There are plenty of examples of pernicious racism in Song of the South that are right there on the surface: the minstrelsy of the animated characters, particularly Br’er Fox; the slang in the dialogue; a wandering chorus singing traditional black songs; and, most notoriously of all, a fable where Br’er Fox and Br’er Bear use a tar baby to fool and ensnare Br’er Rabbit. (That part didn’t make Splash Mountain.) Yet the subtle low point of the film comes in Remus’s narration just before Zip-a-Dee-Doo-Dah, when he reminiscences about how things were “a long time ago,,” when “every day was mighty satisfactual”. “If you’ll excuse me for saying so,” he adds, “’twas better all around.”