If not for Iger, Disney would have been acquired by some other company? Forget it, I'm not going down that rabbit hole...
I know most will disagree but I'm a HUGE fan of Igor.
He's been great for the company but bad for the parks.If not for Iger, Disney would have been acquired by some other company? Forget it, I'm not going down that rabbit hole...
You can admire Iger's business acumen and appreciate what the acquisitions of Marvel, Lucasfilm and Fox mean to Disney moving forward, while also criticizing his short-sighted reliance on IP integration within the parks. It's not a package deal.I know most will disagree but I'm a HUGE fan of Igor.
He is an incredibly clever businessman. He's made a lot of purchases and business choices which will set Disney up for many many more years. Without those decisions, I think things would be quite stale.
He's been great for the company but bad for the parks.
You can admire Iger's business acumen and appreciate what the acquisitions of Marvel, Lucasfilm and Fox mean to Disney moving forward, while also criticizing his short-sighted reliance on IP integration within the parks. It's not a package deal.
He's approving attractions based on the year 1 marketing when these things last 20+ years. I have zero confidence he understands how theme parks work.
Problem is that he has a crap team in place for the parks.
Universal isn't the same though. Universal has always been about IP and licensing properties.Remarkable people don't have these same criticisms of Universal parks. Reeks of an agenda.
Happens every day at DisneylandAnd who looks at Main Street and sees Mickey meeting with kids anymore?
This was pure PR fluff. Apparently someone thought his image needed a boost.
Universal isn't the same though. Universal has always been about IP and licensing properties.
Disney parks have not always been strictly IP and licensing like Universal. We wouldn't have things like Space, HM, Pirates, CoP, BTMRR, etc. if that was the case.Same as Disney. I'd argue there just wasn't enough IP s to fill Disneyland in 1955.
Let's see now:He's been great for the company but bad for the parks.
I think it's only natural today that a CEO is going to go with the option the provides the best ROI. Honestly, I can't name a single Fortune 500 CEO that I think would build more original attractions if they were in Iger's position. Right now, people want IP. Mystic Manor and Roaring Rapids are I think the only original attractions under Iger. One is phenomenal, the other pretty meh. I've always believed execution trumps everything.Universal isn't the same though. Universal has always been about IP and licensing properties.
Disney parks have not always been strictly IP and licensing like Universal. We wouldn't have things like Space, HM, Pirates, CoP, BTMRR, etc. if that was the case.
Like you said though less IP to work with then. That said no need to not only make IP baed attractions. Mystic Manor in HK for example is not IP based and considered a great attraction. Disney should be creating IP based attraction but I think there is definitely room for non-IP attractions every once and a while as well.
If you read through the entire interview, there are a couple parts that jump out at me. The bold, italicized parts are my emphasis.
How has your day-to-day routine at Disney changed over the years?
I delegate a lot more. The company [has grown] so large that no one human being could possibly manage in terms of hands-on on a daily basis. My senior team makes many more decisions. My priority hasn’t shifted in that we are as a company are far more reliant on the quality of our storytelling than anything else. There isn’t a day that goes by that something related to storytelling—a movie we’re making, a television series, a park we’re building—doesn’t end up on my agenda. I believe, because of my background, I bring some value to that. There’s nothing wrong with accountants, but it’s not like I’m an accountant reading a television script. I came out of the business of making things.
What’s your favorite thing when you go to the parks—or do you just look at it as a businessman?
I look at it as a human being. I go there and I marvel at how many people are there having the time of their lives. You just get the sense that in a world that can at times feel dark and as sinister as it is, these are people that have escaped all of that. They have spent time and good money, I will say, to provide themselves and their friends, their family, their loved ones, an experience that not only is going to make them feel good, but that they’re going to remember forever. That is never lost on me. I appreciate it as an executive, as a human being, and as a parent. I have grandchildren I take there.
Do you have a favorite ride?
I happen to love Pirates [of the Caribbean]. It was the last attraction Walt was really involved in creating. He died just before it opened. And you go and you think, this is just silly, but it’s great. You look at Main Street and you look at kids meeting Mickey. I love it because of what it means to people. I don’t go thinking, “Wow, look what we’re charging for these churros. Isn’t that great?”
You can be cynical all you want. I'm sure some people will say that it's all just marketing BS and that he doesn't mean any of it. But here, in this interview, we have him talking about how good storytelling is more important to the company than just looking at the numbers; that he acknowledges people spend good money for their experiences in the parks and that it's about creating experiences they will remember; that he takes his own grandkids to the parks and enjoys them as a human being, not just a businessman; and that he even has an appreciation for the attractions that Walt built.
It's almost as though Bob Iger is a real human being with his own kids and grandkids who appreciates the parks, who appreciates good storytelling, and who is concerned about the content Disney puts out. It might possibly be -- and I'm just spitballing here -- that while he might have a different opinion as to what makes good park rides or movies or TV shows than someone else might, and while he might make decisions that some people disagree with, that he isn't actually just a bean-counting automaton who cares about nothing but dollars and cents.
Its certainly subjective but when he took over WDW was basically stagnant from 2005 to New Fantasyland in 2012. Its because of that stagnation that WDW is seeing so much happening right now.He has far from been bad for the parks.
I agree however like you mentioned original attractions can still work so why not try it once in a while. I don't think they should stop IP altogether but an original attraction in a place that fits might do well. Take guardians for example. They basically made up a storyline to fit the IP in Epcot because we all know it really doesn't. Why not an original futuristic type coaster?I think it's only natural today that a CEO is going to go with the option the provides the best ROI. Honestly, I can't name a single Fortune 500 CEO that I think would build more original attractions if they were in Iger's position. Right now, people want IP. Mystic Manor and Roaring Rapids are I think the only original attractions under Iger. One is phenomenal, the other pretty meh. I've always believed execution trumps everything.
But, hey, at least Disney still has original, diverse stories in their new attractions regardless of whether it's IP or not...
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