It was a fun, brief, bloody appearance for Reed Richards, which writer
Michael Waldron acknowledges is the most jaw-dropping cameo of the film. “That’s the big one, right?” he chuckles, speaking to
Empire in the new issue. Writing for Mister Fantastic was a dream come for him. “I always wanted Reed Richards in this thing,” Waldron tells
Empire – so much so that even before the Illuminati sequence came about, he penned a pie-in-the-sky post-credits sequence to satisfy his own curiosities. “In my very first draft, I wrote a tag just for the hell of it, of the events of the movie being recorded and reviewed by somebody in the Baxter Building, and a stretchy hand coming into frame to run it back.” It was an opportunity to do at least
something with a superhero he’s always loved on the page. “Reed is probably my favourite Marvel comics character,” he says, “so I was always gunning to get him in here somewhere.”
Even if Wanda quickly takes Reed out in
Multiverse Of Madness, the film ultimately sees the Darkhold-corrupted witch recognise her own fall to the dark side, burying herself under the collapsed rubble of Mount Wundagore. But is she really gone? “She’s removing herself from the board… For now? Forever? We’ll see,” hints Waldron. “I’d like to see her again…” Maybe she’ll have another variant of Reed Richards to rip to shreds in the not-too-distant future.