So Finding Nemo is better?No. No! HELL NO!
Read the tone of my messages. I said something to the effect that the budget for the rehab should be something like $350 million - none of which would go into actual construction and $300 million of that to pay for Cameron's deep trench expedition to capture unknown bioluminescent species to return to the pavilion and the other $50 million to pay for new submarine ride vehicles and black lights. Does that sound serious to you?
So Finding Nemo is better?
EPCOT...Experimental Prototype Community Of Tomorrow.
I am still trying to figure out what a "clown fish" has to do with it.
Call me crazy, but wouldn't deep sea exploration or ocean-floor colonization be more appropriate?
True. If you take the current ride from the EAC scene to the end, that was the entire ride before. But the overall concept of an underwater sea lab and everything was much more Epcot-y.The ride itself is much better now than the one before. Which was shorter, just a twenty to twentyfive-ish feet long ride through the aquarium, dropping you of in an area from where you could see...the same aquarium. Pointless.
On the other hand, The Living Seas as a whole was more EPCOT, futuristic, about the actual seas instead of cartoon fish. Grander and more mysterious.
Except the ride doesn't teach kids anything at all besides that Nemo is a jerk and hid from Marlin to freak him out again!I don't think the Seas needs to be "fixed" - Epcot is about "educatainment" (well, it's supposed to be) and using Nemo as a tool to interest and educate kids is OK by me.
No. It's not by chance. He knows how to empathize with audience masses and give them an unforgettable movie experience that plays with their emotions like harp strings and extract adrenalin synchronous to the ups, downs, curves, and loops of being on a rollercoaster. He knows to achieve this, it starts with a story and the screenplay must be perfect in order to deliver it. To make it, he must direct it as he had envisioned it when he wrote it. To produce it, it must be exactly as its written. Nothing is compromised. This almost guarantees that it will require a budget that no studio would be crazy enough to give any director (unless it were Cameron) requested it. If Cameron doesn't get the budget he wants, he would hand the project over to another director (like he did with the first Spider-Man movie). Part of the reason his projects always break new records at the Box Office (or other) is due to the fact that zero compromises were made - from the story, to the screenplay, to production (including budget), to post-production. Studio Execs understand this, which is why none of his films were ever compromised in any way and funded in its entirety (even if that meant going over budget by normally unacceptable amounts). By the way, Avatar ended up costing far more than what Fox said it cost them. Cameron got at least a couple of outside funding sources that at minimum doubled the outragously huge amount Fox had already put into it. I can just imagine the drama going on now between Cameron and Disney's people, as Disney is most likely being hijacked by Cameron uncompromising way of doing things. Maybe Disney execs will learn a thing or two...It's true, Cameron is cursed. No matter what he does, he always makes money!
Well I made a joke but if were talking realistically here I think your wrong. I think he knows how to gimmick very well by using technologies before their time. He did it with Titanic, he did it with Avatar and his recent film with Cirque De Soleil just proves he's not trying to be a great film maker, he's trying to continuously be new and edgy. That's how he makes his money. Sure Titanic was a great film, but there are plenty of great films that didn't hit the billion dollar mark.No. It's not by chance. He knows how to empathize with audience masses and give them an unforgettable movie experience that plays with their emotions like harp strings and extract adrenalin synchronous to the ups, downs, curves, and loops of being on a rollercoaster. He knows to achieve this, it starts with a story and the screenplay must be perfect in order to deliver it. To make it, he must direct it as he had envisioned it when he wrote it. To produce it, it must be exactly as its written. Nothing is compromised. This almost guarantees that it will require a budget that no studio would be crazy enough to give any director (unless it were Cameron) requested it. If Cameron doesn't get the budget he wants, he would hand the project over to another director (like he did with the first Spider-Man movie). Part of the reason his projects always break new records at the Box Office (or other) is due to the fact that zero compromises were made - from the story, to the screenplay, to production (including budget), to post-production. Studio Execs understand this, which is why none of his films were ever compromised in any way and funded in its entirety (even if that meant going over budget by normally unacceptable amounts). By the way, Avatar ended up costing far more than what Fox said it cost them. Cameron got at least a couple of outside funding sources that at minimum doubled the outragously huge amount Fox had already put into it. I can just imagine the drama going on now between Cameron and Disney's people, as Disney is most likely being hijacked by Cameron uncompromising way of doing things. Maybe Disney execs will learn a thing or two...
The Cirque De Soleil Movie is a film that Cameron financed through his role as Executive Producer. He did not write nor did he direct it - or have any role in the "hands-on" artistic making of that movie - much like how George Lucas was the Executive Producer of Radioland Murders or Howard the Duck. All the movies where he acted as writer, director, as well as executive producer is true of what I had said. Those movies include Aliens, The Abyss, Terminator, Terminator 2: Judgment Day, True Lies, Titanic, and Avatar. All those movies follow the same exact formula. Notice they are always either about the ocean or space/future/sci-fi. Of those films, T2, Titanic, and Avatar were the most expensive films ever to be produced at the time those films were released, breaking records each time ($100m, $200m, and $400m, respectively). Titanic and Avatar also broke records in Box Office receipts.Well I made a joke but if were talking realistically here I think your wrong. I think he knows how to gimmick very well by using technologies before their time. He did it with Titanic, he did it with Avatar and his recent film with Cirque De Soleil just proves he's not trying to be a great film maker, he's trying to continuously be new and edgy. That's how he makes his money. Sure Titanic was a great film, but there are plenty of great films that didn't hit the billion dollar mark.
His budgets are ridiculous and to be honest a waste. Avatar could have been done for much less, but he knows big budgets that get around in media make big bucks. If his $800 million dollar movie about a teenage cyborg doesn't prove this then I don't know what will. And I'm calling it now, this film will come with some 4D expansion required for all cinemas that will "enhance" the experience.The Cirque De Soleil Movie is a film that Cameron financed through his role as Executive Producer. He did not write nor did he direct it - or have any role in the "hands-on" artistic making of that movie - much like how George Lucas was the Executive Producer of Radioland Murders or Howard the Duck. All the movies where he acted as writer, director, as well as executive producer is true of what I had said. Those movies include Aliens, The Abyss, Terminator, Terminator 2: Judgment Day, True Lies, Titanic, and Avatar. All those movies follow the same exact formula. Notice they are always either about the ocean or space/future/sci-fi. Of those films, T2, Titanic, and Avatar were the most expensive films ever to be produced at the time those films were released, breaking records each time ($100m, $200m, and $400m, respectively). Titanic and Avatar also broke records in Box Office receipts.
I don't disagree with a single point you just made. It's insane and Americans love sensationalism, like how the ancient Romans did (ie coliseum, aqueducts, etc.). With access to funds, Americans love commissioning mega projects, like the emperors did. I hope Emporer Cameron sets records again when he finally gets around to making Battle Angel... for the sheer epic audacity of it! How can anyone not love it? Makes me proud to be an American... (Yes, I know he's Canadian)His budgets are ridiculous and to be honest a waste. Avatar could have been done for much less, but he knows big budgets that get around in media make big bucks. If his $800 million dollar movie about a teenage cyborg doesn't prove this then I don't know what will. And I'm calling it now, this film will come with some 4D expansion required for all cinemas that will "enhance" the experience.
I hear you. But the people in charge are not as crazy as I am. So, the best one can do is joke about it. Don't get me wrong! Even though I wasn't "serious", it still would be seriously cool if it were to ever happen. Those in charge would label anyone "insane" for even thinking about it. In a way, I'm making fun of the current cost conscience attitude within the company. I'm also making fun of Cameron's ego. Seriously, I think my original suggestion is a good idea. But, seriously, Cameron would put a price on it so high that Iger's head would likely spin like a bad episode of Bugs Bunny (or Roger Rabbit). That's the sad truth, me thinks.What a peculiar thing to say! It's almost bordering on slagging off people who gave your thread serious replies.
Then you go on to say you have not been serious at all, only to in the very next post 'like' Lee's suggestion to bring Cameron and serious science in.
Come on now. This is a good thread, with a serious suggestion that deserves serious consideration. Or even fun banter and out-of-the-box blue sky thinking. No need to diminish any of that.
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