Team Prospero Brainstorming Thread - SEMI FINALS: The Best Picture Show

JokersWild

Well-Known Member
Yes, lots of these movies are interesting but not necessarily visually striking or with huge set pieces to base a ride on. Take for instance Green Book. It’s a pretty good movie but doesn’t work at all for a theme park ride.

La La Land almost works too well.. feels too easy for me.
I agree. So is Grand Budapest really, as much as I'd love to do it. The only historical film that I could picture working well is 1917 if we do it more educationally and with reverence (I picture something like a grand reverent intro that leads into the world of the attraction. Kind of like an EPCOT attraction or the rocket simulator at Kennedy Space Center.). Other than that, I think that unique films with interesting visuals is the way to go.
 

Outbound

Well-Known Member
I agree. So is Grand Budapest really, as much as I'd love to do it. The only historical film that I could picture working well is 1917 if we do it more educationally and with reverence (I picture something like a grand reverent intro that leads into the world of the attraction. Kind of like an EPCOT attraction or the rocket simulator at Kennedy Space Center.). Other than that, I think that unique films with interesting visuals is the way to go.

Having thoroughly researched all your suggestions, I’m interested in The Artist. You could play with the color and sound a lot to simulate the progression of film technology. The story has a good message that would work perfectly within DHS. And it’s obscure enough, without being too unrealistically obscure.
 

JokersWild

Well-Known Member
Having thoroughly researched all your suggestions, I’m interested in The Artist. You could play with the color and sound a lot to simulate the progression of film technology. The story has a good message that would work perfectly within DHS. And it’s obscure enough, without being too unrealistically obscure.
That's one that I was super into initially as well. There's definitely a lot that we could do with it and having a "silent" dark ride is a really interesting gimmick, especially if we start playing with sound/ color as the film progresses.
 

goofyyukyuk

Well-Known Member
The Revenant
The Martian
Life of Pi
There Will Be Blood
The Aviator
Master and Commander
Gladiator

These are a couple others that, although probably more mainstream, bear mentioning in the discussion in my opinion, although Jokers ideas definitely make a lot of sense as well
 

JokersWild

Well-Known Member
The Revenant
The Martian
Life of Pi
There Will Be Blood
The Aviator
Master and Commander
Gladiator

These are a couple others that, although probably more mainstream, bear mentioning in the discussion in my opinion, although Jokers ideas definitely make a lot of sense as well
I was looking at Gladiator and The Martian as well. Both of those could be a ton of fun. My only worries about There Would Be Blood and The Aviator especially are that both are deep dive character studies essentially, so whatever we'd be doing with the IP would be vastly different from the film. As much as I'd love to work with There Will Be Blood haha.
 

goofyyukyuk

Well-Known Member
I was looking at Gladiator and The Martian as well. Both of those could be a ton of fun. My only worries about There Would Be Blood and The Aviator especially are that both are deep dive character studies essentially, so whatever we'd be doing with the IP would be vastly different from the film. As much as I'd love to work with There Will Be Blood haha.
Yeah for sure... I like Gladiator and The Martian... Life of Pi could be cool if we could develop some sort of water roller coaster haha
 

AceAstro

Well-Known Member
Alright, I finished the podcast (kind of awkward how often my name came up oops lol)

My ideas:

Dunkirk - As mentioned above. Showstopping scenes like that I fell could work amazingly as an attraction. Not 100% confident on a plot though

Seabiscuit - A dark-ride coaster where guests ride a horse (ride vehicles are like Tron coaster cars). Guests race other horses to win Pimlico.

Argo - Might be a bit of a stretch but hear me out. Argo is about the Iranian Hostage Crisis and how a Canadian Ambassador helped the CIA agent and took in the 6 Americans to help get them out of the country. This would be a very interactive ride (think Rise of the Resistance pre-shows) where the guests play those Americans sneaking out of one building to another as the pre-show and then the ride is a rush to the airport without trying to look too suspicious and getting "caught".

Gravity - As mentioned previously, a Gravity simulator could be a lot of fun. Could it almost be a g-force simulator to give them a "feel" of space (not as intense of course)

The Martian - A good Mars attraction would be really nice. I can't think of a ride system that would work offhand but a Mars E-ticket wouldn't be hard per se.

I love a ton of the ideas y'all have mentioned as well I was just bringing in more. I would love to hear everyone's thoughts about the various movies in the morning as I think we have some solid ideas!
 

TheOriginalTiki

Well-Known Member
Original Poster
I think that There Will Be Blood is too big for one attraction, really. Between the milkshake waterslide, the break your leg in a hole obstacle course, and the deafness simulator, the scope would be too big for the type of project you guys are looking for.

Where the hell was There Will Be Blood during the bowling alley project???
 

TheOriginalTiki

Well-Known Member
Original Poster
He didn't play bowling right....

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JokersWild

Well-Known Member
Just throwing things at the wall here. Let me know if any of these interest anyone.

1917
.Queue through museum about WWI and 1917 the film
.Preshow setting the stage for WWI, its’ cultural significance, and the specific setting of the ride
.Ride sends guests through No Man’s Land. Gritty. Focuses on the severity of war in a broader sense. Also focuses on the technological advancements that came out of the war.

Once Upon a Time in Hollywood
.Queue is a set tour of Lancer, and other stuff (Bruce Lee cameo?)
.Get behind the wheel of Rick Dalton’s Cadillac Coupe de Ville and embark on a whirlwind tour through Hollywood, experiencing 1960s Hollywood firsthand, and coming across Spahn Ranch, home to Charles Manson. Slot car ride system.

Grand Budapest Hotel
.Trackless ride through the hotel. Guests are working with the police? Society of the Crossed Keys? I’d also like to see some stuff around the town, especially the bakery. The only other thing I keep picturing is a preshow of the suspended tram bringing guests up to the hotel, where the second queue would be.

The Artist
.Attraction through silent Hollywood. Trackless? I really loved Outbound’s idea of having the attraction become more technologically advanced as the attraction continues, adding diegetic sound and color as the ride goes on. The only thing I’m not sure of is how this should be related to the film. Should the characters appear?

La La Land
.Super abstract trackless attraction through the songs and feelings of the film. Loosely follow the plot of the film, focusing in more on the musical numbers. A scene where the cars keep shifting back and forth between Sebastian playing the piano and Mia dancing is kinda what I’m thinking - focus more on the movement of the vehicles rather than telling a solid story. Griffith Observatory dance should be the centerpiece of the attraction.

Hugo
I would ADORE a straightforward darkride through the story of Hugo. Focus on the train station and Hugo’s dreams/ Melies films. I’d love to have the train crash as well as recreating the hand tinted Melies films that are featured in the film.

Gravity
I’m picturing an immersive theater/ drop tower experience. Basically, picture Alien Encounter’s theater doubling as a drop tower. Guests are on a space station, but fall to Earth after something goes wrong. I’m thinking a setup similar to Twister where the queue doesn’t try to immerse guests and focuses more on the effects and treating the film as a film. I’m calling this the Universal pitch of my pitches.

True Grit
Might be bending the rules, but True Grit could be a really interesting setup for a gritty western attraction. I’m basically picturing Red Dead Redemption 2: The Ride with this. No ideas past it, but it’s another interesting option at least.

Midnight in Paris
Meandering abstractish dark ride through 1920s Paris featuring some of the most famous artists and authors of the time.

Birdman
I have nothing to say for this other than a weird idea: what if we made an attraction with no scene breaks? Like the ride is made in such a way that it gives the illusion of following the same animatronics from start to finish, sort of recreating the film’s gimmick in a more physical medium.
 

DashHaber

Well-Known Member
Just throwing things at the wall here. Let me know if any of these interest anyone.

1917
.Queue through museum about WWI and 1917 the film
.Preshow setting the stage for WWI, its’ cultural significance, and the specific setting of the ride
.Ride sends guests through No Man’s Land. Gritty. Focuses on the severity of war in a broader sense. Also focuses on the technological advancements that came out of the war.

Once Upon a Time in Hollywood
.Queue is a set tour of Lancer, and other stuff (Bruce Lee cameo?)
.Get behind the wheel of Rick Dalton’s Cadillac Coupe de Ville and embark on a whirlwind tour through Hollywood, experiencing 1960s Hollywood firsthand, and coming across Spahn Ranch, home to Charles Manson. Slot car ride system.

Grand Budapest Hotel
.Trackless ride through the hotel. Guests are working with the police? Society of the Crossed Keys? I’d also like to see some stuff around the town, especially the bakery. The only other thing I keep picturing is a preshow of the suspended tram bringing guests up to the hotel, where the second queue would be.

The Artist
.Attraction through silent Hollywood. Trackless? I really loved Outbound’s idea of having the attraction become more technologically advanced as the attraction continues, adding diegetic sound and color as the ride goes on. The only thing I’m not sure of is how this should be related to the film. Should the characters appear?

La La Land
.Super abstract trackless attraction through the songs and feelings of the film. Loosely follow the plot of the film, focusing in more on the musical numbers. A scene where the cars keep shifting back and forth between Sebastian playing the piano and Mia dancing is kinda what I’m thinking - focus more on the movement of the vehicles rather than telling a solid story. Griffith Observatory dance should be the centerpiece of the attraction.

Hugo
I would ADORE a straightforward darkride through the story of Hugo. Focus on the train station and Hugo’s dreams/ Melies films. I’d love to have the train crash as well as recreating the hand tinted Melies films that are featured in the film.

Gravity
I’m picturing an immersive theater/ drop tower experience. Basically, picture Alien Encounter’s theater doubling as a drop tower. Guests are on a space station, but fall to Earth after something goes wrong. I’m thinking a setup similar to Twister where the queue doesn’t try to immerse guests and focuses more on the effects and treating the film as a film. I’m calling this the Universal pitch of my pitches.

True Grit
Might be bending the rules, but True Grit could be a really interesting setup for a gritty western attraction. I’m basically picturing Red Dead Redemption 2: The Ride with this. No ideas past it, but it’s another interesting option at least.

Midnight in Paris
Meandering abstractish dark ride through 1920s Paris featuring some of the most famous artists and authors of the time.

Birdman
I have nothing to say for this other than a weird idea: what if we made an attraction with no scene breaks? Like the ride is made in such a way that it gives the illusion of following the same animatronics from start to finish, sort of recreating the film’s gimmick in a more physical medium.
Hey, there. Plenty of good ideas here.

On the podcast, I had mentioned Gravity and The Grand Budapest Hotel, and I still feel both of those would offer some prime ride material. Gravity would be terrific for a thrill ride, whether with that "drop theater" approach or as something akin to a simulator. That is an interesting idea to have a set-up that is more about the art of the effects like Twister or Backdraft. Another thought could be that this might be an astronaut testing facility, and that we are about to undergo a test of how we handle under pressure in such a disastrous situation.

The Grand Budapest Hotel, meanwhile, would be great as a kind of E-ticket cousin of Mr. Toad's Wild Ride. Wes Anderson has such a fun and distinctive visual style we could play with, bolstered by the film's sense of hijinx and great characters. As for its plot, I'd think of riders as members of the Society of the Crossed Keys, sent to the hotel to help out Gustave and Zero as they're hunted down by Dmitri's goons.

Hugo and La La Land would also make for fun dark ride potential, and that idea for The Artist showcasing that evolution of tech could be interesting. Maybe we could even play with the evolution of theme park technology with it. For instance, George Valentin could be in the style of earlier animatronics, but it's not until near the end of the ride once he's been humbled that we see him as a state of the art animatronic.
 

JokersWild

Well-Known Member
Hey, there. Plenty of good ideas here.

On the podcast, I had mentioned Gravity and The Grand Budapest Hotel, and I still feel both of those would offer some prime ride material. Gravity would be terrific for a thrill ride, whether with that "drop theater" approach or as something akin to a simulator. That is an interesting idea to have a set-up that is more about the art of the effects like Twister or Backdraft. Another thought could be that this might be an astronaut testing facility, and that we are about to undergo a test of how we handle under pressure in such a disastrous situation.

The Grand Budapest Hotel, meanwhile, would be great as a kind of E-ticket cousin of Mr. Toad's Wild Ride. Wes Anderson has such a fun and distinctive visual style we could play with, bolstered by the film's sense of hijinx and great characters. As for its plot, I'd think of riders as members of the Society of the Crossed Keys, sent to the hotel to help out Gustave and Zero as they're hunted down by Dmitri's goons.

Hugo and La La Land would also make for fun dark ride potential, and that idea for The Artist showcasing that evolution of tech could be interesting. Maybe we could even play with the evolution of theme park technology with it. For instance, George Valentin could be in the style of earlier animatronics, but it's not until near the end of the ride once he's been humbled that we see him as a state of the art animatronic.
Crossed Keys definitely makes sense for Gand Budapest.

For The Artist, I'm kinda iffy on visually portraying that lack of evolution technologically, but there are different ways to use similar ideas. Instead of having George specifically be an older style of animatronic, we can definitely have older technology show up at the beginning of the ride. Perhaps like a sort of vaudeville scene that's not directly related to the characters of the film. something like:

1597156686017.png

I couldn't find a video, unfortunately, but the point still stands.
 

goofyyukyuk

Well-Known Member
Just throwing things at the wall here. Let me know if any of these interest anyone.

1917
.Queue through museum about WWI and 1917 the film
.Preshow setting the stage for WWI, its’ cultural significance, and the specific setting of the ride
.Ride sends guests through No Man’s Land. Gritty. Focuses on the severity of war in a broader sense. Also focuses on the technological advancements that came out of the war.

Once Upon a Time in Hollywood
.Queue is a set tour of Lancer, and other stuff (Bruce Lee cameo?)
.Get behind the wheel of Rick Dalton’s Cadillac Coupe de Ville and embark on a whirlwind tour through Hollywood, experiencing 1960s Hollywood firsthand, and coming across Spahn Ranch, home to Charles Manson. Slot car ride system.

Grand Budapest Hotel
.Trackless ride through the hotel. Guests are working with the police? Society of the Crossed Keys? I’d also like to see some stuff around the town, especially the bakery. The only other thing I keep picturing is a preshow of the suspended tram bringing guests up to the hotel, where the second queue would be.

The Artist
.Attraction through silent Hollywood. Trackless? I really loved Outbound’s idea of having the attraction become more technologically advanced as the attraction continues, adding diegetic sound and color as the ride goes on. The only thing I’m not sure of is how this should be related to the film. Should the characters appear?

La La Land
.Super abstract trackless attraction through the songs and feelings of the film. Loosely follow the plot of the film, focusing in more on the musical numbers. A scene where the cars keep shifting back and forth between Sebastian playing the piano and Mia dancing is kinda what I’m thinking - focus more on the movement of the vehicles rather than telling a solid story. Griffith Observatory dance should be the centerpiece of the attraction.

Hugo
I would ADORE a straightforward darkride through the story of Hugo. Focus on the train station and Hugo’s dreams/ Melies films. I’d love to have the train crash as well as recreating the hand tinted Melies films that are featured in the film.

Gravity
I’m picturing an immersive theater/ drop tower experience. Basically, picture Alien Encounter’s theater doubling as a drop tower. Guests are on a space station, but fall to Earth after something goes wrong. I’m thinking a setup similar to Twister where the queue doesn’t try to immerse guests and focuses more on the effects and treating the film as a film. I’m calling this the Universal pitch of my pitches.

True Grit
Might be bending the rules, but True Grit could be a really interesting setup for a gritty western attraction. I’m basically picturing Red Dead Redemption 2: The Ride with this. No ideas past it, but it’s another interesting option at least.

Midnight in Paris
Meandering abstractish dark ride through 1920s Paris featuring some of the most famous artists and authors of the time.

Birdman
I have nothing to say for this other than a weird idea: what if we made an attraction with no scene breaks? Like the ride is made in such a way that it gives the illusion of following the same animatronics from start to finish, sort of recreating the film’s gimmick in a more physical medium.
1917 has a ton of potential, especially with it being a super gritty attraction. That being said, I think avoiding anything that could be controversial from a historical standpoint is probably smart, especially from a realism standpoint.

Once Upon a Time in Hollywood sounds like a ton of fun... I could see this being a really popular attraction!

I don't have anything to say other than I love the idea of the Grand Budapest Hotel, but it could be an "obvious" selection.

The Artist and the idea of progressing technologically, is super interesting, and I'd love to explore that idea more because I think that's the sort of out of left field choice we should be going for.

I love the La La Land idea, but I think it may feel a little too obvious for this prompt? Although, I could be convinced if we're focusing less on the plot.

As much as I love Hugo, I think that a straightforward adaptation is probably not the direction we should be going with this prompt

The Gravity concept, from a technology standpoint, sounds so cool, but it feels like it would be a bit less creative because there isn't much to do other than the movie if that makes sense?

True Grit could be interesting if it's allowed...

Oh my gosh I forgot about Midnight in Paris! I love this movie!!! I think it'd be cool to go through like the past compared to the present, alternating through them like in the movie until they almost become blended? Love this idea and think it could be a really cool attraction

If we could pull off the Birdman one-shot approach, that would be a really cool thing to do, but I think it'd make more sense to focus on Birdman the hero than the film, because I don't think the film lends itself very well to a straightforward adaptation in my opinion.

All in all, we've got a ton of great ideas, and I think we're gonna end up with an awesome movie to kick off this last team project!
 

Outbound

Well-Known Member
The ones I'm leaning towards most are The Artist, Once Upon A Time in Hollywood, and Gravity. I think each would have to approached differently.
  • The Artist should be a pretty close retelling of the movie, as it simple and visually distinct enough to tell itself. A silent actor's career falls to ruin when the talkies are invented. The ride would start out black and white and silent, with the actor thriving in 20's Hollywood and helping an actress come to prominence. Then audio arrives and we can see his career falling apart, him burning his films, and drinking in despair. It ends with the actress he helped from before revealing to have bought all the things he auctioned (saving his legacy) and returns the favor by helping him break into talkie Hollywood. The final scene would be in full color as we break from the movie and enter "the real world" so to speak.
  • Once Upon a Time in Hollywood can be a "best hits" so to speak. Just a series of great moments in the movie spliced together with the general story that you are speeding around 60s Hollywood with Rick and Cliff.
  • Gravity continues the trend of focusing less and less on the story and more of the atmosphere. I wouldn't draw any parallels to the plot or characters, instead, it should be about the situation. You're in a dangerous situation and you have to survive.
 

goofyyukyuk

Well-Known Member
The ones I'm leaning towards most are The Artist, Once Upon A Time in Hollywood, and Gravity. I think each would have to approached differently.
  • The Artist should be a pretty close retelling of the movie, as it simple and visually distinct enough to tell itself. A silent actor's career falls to ruin when the talkies are invented. The ride would start out black and white and silent, with the actor thriving in 20's Hollywood and helping an actress come to prominence. Then audio arrives and we can see his career falling apart, him burning his films, and drinking in despair. It ends with the actress he helped from before revealing to have bought all the things he auctioned (saving his legacy) and returns the favor by helping him break into talkie Hollywood. The final scene would be in full color as we break from the movie and enter "the real world" so to speak.
  • Once Upon a Time in Hollywood can be a "best hits" so to speak. Just a series of great moments in the movie spliced together with the general story that you are speeding around 60s Hollywood with Rick and Cliff.
  • Gravity continues the trend of focusing less and less on the story and more of the atmosphere. I wouldn't draw any parallels to the plot or characters, instead, it should be about the situation. You're in a dangerous situation and you have to survive.
I think my top 3 are The Artist, Once Upon a Time in Hollywood, and Midnight in Paris... although Gravity could be super cool if it was a survivalistic thing
 

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