Iconic Purple Directional Signs Being Replaced

Casper Gutman

Well-Known Member
Usually I'm a critic of the "generic" direction that current leadership is taking, but I think the 50th castle is actually fine. I'm not a huge fan of it, but considering how divisive the birthday cake castle was, it would have been a mistake to go back to something in that spirit. I look back nostalgically on the Eisner era and even appreciate the cake castle for what it was, but I also think the complaints were justified.

In my opinion, the 50th castle is a decent compromise. It's different and celebratory in nature, but not so tacky that it compromises the experience of the "once in a life time" vacationers.
I agree that the 50th castle is fine. Indeed, it’s the very definition of fine. Just like some small, almost hidden gold statues are fine. But I kind of want more then fine, especially for the 50th. I’ve seen the 50th castle in person. It made me think, “yup, that sure is the castle.”
 

James Alucobond

Well-Known Member
Oh, and another thing - worrying about whether WDW is “fashionable” completely misses the point that it should be leading not following trends. WDW is one of, if not THE, biggest movers-and-shakers in the entertainment architecture and decoration field. There was a time they set trends. But to do that, executive leadership can’t be embarrassed by theme parks.
The old signs were the very definition of following a trend. They hired a star graphic designer from outside the company to create the system and put her personal stamp on it, a stamp that was very much of its time. It's the signage and wayfinding equivalent of bringing in Graves to design the Swan and Dolphin. Your argument that the update could stand to be more playful makes sense, but the idea that the old signage represents a lost ability to set trends and exist outside of contemporary fashion is just wrong.
 

*Q*

Well-Known Member
People talking about how dated and 90s the vibrant, fun color scheme was just remind me how much more enjoyable 90s WDW was.

I mean, the “earidescent” nonsense they picked for the 50th translates in most cases to pale and nondescript - a very apt comparison with the old color scheme.

I guess I’m largely alone in not particularly caring how “fashionable” the giant theme park resort pretends to be.
The earidescent stuff is a completely different thing from the new design language for the arches, TTC, and road signs. The earidescent motif is a temporary thing that is specific to the 50th anniversary and will generally disappear once the celebration is over. That can totally be defined as a fashionable thing for the moment, but the blue and yellow for the stuff around property is a permanent change with a design that'll hopefully turn out to have a little more longevity behind it while still being a touch more colorful than your average signage. Do I think WDW was more fun in the '90s, absolutely, but that doesn't mean every single artifact of that era makes the modern experience there better.
"Fun" and "whimsical" are outdated?
"Whimsical" isn't exactly a trait that made me fall in love with Walt Disney World as a whole. That original Happy Meal McDonald's was a little tourist trappy. Much more suited to International Drive than The Vacation Kingdom of the World. The new one is still unique and eye-catching without falling on the garish end of things.
 
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Casper Gutman

Well-Known Member
The old signs were the very definition of following a trend. They hired a star graphic designer from outside the company to create the system and put her personal stamp on it, a stamp that was very much of its time. It's the signage and wayfinding equivalent of bringing in Graves to design the Swan and Dolphin. Your argument that the update could stand to be more playful makes sense, but the idea that the old signage represents a lost ability to set trends and exist outside of contemporary fashion is just wrong.
I was thinking both of Disney setting trends in a lot of different ways, from the very opening of Disneyland up to, admittedly, constructing structures like the Swan and Dolphin. I'm not an architectural or design historian, but my understanding was that Eisner's "starchitects" were brought in to do innovative, cutting-edge work, the kind of work that appeared in both industry journals and the mainstream press and was studied in higher education classes, all to enhance the reputation of the company and CEO. This is in sharp contrast to modern structures like the Riviera, which looks like a generic I-drive hotel and is unlikely to pop up in any doctoral programs.

This doesn't mean that WDW's best work "existed outside of contemporary fashion," which no piece of popular art or culture, no matter how bold or new, ever has; Disneyland was an evolution, albeit a brilliant one, of multiple pre-existing forms, most notably the amusement park. But at the same time Disneyland also worked to define something decidedly new, something modern Disney seems in no hurry to do.
 

castlecake2.0

Well-Known Member
Original Poster
I was thinking both of Disney setting trends in a lot of different ways, from the very opening of Disneyland up to, admittedly, constructing structures like the Swan and Dolphin. I'm not an architectural or design historian, but my understanding was that Eisner's "starchitects" were brought in to do innovative, cutting-edge work, the kind of work that appeared in both industry journals and the mainstream press and was studied in higher education classes, all to enhance the reputation of the company and CEO. This is in sharp contrast to modern structures like the Riviera, which looks like a generic I-drive hotel and is unlikely to pop up in any doctoral programs.

This doesn't mean that WDW's best work "existed outside of contemporary fashion," which no piece of popular art or culture, no matter how bold or new, ever has; Disneyland was an evolution, albeit a brilliant one, of multiple pre-existing forms, most notably the amusement park. But at the same time Disneyland also worked to define something decidedly new, something modern Disney seems in no hurry to do.
It’s funny because I’m going for my bachelors in hospitality right now and this weeks reading was all about the swan and dolphin and how Eisner was trying to show Disney knew how to do more than fibreglass mountains. I live in Celebration now and everyday I drive home through town I can’t help but think how without Eisner this would never exist, the bobs would never take such a creative risk, we really need a daring CEO again.
 

Goofyernmost

Well-Known Member
It’s funny because I’m going for my bachelors in hospitality right now and this weeks reading was all about the swan and dolphin and how Eisner was trying to show Disney knew how to do more than fibreglass mountains. I live in Celebration now and everyday I drive home through town I can’t help but think how without Eisner this would never exist, the bobs would never take such a creative risk, we really need a daring CEO again.
I agree but not one that kept tripping over his own ego. As a resident you must realize that Celebration is not what it started out to be. It was Eisner's attempt at a mini EPCOT because of his perceived identity with Walt. It was completely predictable that a company owned city was not going to have a long haul desirability. Just as it was just as likely that Walt's EPCOT wouldn't have worked either. Chance takers need a reality anchor.
 

ImperfectPixie

Well-Known Member
I agree but not one that kept tripping over his own ego. As a resident you must realize that Celebration is not what it started out to be. It was Eisner's attempt at a mini EPCOT because of his perceived identity with Walt. It was completely predictable that a company owned city was not going to have a long haul desirability. Just as it was just as likely that Walt's EPCOT wouldn't have worked either. Chance takers need a reality anchor.
True, but just think about how much we wouldn't have at all if dreamers didn't shoot for the stars, like Walt did.
 

Goofyernmost

Well-Known Member
True, but just think about how much we wouldn't have at all if dreamers didn't shoot for the stars, like Walt did.
I think they should shoot for the stars but not without someone that could ground them. I completely feel that had Walt lived to start building EPCOT it would have dragged Disney under and we wouldn't have had any of it at all. Even Walt was capable of tripping over his ego. He was creative, but also had Roy to ground him. That time Roy could not stop him from his biggest dream and only death was able to do that, so I have to ask the question... what would we have if he had lived to follow through on EPCOT? I think nothing. All his life's work would have just been a memory. Notice how soon after the Magic Kingdom opened that even Roy died. I don't know if Roy would have attempted to follow through on his promise to Walt, but that is a moot point now.
 

ImperfectPixie

Well-Known Member
I think they should shoot for the stars but not without someone that could ground them. I completely feel that had Walt lived to start building EPCOT it would have dragged Disney under and we wouldn't have had any of it at all. Even Walt was capable of tripping over his ego. He was creative, but also had Roy to ground him. That time Roy could not stop him from his biggest dream and only death was able to do that, so I have to ask the question... what would we have if he had lived to follow through on EPCOT? I think nothing. All his life's work would have just been a memory. Notice how soon after the Magic Kingdom opened that even Roy died. I don't know if Roy would have attempted to follow through on his promise to Walt, but that is a moot point now.
My point being that Walt and Roy's partnership is where the magic happened...the dreamer balanced out by someone rooted in the business itself. The BoD needs to realize that a corporate type alone (and no, Iger isn't a "creative", never has been, never will be, regardless of whether he likes to call himself that) isn't what will keep Disney at the top for the long term...true leadership and innovation need the balance of a partnership.
 

TrainsOfDisney

Well-Known Member
As a resident you must realize that Celebration is not what it started out to be. It was Eisner's attempt at a mini EPCOT because of his perceived identity with Walt. It was completely predictable that a company owned city was not going to have a long haul desirability.
I don’t consider Celebration a failure. Could have been better, but it still is what it was set out to be isn’t it?
 

Goofyernmost

Well-Known Member
I don’t consider Celebration a failure. Could have been better, but it still is what it was set out to be isn’t it?
The layout is the same as it was and the buildings are the same for the most part, but now it is a high end development. Originally it was a mini version of Walt's Epcot. Owned and operated by Disney. Now you have a direct say in what happens and can even own the property your house is sitting on from what I understand. As a totally controlled area it was a failure. Who wanted to pay that kind of money for some place they had very little say in. In that sense the original plan was a failure. The community is doing fine now, but it wasn't the utopia that was promised.
 

lazyboy97o

Well-Known Member
The layout is the same as it was and the buildings are the same for the most part, but now it is a high end development. Originally it was a mini version of Walt's Epcot. Owned and operated by Disney. Now you have a direct say in what happens and can even own the property your house is sitting on from what I understand. As a totally controlled area it was a failure. Who wanted to pay that kind of money for some place they had very little say in. In that sense the original plan was a failure. The community is doing fine now, but it wasn't the utopia that was promised.
That was never part of Celebration. Land was sold from the beginning and Disney’s involvement was always going to diminish.
 

Epcot82Guy

Well-Known Member
Celebration sadly lost its unique edge years ago. The mixed use "planned community neighborhood" has now become quite popular (and was starting even when Celebration originated). I would argue it's not even the "best" version of this in Orlando, let alone innovative or unique on a broader perspective.

That doesn't make it bad or a failure. Rather, does it justify the price? That's a separate question.
 

Goofyernmost

Well-Known Member
That was never part of Celebration. Land was sold from the beginning and Disney’s involvement was always going to diminish.
Could be, I never inquired directly. I was told that the land was leased to the home owner originally sort of like a very expensive mobile home park. You own the building and pay to have it sitting on the land. I'll take your word for it. But, it was promoted as being a utopia managed by the same people that gave you the Magic Kingdom secure in massive dustings of pixie dust and happily ever after.
 

Lilofan

Well-Known Member
Celebration sadly lost its unique edge years ago. The mixed use "planned community neighborhood" has now become quite popular (and was starting even when Celebration originated). I would argue it's not even the "best" version of this in Orlando, let alone innovative or unique on a broader perspective.

That doesn't make it bad or a failure. Rather, does it justify the price? That's a separate question.
If you look at Lake Nona, Winter Garden, Winter Park condos , the prices of selling condos are not much different from condos in Celebration. One thing is for sure when you exit Celebration and travel on 192 Kissimmee in front of Celebration , reality of living in that part of Central Florida sets in. Watching actor Willem Dafoe nominated for an Oscar in the movie " The Florida Project " is an eye opening look into this.
 

Epcot82Guy

Well-Known Member
If you look at Lake Nona, Winter Garden, Winter Park condos , the prices of selling condos are not much different from condos in Celebration. One thing is for sure when you exit Celebration and travel on 192 Kissimmee in front of Celebration , reality of living in that part of Central Florida sets in. Watching actor Willem Dafoe nominated for an Oscar in the movie " The Florida Project " is an eye opening look into this.
That's more my point. It's not that the prices are necessarily higher. Rather, the experience you get in other planned communities (I would argue Lake Nona and Baldwin Park are better comparisons - though Winter Garden and Winter Park have some similarities) is better. You highlight one of several reasons why I'd say that.
 

Lilofan

Well-Known Member
That's more my point. It's not that the prices are necessarily higher. Rather, the experience you get in other planned communities (I would argue Lake Nona and Baldwin Park are better comparisons - though Winter Garden and Winter Park have some similarities) is better. You highlight one of several reasons why I'd say that.
Forgot about Baldwin Park, formerly the boot camp area for Navy recruits. Minutes from downtown Orlando and the pros and cons of living near those areas. Maybe Windermere area near WDW too?
 

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