If you are looking for someone to blame for HHN no better place to start than these two. A whole lot of gore
Mike Aiello is no longer part of Orlando's HHN team. He's working on entertainment for Epic Universe now.
If you are looking for someone to blame for HHN no better place to start than these two. A whole lot of gore
he is why HHN existsMike Aiello is no longer part of Orlando's HHN team. He's working on entertainment for Epic Universe now.
...what? He didn't even work for Universal until 1996, and didn't start writing Bill & Ted (his first creative role) until 2003, when the event was already in its 13th year.he is why HHN exists
It wouldn't be what it is today without him. He is the spark and driver...what? He didn't even work for Universal until 1996, and didn't start writing Bill & Ted until 2003, when the event was already in its 13th year.
What is it today?It wouldn't be what it is today without him. He is the spark and driver
The premier Halloween event in the world? It didn't get that way by phoning in the houses and entertainment. From designing shows to managing set design those two molded what is presented today. Note Murdy's comment that they will start work on 2023 togetherWhat is it today?
So either one is moving to Epic, moving back to HHN, or HHN is moving to Epic after opening’sThe premier Halloween event in the world? It didn't get that way by phoning in the houses and entertainment. From designing shows to managing set design those two molded what is presented today. Note Murdy's comment that they will start work on 2023 together
If nothing else, HHN gives Universal a chance to show it can create original, non-IP, not screen based attractions.
But that's also what kind of makes it frustrating. Imagine if Dead Man's Pier was an indoor boat ride at IoA with AAs instead of live actors. It would be outstanding, possibly better than the Florida Pirates and a good fit thematically for the park. Maybe it could even be part of a larger creepy New England seaport area with a new Jaws ride too.
You'd think the popularity of these houses would show the potential to upper management for original dark rides, but alas...
So HHN didn't have shows or set design until Aiello joined? And Murdy can take all the credit he wants for Hollywood's unimaginative use of IPs (a trend that has since infected Orlando's event for the sake of corporate synergy) but he hasn't influenced our event in any positive way. Even Hollywood's fans don't like him. I'm fine with Aiello, he's had a lot of good ideas & written some great (and not-so-great) Bill & Ted shows, but to someone like myself who's been attending HHN since before he was even involved creatively (and has met the people he used to work with), giving him full credit for HHN's existence sounds more than a little bizarre. He started out as a scareactor. That's like working the cash register at a store you "molded."The premier Halloween event in the world? It didn't get that way by phoning in the houses and entertainment. From designing shows to managing set design those two molded what is presented today. Note Murdy's comment that they will start work on 2023 together
I also think the Frequent Fear passes are clearly not expensive enough.
I've also been saying this for years, but the houses would feel more fresh if they cut the jumpscares by 50%.
The scares are strategically placed. If a room has multiple scares, that's by design. Sometimes they get the timing off, but every scare is supposed to serve a purpose. While it would be nice if HHN's houses could build more tension between scares, they don't really have the sort of length needed to do that. You also have to remember that with this "conga line" format, you're bound to miss a number of scares during a single runthrough. Start removing scares and you could potentially go multiple scenes without seeing any and the house will start to feel understaffed. I do think some actors have had their scare intervals shortened far too much to overcompensate for that potential for missed scares, with some of them literally doing their routine every couple of seconds, but I don't think actually removing scares is the answer.When they happen literally every few feet, they aren't scary or surprising, they're just redundant. Less jumpscares that are more strategically placed would be more effective.
I do think some actors have had their scare intervals shortened far too much to overcompensate for that potential for missed scares, with some of them literally doing their routine every couple of seconds, but I don't think actually removing scares is the answer.
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