Love the work that is going on so far. Remember, The Book of Mormon is also required for inclusion.
Never seen the musical. "I Believe" sounds inspirational thoWhat could we do for Book of Mormon? Off the top of my head, the most likely candidates for songs to use in the ride are "Hello", "All-American Prophet", "Spooky Mormon Hell Dream", "I Believe" and "Tomorrow is a Latter Day".
My point here is that I personally would vote we limit the number of bigshow stopping scenes to only like 3 or 4 and do smaller scale scenes for the rest. Things like Singing in the Rain, Indy, Fantasia, Casablanca, Poppins, and Footlight parade in the Great Movie Ride.I think we could have some rooms that are medleys. Like one big horror room (themed to a gothic, grim, daek city with a flower shop (little shop), a pie shop (Sweeney Todd), and a Opera House (Phantom)) sorta like how there is one big western room. We could even do that with romance too. Like a dark room with a reflective floor and figures different couples singing or dancing or embracing giving it a dreamlike state as our LPS vehicles dance around them.
That way we can represent more shows. Not every scene needs to be a show stopper.
And I really like the idea of using either One Singular Sensation (from chorus line) or the How do you Measure a life song (from Rent).
4 I think and then like 6 smaller ones could be sufficientMy point here is that I personally would vote we limit the number of bigshow stopping scenes to only like 3 or 4 and do smaller scale scenes for the rest. Things like Singing in the Rain, Indy, Fantasia, Casablanca, Poppins, and Footlight parade in the Great Movie Ride.
I like that! And our other human performers can be "guest guides" so to speak that walk us through the different sections talking about their part of theater.I think that for an overarching story, (it is similar to the Golden Mickeys) an intern at _____ Theater is forced into guiding the tour... Even though he/she doesn't know much about Broadway. The characters help her to find herself, and embrace what Broadway is about, and then, the intern is the "one sensation", which is performed by all of the characters from the other musicals, wearing a gold version of their outfits.
I really like that! We do need to make sure (however) that we don't get too meta, ala Mission: SpaceI like that! And our other human performers can be "guest guides" so to speak that walk us through the different sections talking about their part of theater.
A soldier from Hamilton discussing the importance of rebellion from the norm in theater and how it encourages people to break the mold, stand out, and be themselves. Theater is a place for everyone. A place where "even orphan, immigrants can make a difference."
Have someone give a speech like that I'm each section about that there's importance to theater and the effect it can have teaching the Intern and us that theater is much more than just good songs and cool costumes. It's important. It means something.
Try to give this ride some of the weight of a classic Epcot ride
If we go that route then it needs to be the defining musicals of each generation.A soldier from Hamilton discussing the importance of rebellion from the norm in theater and how it encourages people to break the mold, stand out, and be themselves. Theater is a place for everyone. A place where "even orphan, immigrants can make a difference."
Either the defining musical of each generation or of each themeIf we go that route then it needs to be the defining musicals of each generation.
I think using eras makes the ride more of a history which if is what we're Goni g for is fineEither the defining musical of each generation or of each theme
I think this part is perfect.I like that! And our other human performers can be "guest guides" so to speak that walk us through the different sections talking about their part of theater.
A soldier from Hamilton discussing the importance of rebellion from the norm in theater and how it encourages people to break the mold, stand out, and be themselves. Theater is a place for everyone. A place where "even orphan, immigrants can make a difference."
Have someone give a speech like that I'm each section about that there's importance to theater and the effect it can have teaching the Intern and us that theater is much more than just good songs and cool costumes. It's important. It means something.
Try to give this ride some of the weight of a classic Epcot ride
If we go that route then it needs to be the defining musicals of each generation.
I like that! And our other human performers can be "guest guides" so to speak that walk us through the different sections talking about their part of theater.
A soldier from Hamilton discussing the importance of rebellion from the norm in theater and how it encourages people to break the mold, stand out, and be themselves. Theater is a place for everyone. A place where "even orphan, immigrants can make a difference."
Have someone give a speech like that I'm each section about that there's importance to theater and the effect it can have teaching the Intern and us that theater is much more than just good songs and cool costumes. It's important. It means something.
Try to give this ride some of the weight of a classic Epcot ride
After reading this from a computer, I vote we organize the shows by not necessarily the genre, but the message it sends across. Our ride can focus on the importance of theater.I think that for an overarching story, (it is similar to the Golden Mickeys) an intern at _____ Theater is forced into guiding the tour... Even though he/she doesn't know much about Broadway. The characters help her to find herself, and embrace what Broadway is about, and then, the intern is the "one sensation", which is performed by all of the characters from the other musicals, wearing a gold version of their outfits.
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