Didn't really seem like that, considering you quoted someone's post and bolded the part that most related to your own comment. That seemed to suggest pretty fairly that you were attempting to undercut their assessment rather than merely offering your own separate one.
On top of that, I don't see anyone "pretending they don't criticize incomplete projects" - certainly not the poster you quoted. So that's the mischaracterization.
The issue people take here isn't just that there's
any amount of criticism of a work in progress. There's a decent amount of healthy critique in this thread that no one really has a problem with. The issue is, as has been stated many times, the outrageous amount of overzealous destructive criticism of elements that are not even yet known to us. While it can get a little tiresome when someone comments for the 20th time about how they don't like the look of the facade, it's at least understandable to be developing an opinion of what's visible. But those overextending their own imaginations and continuing their tirades about set pieces that haven't yet been revealed or story points that they merely assume must exist can't reasonably expect to be taken seriously.
For literal years now there has been so much obsessive and ugly pre-emptive condemnation of choices that people simply
imagine WDI is making for this ride, many of which have already been disproven by the continued construction. The outrage about the Green Fence that was obviously going to be hidden is a recent example (and a relatively benign one!). This thread has had to be so heavily moderated that at this point reading what remains doesn't paint a full picture of how contentious and nasty the timbre of it has often gotten, so if you haven't seen that in real time it can be hard to understand why people seem to get their hackles up so quickly. But for anyone who has been following closely throughout,
@Disney Analyst 's comment about "years and years of constant pile ons" is unfortunately very apt. This pattern can be seen in discussion about this ride all across the internet - criticism of rides in development is not unique to Tiana's Bayou Adventure, but the level of aggressive, overt, and misplaced vitriol is absolutely unique, and pointedly consistent for a ride about a princess and her musical animal friends in a magical swamp.
It is so painfully clear that the problem runs much deeper than people thinking the plastic flowers look cheap or that some of the paint choices seem odd. When we've reached the point of pathological fault-finding that loses touch with what's even actually happening it becomes unsurprising that people would feel the need to push back against posts that don't seem to correctly assess the content they're responding to.