It’s not an awful one. I’ve said before that harming Pixar by associating it in the public consciousness with streaming is the one major stumble that can be wholly pinned on Chapek. Pixar is still a name that denotes quality and inspires nostalgia, however, and it’s creative machinery is intact - the pandemic films were critically and popularly acclaimed and the one real flop, Lightyear, was both a corporately-mandated IP film and a major culture war target. Disney would certainly like Pixar to be where it was in, say, 2015, but pretty much any other studio in town would be happy to have it.