The ride...
The land...
The land...
This is a better angle POV where you can see preshow walking Belle more.
In my opinion, they wanted this to be a huge capacity ride by putting 6 gigantic teacups but this resulted in huge underutilized spaces. If they made it at least 4, better. Also I think if they added one to two scenes to prevent dragging too much in one scene, this would be the perfect trackless ride.
This is the issue behind the slow pacing. The Be Our Guest scene is extended and arguably rightly so. Very well done imo. The following scenes drag in length as a result. And unfortunately with book report attractions the sequence of scenes becomes very important which hinders flexibility.Well, all scenes need to be the same length as one another, else you're held up in one scene waiting for the next to finish.
Or if there is a really long scene, you need two versions of it so as to push incomers alternately into the two rooms.
I guess I'm happy that International Disney parks are not upstaging US parks for once as we have the most superior ride (ROTR) right now. We also have the superior screen ride (FOP).Well, all scenes need to be the same length as one another, else you're held up in one scene waiting for the next to finish.
Or if there is a really long scene, you need two versions of it so as to push incomers alternately into the two rooms.
Remember, according to insiders, WDW was wondering whether to add Rat or BatB to the France pavilion in Epcot.
I find that choice to go with full-length versions of the songs particularly puzzling. There's part of me that wonders whether they fell too in love with the idea of staging Be Our Guest as an extended extravaganza and that tied them into lingering on all the other songs. Still, you would have thought that Something There, for example, could have been staged as a single scene without it necessarily having to take place in one room. Even that last scene in the ballroom seems to drag as nothing new really happens after you enter; it's just a case of twirling around the room until the song ends.Worse yet, (hold loops aside...) it has horrible pacing from its insistence on holding to film-length versions of the songs but restricting them to single settings. Nothing really happens, aside from the RVs twirling around the room for the 5th time while we’re on the second verse. And in musicals, you simply can’t do a montage number (Something There) without the ‘montage’.
I never thought I’d wind up saying this... but honestly comparing between recent animated ride adaptations Rat, Beast, and Frozen Ever After... Frozen is the stronger ride. It hits the expected notes but doesn’t feel like a rehash of the film. It has interesting physical spaces, makes good use of the ride system, and has strong pacing. I wanted to go on it again, which is one of my strongest measures of ride success (and I’m not a fan of the film itself, nor the sacrilegious decision to sacrifice Maelstrom for it).
This is a better angle POV where you can see preshow walking Belle more.
In my opinion, they wanted this to be a huge capacity ride by putting 6 gigantic teacups but this resulted in huge underutilized spaces. If they made it at least 4, better. Also I think if they added one to two scenes to prevent dragging too much in one scene, this would be the perfect trackless ride.
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