jt04
Well-Known Member
The “little witch” is a screen.
I’d honestly take anything ride wise in PFH.
I knew it was a screen but the way they are using projections just keep getting better.
The “little witch” is a screen.
I’d honestly take anything ride wise in PFH.
These people are miserable and they won’t rest until everyone else in the world has as much of a miserable and joyless life as them.Shut 'er down-
Disneyland's new Snow White ride adds magic, but also a problem
One of the major issues from the 1938 movie has been added.www.sfgate.com
Oh.Shut 'er down-
Disneyland's new Snow White ride adds magic, but also a problem
One of the major issues from the 1938 movie has been added.www.sfgate.com
I still prefer the MK version which was an extra minute long, but the enhancements would’ve been nice. Oh well, it’s not in existence anymore as it is.Saw Justin's video (granted it is heavily edited) but the presentation looked fantastic to me. Loved the little leota-esque version of the witch!
TDO needs to make the case for cloning the attraction to the MK. IMO.
And while they're at it, get the same team to similarly enhance the Little Mermaid ride at the MK.
And bring back Mr Toad.
I still prefer the MK version which was an extra minute long, but the enhancements would’ve been nice. Oh well, it’s not in existence anymore as it is.
I think the forced perspective is what makes it so appealing. I typically find that screen projections portraying characters at a “distance” is more impressive, for whatever reason. This one’s no different.I knew it was a screen but the way they are using projections just keep getting better.
I think the forced perspective is what makes it so appealing. I typically find that screen projections portraying characters at a “distance” is more impressive, for whatever reason. This one’s no different.
Their mixing of screens and physical sets is extremely hit or miss. In some cases, like the new witch on the cliff, the butterflies on Alice, and the opening scene of Runaway Railway, the blending is seamless.Agreed. They are mastering the art of mixing sets and animation. I still think there is more potential to be mined at Imagineering with these new technologies.
Can't wait to see what they do with the PatF at WDW.
The NRJ work well i thinkTheir mixing of screens and physical sets is extremely hit or miss. In some cases, like the new witch on the cliff, the butterflies on Alice, and the opening scene of Runaway Railway, the blending is seamless.
But most of the time, they put a screen in an attractive frame, and the effect isn’t as remotely convincing. Ie. the Dwarfs on a log in enchanted wish, Navi River, the White Rabbit in Alice, Gran Fiesta Tour, the backdrops on Frozen, Toy Story Mania, etc.
Depends on the effect. The frogs (or whatever they are) overhead jumping on the plants? Phenomenal.The NRJ work well i think
I saw it mentioned, but here's Justin Scarred's video. His commentary aside, his footage is the real deal: 4K, low light, high frame rate allowing slowed down motion to capture all the detail, wide angle lenses to grasp the whole scene, the works!
Great little details.
These people are miserable and they won’t rest until everyone else in the world has as much of a miserable and joyless life as them.
That mirror smashing scene is so tacky. It is technically impressive, but it doesn’t fit the tone of the film nor the ride. It also makes the ride feel more rushed.
The way that the glass shards appear to scatter off the mirror is convincing.I don't even find it technically impressive... it's a projection of a mirror shattering on a screen shaped like a mirror. It's placement is also ridiculous, just kind of shoved under the bridge.
Oh gosh…
Disneyland's updated Snow White ride draws backlash over sleeping kiss
The theme park in Anaheim, California reopened on Friday after shutting down for more than a year in the pandemic, and featured a significant overhaul of the classic Snow White ride.www.dailymail.co.uk
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