on.
A lot of straw men here.

I will simply say that the idea that, “recognizing and being honest about bigotry is what really divides us,” is a very old and a very silly idea.
 

Disney Irish

Premium Member
I can't say I follow RomComs but have they ever been earth shattering smash hits? You made a romcom for a very modest budget, released it to theaters where it would maybe make it's budget back. Then the death of rental and rise of streaming killed what the real play for romcoms was. Now you don't get the rental income, or the home video cash, then the premium network money that leads to your regular network syndication cash. Romcoms were never going to sell a streaming service and they aren't making bank at the box office. So what is the insensitive for studios to make them? Of course that's just what I saw with the situation.
Yes maybe the rise of streaming helped accelerate that situation as it did with a lot things that changed with the theatrical space.

Successful ones would make $300-$400M WW on average in the days before streaming. Now as I mentioned they barely crack $200M WW. So yes I agree that Studios have no incentives to releasing something when they can push it to streaming and get better ROI.

So it’s a chicken and egg situation. If audience really want something they need to come out in full force when an example of it gets released. Otherwise if it’s a mediocre response Studios will just move onto something else.
 

Tony the Tigger

Well-Known Member
Last minute decision! I was already shopping in the plaza. More people than I’d like, so I’m the red dot in the back. Hubby is at work. 🤷🏻‍♂️

IMG_0975.png


Time to shut the phone down! 🤫
 

DKampy

Well-Known Member
I can't say I follow RomComs but have they ever been earth shattering smash hits? You made a romcom for a very modest budget, released it to theaters where it would maybe make its budget back. Then the death of rental and rise of streaming killed what the real play for romcoms was. Now you don't get the rental income, or the home video cash, then the premium network money that leads to your regular network syndication cash. Romcoms were never going to sell a streaming service and they aren't making bank at the box office. So what is the insensitive for studios to make them? Of course that's just what I saw with the situation.
I have not checked grosses… but Sleepless in Seattle, When Harry Met Sally, and Grease all feel like they may have been hits in their day… at least that is what immediately pops in my head
 

Register on WDWMAGIC. This sidebar will go away, and you'll see fewer ads.

Back
Top Bottom