tcsnwhite
Member
Steve has been doing this work for 25+ years. He knows what he's doing. After it's handed over to that particular resort's entertainment operations, the responsibility now lies on them to keep it up.Nope, I can understand maybe why two of the three things weren't working. Steve seems like he gets a budget but never thinks about from a day to day production standpoint. Remember on the Peter Pan float concept where they were going to have Hook and Smee on the anchor...
Also isn't Sebastian on TLM float a hold over piece from SpectroMagic maybe termites have infested that float...
As for Hook/Smee...that was a concept. Placement of performers will change through the process, and even after opening. Not uncommon.
And while Sebastian and other elements/floats are from other productions, they all got thorough refurbishments.
I find this to be a little uneducated. You don't work in theater or live entertainment, else you'd understand how this statement is not only ridiculous, but offensive.
Technologies like close-proximity flame effects have a lot of hoops to go through. Everything from Safety Committees, to (government employed) Fire Marshals can take an effect out of show for various reasons until they are satisfied with the end result.
If you payed any attention, you'd realize that this parade uses a new method of float tracking that negates the need for "Bed-Loops" such as the one in Disney's Electrical Parade. The parade communicates in real time utilizing data from GPS, NFC, and a host of other technologies to recognize where it is. It relays this information to a server which adjusts the area music (not just the music on the parade units) to the correct track. This has never been done before. By anyone.
When the iPhone debuted in 2007, it had a host of problems. When the iOS 7 update was released, it had a host of problems. Technical glitches are common amongst new, groundbreaking technologies.
If you're going to "hold Disney to the standards they used to hold themselves to" then you should understand that Disney no longer aims for the same standards. Lawsuits, new technologies, increased capacity all play a part in why Disney makes the decisions it does (mainly lawsuits and liability).
This new parade is phenomenal, regardless of the technical glitches it has in it's opening week. I honestly can't think of any broadway production I've been a part of that had a flawless first week.
There were weeks of overnights. Many performers were on 16+ hour days because of this.
Again, an uneducated response that assumes technical glitches could only be the product of poor planning and execution.
EDIT: I guess what I'm trying to say is this:
The ONLY people educated enough to actually complain about issues with the BRAND NEW parade are the people making it happen on a daily operation -- ya know, the ones who really have to deal with the issues. I'm tired of reading cynicism over everything Disney does because it shows a complete lack of regard for the technicians, performers, stage managers, parade captains, and Cast Members who actually have to deal with the issues -- both from the technical challenges and from the complaints.
One would think that everyone would just be happy Disney didn't recycle the Crystal Castle float again -- but no, there's just something else for people to complain about.
THANK YOU MonorailOne for the incredible insight to how Disney Parades work. This is greatly appreciated. Truly.
And please feel free to share more (of what you can)!
And I did not detect any condescension. You needed to clear the air about misinformation coming from people who already seem to have a chip on their shoulder. As others said, you phrased it all very well.