1HAPPYGHOSTHOST
Well-Known Member
Why would they want your voice?I would sell seriously give my voice to Ursula for a House of Mouse revival on Disney+. That show was too good for only lasting 2 seasons.
Why would they want your voice?I would sell seriously give my voice to Ursula for a House of Mouse revival on Disney+. That show was too good for only lasting 2 seasons.
The more I hear about this show the less desire I have to turn it on.Behind the Attraction-Jungle Cruise review:
I had heard that this series was produced by the people who did the Netflix "Movies/Toys That Made Us," and I can really see that based on the way the material was presented. That said, I do not feel like the narrator they chose made the style feel as natural or engaging as in the Netflix series. With the narrator they chose, it just felt very forced.
I had thought that the "color blind construction foreman" story was discredited, but either Disney doesn't know or doesn't care.
I know that many of the classic Imagineers are dead and/or alienated from modern Disney, but it was very jarring to me that most of the talking heads and Imagineers were random anonymous 30somethings. Which is not to say that random thirtysomethings such as myself can't possess lots of parks knowledge, but my perception was that Disney found people who would stick to the script because they had little to know actual knowledge of the ride's history, vs. anyone with genuine authority or insight.
It continues to grind my gears that Imagineers from classic WED made an effort to make the parks different experiences and improve upon the previous iterations of parks and attractions, and not just reproduce the same thing that already existed, only for post-1994 or so Disney to just be like "ehh, forget it, let's just make it all like Disneyland and pretend that's the only one that was and is worth talking about." In particular, Walt Disney World's version of Jungle Cruise, which made several changes that I feel make it superior to the DL version, isn't even mentioned at all. Even more jarring because Tokyo and Hong Kong were mentioned, albeit for ten seconds each. Disney, do better.
As someone who is generally supportive of the changes made to Jungle Cruise (or at least, the idea of them; haven't been able to see them in person yet), it's really weird that the amount of time they spend with the problematic scenes **increased** after they talked about how problematic they were. I also didn't care how they immediately cut to Marc Davis after they made that statement, as if he and he alone were responsible for making those decisions; maybe he was, but is that really provable? It was just jarring to go back and forth between "Marc Davis made a change for the better" to "this ride had some problematic moments, and we're going to cut right to MD to imply that this man who we just praised was directly and exclusively responsible for those moments." It really felt like someone at the eleventh hour demanded they go back in and put in a statement, regardless of whether or not where they put it made any sense, and if it hurt the cohesion or message of the special, so be it.
Also, related: "We love Trader Sam!"....Really, you do now, in light of the changes? Guess they had to fit in the bar plugs somehow.
I thought they had a roughly appropriate amount of time dedicated to the film, though I doubt that Dwayne Johnson logged any serious skipper time on the ride.
RIP Ron Dominguez.
Behind the Attraction-Jungle Cruise review:
I had heard that this series was produced by the people who did the Netflix "Movies/Toys That Made Us," and I can really see that based on the way the material was presented. That said, I do not feel like the narrator they chose made the style feel as natural or engaging as in the Netflix series. With the narrator they chose, it just felt very forced.
I had thought that the "color blind construction foreman" story was discredited, but either Disney doesn't know or doesn't care.
I know that many of the classic Imagineers are dead and/or alienated from modern Disney, but it was very jarring to me that most of the talking heads and Imagineers were random anonymous 30somethings. Which is not to say that random thirtysomethings such as myself can't possess lots of parks knowledge, but my perception was that Disney found people who would stick to the script because they had little to know actual knowledge of the ride's history, vs. anyone with genuine authority or insight.
It continues to grind my gears that Imagineers from classic WED made an effort to make the parks different experiences and improve upon the previous iterations of parks and attractions, and not just reproduce the same thing that already existed, only for post-1994 or so Disney to just be like "ehh, forget it, let's just make it all like Disneyland and pretend that's the only one that was and is worth talking about." In particular, Walt Disney World's version of Jungle Cruise, which made several changes that I feel make it superior to the DL version, isn't even mentioned at all. Even more jarring because Tokyo and Hong Kong were mentioned, albeit for ten seconds each. Disney, do better.
As someone who is generally supportive of the changes made to Jungle Cruise (or at least, the idea of them; haven't been able to see them in person yet), it's really weird that the amount of time they spend with the problematic scenes **increased** after they talked about how problematic they were. I also didn't care how they immediately cut to Marc Davis after they made that statement, as if he and he alone were responsible for making those decisions; maybe he was, but is that really provable? It was just jarring to go back and forth between "Marc Davis made a change for the better" to "this ride had some problematic moments, and we're going to cut right to MD to imply that this man who we just praised was directly and exclusively responsible for those moments." It really felt like someone at the eleventh hour demanded they go back in and put in a statement, regardless of whether or not where they put it made any sense, and if it hurt the cohesion or message of the special, so be it.
Also, related: "We love Trader Sam!"....Really, you do now, in light of the changes? Guess they had to fit in the bar plugs somehow.
I thought they had a roughly appropriate amount of time dedicated to the film, though I doubt that Dwayne Johnson logged any serious skipper time on the ride.
RIP Ron Dominguez.
The more I hear about this show the less desire I have to turn it on.
That's the best one? Yikes. Well, there goes any vague remaining enthusiasm I had.Agreed on all these points- and that's from someone who thought the Jungle Cruise was the best of the series. I couldn't stand the other episodes, like the "Star Tours" episode that talked about Star Tours for 10 minutes before cutting to Galaxy's Edge.
The Haunted Mansion one is decent as well, even if it’s all rehashed pretty known knowledge among the fandom. Glad they brought Rolly back for that one, too. That said other than those two the quality of the others is…. Not great.That's the best one? Yikes. Well, there goes any vague remaining enthusiasm I had.
Yesturday The Disney Parks' YouTube channel uploaded a 12 minute video featuring Don Hahn and Floyd Norman touring Walt Disney’s historic home on Woking Way in Los Angeles, California.
It's part of a series known as "Disney Drop-in" by Disney Vacation Club which consists of unscripted videos filmed in interesting Disney places with equally interesting Disney people. This video is seriously worth the watch if your a hardcore Disney fan (especially old school/classic Disney). This is the type of stuff that the Disney Parks Blog should do focus more instead of awkward livestream hoste. I actually teared up watching this! Disney+ really needs more stuff like this video.
@Figments Friend and @TP2000 would get a kick out of this video. Highly recommend it.
I really, really wanted to add that Indy mug to my collection.Wanted to write a trip report from my visit a few days ago-
Splash Mountain is definitely in worse shape then it was a month ago. Lights have gone out, and figures aren't working as well as they were. A speaker or two were having issues as well.
Indiana Jones is still in embarrassing shape- the shortened safety film is grating and obnoxious. The rolling boulder still isn't working properly, the cavern doesn't actually move. The snake isn't working either.
Not quite sure what the new Disney Look rules are. I thought there was a size limit for tattoos, but I noticed at least one full sleeve and a few that had enough tattoos to basically be considered a sleeve.
Club 33 was an interesting experience. My friends that had already been had said dinner was a five or six course meal (five courses plus an optional cheese course). Not sure if this is a covid change but dinner was only four courses, and was like $25 more expensive then it was the last time my friends went. They had also eliminated the complimentary tea and water in the waiting area due to covid.
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For my drink, I had this Indiana Jones themed beverage that came in an amazing ceramic mug (currently selling for $300 on Ebay, I should have gotten two since I don't want to sell mine)
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I did the Ahi, heirloom tomato, duck breast, and chocolate for each course-
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The service was hands down the best I've received at the resort. The staff were professional, courteous, and personable. There was a level of polish present that other table service venues in the resort lack. I enjoyed conversations with multiple cast members, who were excited to share stories. My server was especially incredible- and even gave me a complimentary dessert (A mickey mouse ice cream brookie, topped with almonds and a caramel and chocolate drizzle). The service was far better then what I've received at the Morton's in Burbank. The bathroom was immaculate and beautifully designed. The service was a stark contrast from the frumpy and mediocre service present everywhere else in the park- where cast members often seemed annoyed to be there and unprofessional.
I really haven't been impressed with any of the 50th WDW merch. I was hoping there was something I might want when we go later this year but it looks like all I will bring back is any new Trader Sam's Grog Grotto mugs.I'm no fashionista... But I can imagine that if this was some genius "push the envelope" kind-of fashion, slapping a 50th anniversary castle on it would kind-of negate the "fashion" part of the fashion. Right?
Is she wearing two pieces, or is that some sort of lounge/prison jumpsuit hybrid?
And.... this is for the FLORIDA parks. Why the long sleeves and warm fabrics?
- Thunder Mountain is SO much better at night. Not even close. When are they going to fix that lift hill explosion effect?
Can't believe people throw dollars into show scenes now. What the heck? Is this an offering for Snow White herself?View attachment 580777View attachment 580778
The cash was bad enough. Now Snow’s bedroom is littered with trash. I spy masks, popcorn buckets, ketchup packets, napkins, receipts, and sprite bottles. People are the worst. This is how we end up having plexiglass in queues.
There are two Lighting Lanes. Regular Lightning Lane for most attractions is what you get with Genie+. Lightning Lane Selects are the individual charge ones that apparently don’t require you to purchase Genie+. Disney is hard at work trying to make it more confusing.Do you need Genie + to Lightning Lane or can you Lightning Lane without it? Lol
If this were Pirates of the Caribbean it would fit better. Guests are bad at deciding which attractions to add theming to.View attachment 580777View attachment 580778
The cash was bad enough. Now Snow’s bedroom is littered with trash. I spy masks, popcorn buckets, ketchup packets, napkins, receipts, and sprite bottles. People are the worst. This is how we end up having plexiglass in queues.
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