If I'm positive:
- This sort of experience is exactly what DAK should be all about! Animals, calm reflection, cultural representatives, a focus on a Disney as 'exquisite placemaking' rather than Disney as 'meet your favourite celeb toon character!' I would be genuinely excited about doing this tour.
- Tours are not upcharge events.
- I've always regretted that you can see many of the most charismatic animals only for twelve seconds from the discomfort of the truck. Whereas this tour allows for an up and close viewing with African elephants. Animals which, by their size and need for vast territory, are either absent from most zoos or miserably unhappy there.
If I'm negative:
- Why should it not be included in admission? If this is what DAK is all about, then why should it not be included? Lest we forget, even without any upcharge a WDW day is a fantastically expensive expenditure. Why should every experience be an extra charge?
- When the extraordinary becomes upcharged, nothing extraordinary will eventually be designed as included. One day, you will need to buy the $69.95 lightsaber to trigger any of the fun stuff at SWLand. (With an in-built chip that makes the saber valid for just 14 weeks, just like your cup)
- At the two treks there are animal experts explaining what's on view. Around DAK and World Showcase there are cultural representatives eager to share their culture with you. I learned all about Indo-European Hindi and Sanskrit right at DAK. Plus some Indian dance moves that give me immense swag on the dance floor! All of this is...normal. This is a premium and hugely expensive theme park.
- This further undermines the safari from an artistic and immersive perspective:
My thoughts exactly. I don't care that this costs $30, I care that it ruins a ride.
This could serve as an allegory for what happened to all of WDW: you build something exquisite, then you destroy it piece by tiny piece for a few pennies more, every quarter.
The Safari is one of WDW's crowning achievements. They had made their little Florida swamp look like you are riding out of the Congo forest onto the East African open plain. Yet, when you ride it now, you now have amateur Tarzans overhead on the rope bridge, there are viewing platforms everywhere, the view of the plain gives out on a platform filled with those people who look like they live in a trailer park but who fill up the luxury resorts and upcharge events.
You feel hemmed in. The illusion is shattered. It is still a good ride, but, similar to what has happened with EPCOT, Kilimanjaro risks going from a deep primal sensation to a fun theme park experience. The difference is subtle, very difficult to articulate, but somewhere along the way an elusive essence can be lost, with neither management nor most guests understanding or even being aware of what happened.