pdude81
Well-Known Member
It's been a rough 20 years thereIt's the little things! lol
It's been a rough 20 years thereIt's the little things! lol
Well, yes, neither is Superstar Limo or Primeval Whirl! I do see some positives in Under the Sea and I get that old school Fantasyland rides were always simple, but for me this one is off in terms of charm and scale. I'll be honest and admit that I don't really notice the Frozen walls when on the attraction, but I get why it is an issue others do notice.
i know im in the minority, but I really like under the sea, and i try to go on everytime i visit CA. pre covid in the less crowded parts of the year it was basically a walk on, sometimes a 10 minute wait. totally worth a 10 minute wait. I will say I dont know how they spent 150 million on it either, that number seems crazy to me
While I don't think Ratatouille will move the needle for me, I can't argue this point haha.It's a new ride at Epcot without destroying anything else. That's worth celebrating.
For sure, Na'vi River Journey belongs in this same group, although at least it was clearly a C-ticket from the start. I find it similarly enjoyable to these others (and would also choose it over Rat) but would skip all of them if the wait is longer than 15 minutes. Maybe 20 for Ratatouille because it's new, and maybe 25 for Frozen because the AAs are good.I think if people actually had to wait an hour or longer to ride it, it would be widely hated (kind of the opposite of Na'vi River Journey in that regard).
Completely fair, though I didn't find the sets inappropriately sparse if I'm honest. I think I'm alone on this, but I actually thought the pacing was especially good on FEA. There are a few really nice little moments along the way that speak to the pacing and in which the music plays a big role, like coming out at the top of the lift hill to the music of Do You Want to Build a Snowman and seeing the little Olaf AA skating around or even the switch after the Let it Go scene around Marshmallow and the little baby snow things. The lighting is good at creating the right atmosphere, the ride system adds to this atmosphere, and the AAs are all top notch. Finally, I find it strikes a nice balance between featuring the music and familiar settings from the film but avoiding just recounting the story book report style.For me, it's not solely the bare walls -- it's that the sets in general are sparse. There's a bit of simple scenery around the AAs and that's basically it for most scenes. I was completely blind going in (hadn't even seen photos) the first time I rode and I came off thinking it was one of the worst rides Disney had ever built.
While that judgment was probably a bit harsh, I think it's the most underwhelmed I've ever been on a ride and I didn't exactly have high expectations.
Completely agree here. I can imagine an alternate version on a smaller scale that relied more on blacklight along the lines of Snow White, Alice, or Pinocchio at Disneyland with, perhaps, a few advanced animatronics in the mix that would have hit the spot. Or, as you say, actually make it an impressive E-ticket. The scale is often too big for me and the figures too shiny and plasticy.Under the Sea feels like it was trying to have the simplicity of an old school Fantasyland ride combined with a larger, more impressive scale in certain scenes, and it just falls flat. They probably would have been better off intentionally going for a smaller scale and actually keeping things simple; the other option was to actually build an E-ticket full of impressive scenes and effects. Instead they did neither.
Yes. It’s a great addition. But just a good ride. And that’s ok. Not every ride needs to or should be great.It's a new ride at Epcot without destroying anything else. That's worth celebrating.
For sure, Na'vi River Journey belongs in this same group, although at least it was clearly a C-ticket from the start. I find it similarly enjoyable to these others (and would also choose it over Rat) but would skip all of them if the wait is longer than 15 minutes. Maybe 20 for Ratatouille because it's new, and maybe 25 for Frozen because the AAs are good.
For me, it's one of the few signs Disney still knows how to design a good dark ride. I know that's a minority opinion, though
And it's being added to an area of the park devoid of rides which really needs it. And is the type of ride that Epcot could really needs being family friendly and good capacity. I expect once the newness dies down, it will be a good example of a ride that is popular (most people will want to ride it) but not too popular (people won't wait in a massive line for it or base the value of their Epcot day on whether they get to experience it).It's a new ride at Epcot without destroying anything else. That's worth celebrating.
Regardless of the exact level of "value" of the ride itself (which is all subjective), it's a great addition to Epcot. They could use a couple of similar additions to other pavilions in WS (I've said before doing some stuff like the DL Pinocchio ride in Italy or the Alice ride in UK would really help to spread out the offerings in Epcot and round it out for most guests).
This is the way I feel about NRJ! And also clearly a minority opinion.
EDIT: Although good maybe isn't the right word. I enjoy it, but I suppose it's more that it shows they still know how to build something with the proper foundation to be a good dark ride.
NRJ is impressive but it also just feels... incomplete. It's like PotC with one really impressive pirate at the end.
Ugh……4-5 years before we realistically get a new attraction? Yeesh. See you in 2025, Imagination.They’ll certainly be given a spotlight for 4-5 years after opening.
It’s not fair to critique this ride based on the 50th standards. This wasn’t intended to be the 50th ride. To me it’s exactly what the world showcase needs. I’m not going into it with huge expectations, but I’m pretty dang excited to see it in a couple weeks.Yes. It’s a great addition. But just a good ride. And that’s ok. Not every ride needs to or should be great.
That this is the hot new ride for the 50th (of another park) is sad . And the cost for this ride, a clone, just boggles my mind.
It’s totally fair to critique the ride given how it’s been packaged, including::
It’s not fair to critique this ride based on the 50th standards. This wasn’t intended to be the 50th ride. To me it’s exactly what the world showcase needs. I’m not going into it with huge expectations, but I’m pretty dang excited to see it in a couple weeks.
NRJ is akin to pirates WDW if you unloaded just before the first drop.NRJ is impressive but it also just feels... incomplete. It's like PotC with one really impressive pirate at the end.
Who would be considered a master dark ride imagineer or place maker now that Joe is gone?This is the way I feel about NRJ! And also clearly a minority opinion.
EDIT: Although good maybe isn't the right word. I enjoy it, but I suppose it's more that it shows they still know how to build something with the proper foundation to be a good dark ride.
I was so disappointed when they cut whatever-was-planned for Mary Poppins. I really wanted to walk down cherry-tree lane!Or a great Mary Poppins dark ride that's not a carousel or enhanced meet and greet.
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