JohnD
Well-Known Member
I'm doing that right now.You might want to take some time to catch up on this thread, a lot of what you're posting has already been addressed.
I'm doing that right now.You might want to take some time to catch up on this thread, a lot of what you're posting has already been addressed.
When you consider the original imagineers went to great pains to get the ride just right. They settled on a little scarier at the beginning and more fun toward the end. It was the seance scene that enabled the transition to finally seeing ghosts. Now you have the Hatbox Ghost pop up out of nowhere. When going through the attic, I always thought there was room on the right just as you enter it. I wouldn't have minded seeing it in a different location from DL as long as it appeared after the seance scene.
So the rules established in the attraction don’t matter but the rules established in the movie, which are not conveyed in the ride, do matter?
My thoughts exactly, the seance is on-going when you arrive in the room, she's doing a lot of summoning..I just had a thought. The number of times I have been stuck listening to Leota summon the spirits over and over again has tainted my perceived narrative of the ride. Because of the ride stoppages always seeming to happen there for me, I can now get onboard with the concept that she is in another room of the house summoning spirits at all times and that it is in fact non-linear.
Seems like you've made up your mind. Based on what, I'm not really sure. The people responsible for The Hatbox Ghost at DL and WDW are not the people behind the Moana splash pad at EPCOT.Those making the decisions today are not the creative visionaries of the past though. They don't think about this stuff, or don't care. That's why we get a Moana splash pad in Epcot. I'm willing to bet money that this was some team of 20-somethings who have been given an explanation of "fans love and want hatbox ghost, make it happen" and that was the extent of the proposal. If they thought about this more than "I bet he could fit here" I'd be interested to know what their thought process was.
He should be in the graveyard, for what it's worth. Being in the attic also takes away from the bride and the whole point of that scene (projection-face bride issues aside).
I have confidence that the effect will be impressive. It is with the story logic of the ride that I am concerned with. (Admittedly PLQ already kind of messed that up.) As with the yeti, I feel this is a failure of management to give WDI the funds required to do it properly.Seems like you've made up your mind. Based on what, I'm not really sure. The people responsible for The Hatbox Ghost at DL and WDW are not the people behind the Moana splash pad at EPCOT.
People seem to be forgetting that the very foremost issue with The Hatbox Ghost throughout history has been light. The Hatbox Ghost is more than just a character, he is an impressive effect. Otherwise they could have built a non-working dummy years ago and called it a day. His illusion is intertwined with his character. So you can't just put him anywhere you want, it has to be dark enough for his effect to work. That's essentially test number 1.
Once you've identified the spots that are dark enough, then you have to eliminate the spaces that don't work for either structural or (as the case is here) infrastructural reasons. It is true that with an unlimited budget such things could be overcome, but Disney does not offer its Imagineers unlimited budgets. The issue runs deeper here than most realize - to put The Hatbox Ghost at WDW in the same spot as DL there are great, unforeseen infrastructural costs that would need to be paid. WDW's Mansion is not the same as Disneyland's in all ways. That's about as much as I can say publicly.
With those things in mind, it is my understanding that this is being handled with as much care and respect for the attraction as you could really hope for. Again, the people who brought him back the first time are involved now. They didn't screw it up then, and they don't intend to screw it up now.
I feel like you should read my post again.I have confidence that the effect will be impressive. It is with the story logic of the ride that I am concerned with. (Admittedly PLQ already kind of messed that up.) As with the yeti, I feel this is a failure of management to give WDI the funds required to do it properly.
I have confidence that the effect will be impressive. It is with the story logic of the ride that I am concerned with. (Admittedly PLQ already kind of messed that up.) As with the yeti, I feel this is a failure of management to give WDI the funds required to do it properly.
Perhaps "story" is the wrong word. It doesn't have a story in the modern sense where everything has to revolve around a contrived plot but there is an internal logic to the attraction that this and PLQ break quite explicitlyI don't even care about the story logic -- I've never felt like the Haunted Mansion really had a story.
I just think having him right next to the endless hallway will inadvertently detract from both.
Well said.Perhaps "story" is the wrong word. It doesn't have a story in the modern sense where everything has to revolve around a contrived plot but there is an internal logic to the attraction that this and PLQ break quite explicitly
On further reflection, I think it'll be okay as long as they put some Groucho Marx glasses on him so you can't tell he's a ghost.
I think this post is a great summary. Is it the end of the world? No. Is this another sign that Disney doesn’t have the staff or depth to give sufficient care to execution? Maybe.Here's the problem. The attraction should stand on its own. The "Leota rule" can be gleaned from the ride itself. The "Hatbox ghost having special powers" can't. The design story (meaning the physical effects) clearly builds. This violates that. Hands down. And there will be nothing in the attraction that explains why this figure is randomly inserted in full form where everything up to that point and after for awhile is far more subtle. The rule isn't because of the incantation. It's because the physical ride has a clear design progression that is violated by this. And drawing rules from a film that probably won't stand the test of time that much with no reference in the ride is poor attraction design.
In this case that would have been the obvious decision and we wouldn't be having this discussion or having this discussion in a more positive light.if modern Disney is really as cheap, lazy and uninspired as many fans would have us believe, then why didn't they just put the Hatbox ghost where they did out in Disneyland and call it a day?
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