Missing20K
Well-Known Member
Yes, the manipulation of scale can create a stark impact on a human viewing the object. The manipulation of scale, alone, does not impart art onto the object.Well... yes and no.
The playing around with scale in representational art has been with humanity since the beginning of humanity with the making of miniatures and colossals. Certainly, changes of scale can be done for practical reasons: to fit on a small wall or scroll, or to be able to be seen from a great distance. But the change of scale can also be done for impact, whether they are collectible miniatures, or a giant statue of your tyrant of choice that you're forced to pass under.
Koons takes the ancient practice of enlargement and the novelty he imparts is photo-realism rather than a granite representation, and the use of mundane objects. It's a commentary on the traditional colossae and a post-modern wink (and copyright infringement at times). That's what makes what he does as "art."
What Disney does is really quite similar. It blows up its brand to make them literally larger than life. Sure, they could have has a 5 inch Woody doll or a 2 foot Tramp statue scattered around, but, the oversized statues were meant for impact, which is the definition of art. Using them at resorts that are dedicated to pop themes: cinema and rock/sports stars, it is en pointe.
Bringing this back to the new bus wraps, the oversized portraits are purposely oversized for that same kind of impact. And then this becomes a case of de gustibus, non disputandum.
As far as Koons in particular, he rose in the art world prior to his creation of large scale objects. His Inflatable Flower and Bunny (which propelled him to stardom) were not exaggerations of their typical size. Koons began, and continues to, create artwork that does not use the manipulation of scale as it's primary distinction. He just became the world art superstar that he is because of the Celebration series that depicted ordinary objects in large scales with virtually unblemished materials. He also has stated that there is no real commentary for his work. There are no hidden meanings or deeper readings. (For what it's worth, I'm not a huge Koons fan, I think it's fairly hackneyed and superficial, his earliest work notwithstanding).
I agree that using oversized statues and props is within the context of the Value and other areas, but I would disagree that their visual and spatial impact alone allows them to rise to the level of "art." But I concede that when viewing some of Disney's oversized accoutrements in comparison to Koons works, one can certainly draw correlations in how the viewer experiences each respective object.
And to bring it back to the bus, as you've stated that they are "matters of taste", well one could theoretically boil all of themed experiences, and in turn, all of life in general, into such "matters of taste". But what makes life so enjoyable, is the deeper layers of meanings we can all individually, and/or collectively, place upon such trivial "matters of taste".
Having said that, these new bus wraps are in really poor taste. (Even though in all honesty, it's a minor squabble in the grander scheme of Disney attempting to remove each and every dollar from my wallet).