zipadee999
Well-Known Member
I think it stems from bad transitions and poor set design. The interior mainly consist of empty hallways covered in plastic foliage, and you can see what’s ahead for what seems like a mile before you pass it. There are no scene transitions, almost like the Kung Fu Panda ride at Universal Beijing to those familiar. Because of this, you’re forced to stare at animatronics in stationary positions until they ‘activate’ as you go by, almost like a trip to Spirit Halloween.Upon re-watching the POV, I noticed there's a lot of space where the figures with dialogue visibly 'reset' for the next boat while the camera is still on them, case in point are the Tianas on the upper level. Hoping that's something that'll be fixed because it gives alot of space where Tiana just kind of stares at you then seems to wake up.
There are no props or set dividers that mark different scenes and help the rider transition between them. I also think the set design negatively affects the experience in this regard. There are no props or sets for the majority of the interior portion. Instead, you have dark, plant-covered hallways with the occasional animatronic or tightly-grouped critter band. When you do come across the animatronics, they’re not part of intricate scenes or vignettes, they’re just standing in the middle of a dark hallway gesturing at you. This to me is the biggest flaw of the attraction.
In many attractions, Splash included, the animatronics are placed in unique situations and you can see them ‘doing something’ as you go by. It feels very natural and makes for a rich, believable environment. Tiana’s feels like all of the animatronics are just standing in the dark for hours on end, doing absolutely nothing but waiting for you (Five Nights at Tiana’s, anyone?)