So are you saying that the only good movies were superhero movies? Because that's what you seem to be implying.
No, I'm not saying that at all. And I don't go to see Superhero movies. It's not my scene, no matter how small the t-shirt is on the twink who will appear in the DCA pre-show.
All I'm saying is that several big movie studios have released
disastrous box office bombs over the past 120 days. And when they bomb, and bomb hard, the studios pretend that they can blame Covid. And yet... several movies have done gonzo huge box office numbers at the same time the bombs were bombing. Like Spiderman and Batman.
So obviously there a huge amount of Americans with money to spend who will go see a movie if they think it's a good movie worthy of their entertainment dollars. Which is the beauty of a free market economy of free consumers.
I heard plenty of positive reactions about West Side Story and, say, Encanto from those who say them. Box office is not and has never been an indication of quality. And this isn't just a Disney phenomenon-it seems to be affecting everyone.
That's great. Positive reactions. How much are those worth at tax time?
When Disney has to write off the
$200 Million loss that they suffered because of West Side Story's failure to sell tickets, you should go down to the Burbank branch of Bank of America and remind them
"I heard plenty of positive reactions about West Side Story!" and see if they can't give Disney some sort of a credit. At the very least, maybe they could send over some calendars to the Burbank offices to thank them for doing business with Bank of America.
Saying that every non-superhero movie must have been bad and that's why they failed is a massive stretch.
For whatever reason, Americans stayed away from the movies that bombed at the box office. You can blame Marketing, or blame Covid
(but that doesn't explain Spiderman's record setting performance), or you can blame the stale popcorn at the snack bar. But there's a reason why Americans don't go to movies that don't entice them to buy a ticket. Learning that secret is the secret to Hollywood success for the past 100 years. Hollywood hasn't been very successful at it lately.
I should know. I bought a ticket to Death On The Nile, and was baffled at why a 1930's nightclub was so smutty and had so many couples dirty dancing and getting to 3rd base before the song ended. Agatha Christie would also like an answer to that, I'd imagine. Death On The Nile lost a good chunk of change for its studio. But at least the dancers had some fun.