yensidtlaw1969
Well-Known Member
Agreed that the dark and mysterious Bride was best. Part of the genius of rides like Mansion and Pirates is that there's so much space for your imagination to mingle - the actions of the characters are well defined but their identities and motivations are often ambiguous enough for your mind to fill in the blanks as it sees fit.I kind of miss the days when the bride was often interpreted as a tragic character. (The backstory the cast members created for the old bride--which ended up in the Ghost Gallery book/webpage that is now part of the Haunted Mansion wiki) was inspired by an old legend of a bride playing hide-and-seek on her wedding day and suffocating in a trunk that got locked. It was the basis of a poem called "Ginevra" by Samuel Rogers and a ballad called "The Mistletoe Bough" by Thomas Haynes Bayly.) So I'd like to see them go back to that idea. Maybe, as a connection to one of Marc Davis' unused changing portrait concepts, the bride could age and decay into a skeleton as the doombuggies passed?
At the very least, Disneyland's Bride will be an improved illusion when the classic show returns next year. Still Constance, I believe, but more impressive than the effect we've been stuck with for nearly 20 years.